Hong Kong Cinema and Sinophone Transnationalisms / / See Kam Tan.
Hong Kong Cinema and Sinophone Transnationalisms explores the intricate complexity of selected films and film-making practices from 1930s Hong Kong (and Shanghai) to the later ‘new wave’ phenomenon of the 1980s. The result is a Sinophone cinema that created some very different ways of understanding...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Edinburgh Studies in East Asian Film : ESEAF
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| Online Access: | |
| Physical Description: | 1 online resource (368 p.) :; 21 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- A Note on Language
- Preface
- PART I NEW BEGINNINGS
- Chapter 1 Locating Sinophone Cinema
- Chapter 2 The Sinifi cation of Early Shanghai and Hong Kong Cinema
- PART II NEW DIRECTIONS
- Chapter 3 Huangmei diao pian
- Chapter 4 Caizi/Jiaren Romance in Disguise
- Chapter 5 Fanchuan Acting: Cross-dressing and Performative Transsexualities
- PART III NEW IMAGINARIES
- Chapter 6 Tongzhi Articulations in Fengyue Films
- Chapter 7 Transness: Hong Kong’s Bond Movies (Bangpian)
- PART IV NEW WAVES
- Chapter 8 Tsui Hark: Accented Cinema
- Chapter 9 Tsui Hark: Time-bomb Cinema
- Chapter 10 Tsui Hark: New Localisms
- Afterword
- Appendix 1: A Selection of Chineselanguage Opera Film Avatars
- Appendix 2: Glossary of Chineselanguage Film Titles
- Appendix 3: Glossary of Chineselanguage Persons, Film Companies/ Studios, Opera Troupes and Media
- Appendix 4: Glossary of Chineselanguage Terms and Phrases
- Filmography and TV Resources
- References and Further Reading
- Index