The Pulse in Cinema : : The Aesthetics of Horror / / Sharon Jane Mee.
A philosophical enquiry into the pulse as the affective force in cinemaDevelops a concept of the pulse and argues for the importance of its use in cinema spectatorship theoryBuilds on ideas of rhythm in early and experimental cinema to develop a progressive theory that is valuable for a cinematic un...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (232 p.) :; 26 B/W illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Introduction
- 1. The Rhythm of Life: The Pulse in the Image
- 2. The Rhythm of Life: The Pulse in the Spectator
- 3. Aisthesis and Dispositif: The Pulse and Its Analogues
- 4. Automutilation and Metonymy: The Economy of the Pulse
- 5. Blood and Convulsive Affect: Vectors of the Pulse as Sovereign Operations
- Bibliography
- Filmography
- Index