The Pulse in Cinema : : The Aesthetics of Horror / / Sharon Jane Mee.

A philosophical enquiry into the pulse as the affective force in cinemaDevelops a concept of the pulse and argues for the importance of its use in cinema spectatorship theoryBuilds on ideas of rhythm in early and experimental cinema to develop a progressive theory that is valuable for a cinematic un...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2020
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (232 p.) :; 26 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • Figures
  • Acknowledgements
  • Introduction
  • 1. The Rhythm of Life: The Pulse in the Image
  • 2. The Rhythm of Life: The Pulse in the Spectator
  • 3. Aisthesis and Dispositif: The Pulse and Its Analogues
  • 4. Automutilation and Metonymy: The Economy of the Pulse
  • 5. Blood and Convulsive Affect: Vectors of the Pulse as Sovereign Operations
  • Bibliography
  • Filmography
  • Index