Feminist Film Theory : : A Reader / / Sue Thornham.
Brings together the key statements from the main debates in feminist film theory in Britain and the United States since 1970 Divided into six sections for ease of use: Taking up the Struggle; The Language of Theory; The Female Spectator; Textual Negotiations; Fantasy, Horror and the Body; Re-Thinkin...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©1999 |
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Thornham, Sue, author. aut http://id.loc.gov/vocabulary/relators/aut Feminist Film Theory : A Reader / Sue Thornham. Edinburgh : Edinburgh University Press, [2022] ©1999 1 online resource (320 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- Introduction -- Part I: Taking up the Struggle -- Introduction -- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ -- 2. ‘The Woman’s Film’ -- 3. ‘Women’s Cinema as Counter-Cinema’ -- 4. ‘The Crisis of Naming in Feminist Film Criticism’ -- Further Reading -- Part II: The Language of Theory -- Introduction -- 5. ‘Visual Pleasure and Narrative Cinema’ -- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ -- 7. ‘Oedipus Interruptus’ -- 8. ‘Lost Objects and Mistaken Subjects’ -- Further Reading -- Part III: The Female Spectator -- Introduction -- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ -- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ -- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ -- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ -- Further Reading -- Part IV: Textual Negotiations -- Introduction -- 13. ‘Pleasurable Negotiations’ -- 14. ‘Video Replay: Families, Films and Fantasy’ -- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ -- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' -- Further Reading -- Part V: Fantasy, Horror and the Body -- Introduction -- 17. ‘Her Body, Himself: Gender in the Slasher Film’ -- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ -- 19. ‘Film Bodies: Gender, Genre and Excess’ -- Further Reading -- Part VI: Re-thinking Differences -- Introduction -- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- 21. ‘The Oppositional Gaze: Black Female Spectators’ -- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- Further Reading -- Copyright Acknowledgements -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Brings together the key statements from the main debates in feminist film theory in Britain and the United States since 1970 Divided into six sections for ease of use: Taking up the Struggle; The Language of Theory; The Female Spectator; Textual Negotiations; Fantasy, Horror and the Body; Re-Thinking DifferencesAn introduction setting out the key debates in feminist film theoryIntroductions to each sectionThe book maps the impact of major theoretical developments - structuralist and semiotic theory; psychoanalysis; theories of ideology, language and discourse - on this growing field, in terms of both theoretical shifts and changes in methodologies. The relationship of feminist film theory to feminist media and cultural studies is outlined, as is the relationship between developments in feminist film theory and feminist film making. Includes readings from Laura Mulvey, Jacqueline Rose, Mary Ann Doane, Tania Modleski, Annette Kuhn, Jackie Stacey, Elizabeth Cowey, Linda Williams, bell hooks, Teresa de Lauretis. For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation and identity have been fought. This anthology seeks to chart the history of those debates, bringing together the key statements in feminist film theory in Britain and the United States since 1970. The book maps the impact of major theoretical developments in this growing field - from structuralism and psychoanalysis to post-colonial theory, queer theory and postmodernism in the 1990s - interms of both theoretical shifts and changes in methodologies. Organised into six sections, the readings deal with a wide range of topics: oppressive images; woman" as fetishised object of desire; female spectatorship; film audiences; issues of fantasy and desire in popular film; and the cinematic pleasures of black women and lesbian women. The centrality of a feminist "politics of vision" unites all the readings in this book.Key Features" Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Feminism and motion pictures. Feminist film criticism. Women in motion pictures. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Butler, Judith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Citron, Michelle, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Clover, Carol J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Creed, Barbara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Doane, Mary Ann, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gaines, Jane, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gledhill, Christine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Haskell, Molly, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hooks, Bell, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Johnston, Claire, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kuhn, Annette, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lauretis, Teresa de, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lesage, Julia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mayne, Judith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Modleski, Tania, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mulvey, Laura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rich, B. Ruby, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Silverman, Kaja, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Sharon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stacey, Jackie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Staiger, Janet, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Taylor, Anna Marie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Walkerdine, Valerie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, Linda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Archive eBook-Package Pre-2000 9783110780475 print 9780748609598 https://doi.org/10.1515/9781474473224 https://www.degruyter.com/isbn/9781474473224 Cover https://www.degruyter.com/document/cover/isbn/9781474473224/original |
language |
English |
format |
eBook |
author |
Thornham, Sue, Thornham, Sue, |
spellingShingle |
Thornham, Sue, Thornham, Sue, Feminist Film Theory : A Reader / Frontmatter -- CONTENTS -- Introduction -- Part I: Taking up the Struggle -- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ -- 2. ‘The Woman’s Film’ -- 3. ‘Women’s Cinema as Counter-Cinema’ -- 4. ‘The Crisis of Naming in Feminist Film Criticism’ -- Further Reading -- Part II: The Language of Theory -- 5. ‘Visual Pleasure and Narrative Cinema’ -- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ -- 7. ‘Oedipus Interruptus’ -- 8. ‘Lost Objects and Mistaken Subjects’ -- Part III: The Female Spectator -- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ -- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ -- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ -- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ -- Part IV: Textual Negotiations -- 13. ‘Pleasurable Negotiations’ -- 14. ‘Video Replay: Families, Films and Fantasy’ -- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ -- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' -- Part V: Fantasy, Horror and the Body -- 17. ‘Her Body, Himself: Gender in the Slasher Film’ -- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ -- 19. ‘Film Bodies: Gender, Genre and Excess’ -- Part VI: Re-thinking Differences -- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- 21. ‘The Oppositional Gaze: Black Female Spectators’ -- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- Copyright Acknowledgements -- Index |
author_facet |
Thornham, Sue, Thornham, Sue, Butler, Judith, Butler, Judith, Citron, Michelle, Citron, Michelle, Clover, Carol J., Clover, Carol J., Creed, Barbara, Creed, Barbara, Doane, Mary Ann, Doane, Mary Ann, Gaines, Jane, Gaines, Jane, Gledhill, Christine, Gledhill, Christine, Haskell, Molly, Haskell, Molly, Hooks, Bell, Hooks, Bell, Johnston, Claire, Johnston, Claire, Kuhn, Annette, Kuhn, Annette, Lauretis, Teresa de, Lauretis, Teresa de, Lesage, Julia, Lesage, Julia, Mayne, Judith, Mayne, Judith, Modleski, Tania, Modleski, Tania, Mulvey, Laura, Mulvey, Laura, Rich, B. Ruby, Rich, B. Ruby, Silverman, Kaja, Silverman, Kaja, Smith, Sharon, Smith, Sharon, Stacey, Jackie, Stacey, Jackie, Staiger, Janet, Staiger, Janet, Taylor, Anna Marie, Taylor, Anna Marie, Walkerdine, Valerie, Walkerdine, Valerie, Williams, Linda, Williams, Linda, |
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Butler, Judith, Butler, Judith, Citron, Michelle, Citron, Michelle, Clover, Carol J., Clover, Carol J., Creed, Barbara, Creed, Barbara, Doane, Mary Ann, Doane, Mary Ann, Gaines, Jane, Gaines, Jane, Gledhill, Christine, Gledhill, Christine, Haskell, Molly, Haskell, Molly, Hooks, Bell, Hooks, Bell, Johnston, Claire, Johnston, Claire, Kuhn, Annette, Kuhn, Annette, Lauretis, Teresa de, Lauretis, Teresa de, Lesage, Julia, Lesage, Julia, Mayne, Judith, Mayne, Judith, Modleski, Tania, Modleski, Tania, Mulvey, Laura, Mulvey, Laura, Rich, B. Ruby, Rich, B. Ruby, Silverman, Kaja, Silverman, Kaja, Smith, Sharon, Smith, Sharon, Stacey, Jackie, Stacey, Jackie, Staiger, Janet, Staiger, Janet, Taylor, Anna Marie, Taylor, Anna Marie, Walkerdine, Valerie, Walkerdine, Valerie, Williams, Linda, Williams, Linda, |
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author_sort |
Thornham, Sue, |
title |
Feminist Film Theory : A Reader / |
title_sub |
A Reader / |
title_full |
Feminist Film Theory : A Reader / Sue Thornham. |
title_fullStr |
Feminist Film Theory : A Reader / Sue Thornham. |
title_full_unstemmed |
Feminist Film Theory : A Reader / Sue Thornham. |
title_auth |
Feminist Film Theory : A Reader / |
title_alt |
Frontmatter -- CONTENTS -- Introduction -- Part I: Taking up the Struggle -- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ -- 2. ‘The Woman’s Film’ -- 3. ‘Women’s Cinema as Counter-Cinema’ -- 4. ‘The Crisis of Naming in Feminist Film Criticism’ -- Further Reading -- Part II: The Language of Theory -- 5. ‘Visual Pleasure and Narrative Cinema’ -- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ -- 7. ‘Oedipus Interruptus’ -- 8. ‘Lost Objects and Mistaken Subjects’ -- Part III: The Female Spectator -- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ -- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ -- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ -- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ -- Part IV: Textual Negotiations -- 13. ‘Pleasurable Negotiations’ -- 14. ‘Video Replay: Families, Films and Fantasy’ -- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ -- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' -- Part V: Fantasy, Horror and the Body -- 17. ‘Her Body, Himself: Gender in the Slasher Film’ -- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ -- 19. ‘Film Bodies: Gender, Genre and Excess’ -- Part VI: Re-thinking Differences -- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- 21. ‘The Oppositional Gaze: Black Female Spectators’ -- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- Copyright Acknowledgements -- Index |
title_new |
Feminist Film Theory : |
title_sort |
feminist film theory : a reader / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (320 p.) |
contents |
Frontmatter -- CONTENTS -- Introduction -- Part I: Taking up the Struggle -- 1.‘The Image of Women in Film: Some Suggestions for Future Research’ -- 2. ‘The Woman’s Film’ -- 3. ‘Women’s Cinema as Counter-Cinema’ -- 4. ‘The Crisis of Naming in Feminist Film Criticism’ -- Further Reading -- Part II: The Language of Theory -- 5. ‘Visual Pleasure and Narrative Cinema’ -- 6. ‘Caught and Rebecca: The Inscription of Femininity as Absence’ -- 7. ‘Oedipus Interruptus’ -- 8. ‘Lost Objects and Mistaken Subjects’ -- Part III: The Female Spectator -- 9. ‘Women and Film: A Discussion of Feminist Aesthetics’ -- 10. ‘Afterthoughts on “Visual Pleasure and Narrative Cinema” inspired by King Vidor’s Duel in the Sun (1946)’ -- 11. ‘Film and the Masquerade: Theorising the Female Spectator’ -- 12. ‘Women’s Genres: Melodrama, Soap Opera and Theory’ -- Part IV: Textual Negotiations -- 13. ‘Pleasurable Negotiations’ -- 14. ‘Video Replay: Families, Films and Fantasy’ -- 15. ‘Feminine Fascinations: Forms of Identification in Star-Audience Relations’ -- 16. ‘Taboos and Totems: Cultural Meanings of The Silence of the Lambs' -- Part V: Fantasy, Horror and the Body -- 17. ‘Her Body, Himself: Gender in the Slasher Film’ -- 18. ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’ -- 19. ‘Film Bodies: Gender, Genre and Excess’ -- Part VI: Re-thinking Differences -- 20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- 21. ‘The Oppositional Gaze: Black Female Spectators’ -- 22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- 23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- Copyright Acknowledgements -- Index |
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PN 41995.9 W6 F465 41999EB |
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https://doi.org/10.1515/9781474473224 https://www.degruyter.com/isbn/9781474473224 https://www.degruyter.com/document/cover/isbn/9781474473224/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
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791.43082 |
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</subfield><subfield code="t">Introduction -- </subfield><subfield code="t">20. ‘White Privilege and Looking Relations: Race and Gender in Feminist Film Theory’ -- </subfield><subfield code="t">21. ‘The Oppositional Gaze: Black Female Spectators’ -- </subfield><subfield code="t">22. ‘Cinema and the Dark Continent: Race and Gender in Popular Film’ -- </subfield><subfield code="t">23. ‘Gender is Burning: Questions of Appropriation and Subversion’ -- </subfield><subfield code="t">Further Reading -- </subfield><subfield code="t">Copyright Acknowledgements -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Brings together the key statements from the main debates in feminist film theory in Britain and the United States since 1970 Divided into six sections for ease of use: Taking up the Struggle; The Language of Theory; The Female Spectator; Textual Negotiations; Fantasy, Horror and the Body; Re-Thinking DifferencesAn introduction setting out the key debates in feminist film theoryIntroductions to each sectionThe book maps the impact of major theoretical developments - structuralist and semiotic theory; psychoanalysis; theories of ideology, language and discourse - on this growing field, in terms of both theoretical shifts and changes in methodologies. The relationship of feminist film theory to feminist media and cultural studies is outlined, as is the relationship between developments in feminist film theory and feminist film making. Includes readings from Laura Mulvey, Jacqueline Rose, Mary Ann Doane, Tania Modleski, Annette Kuhn, Jackie Stacey, Elizabeth Cowey, Linda Williams, bell hooks, Teresa de Lauretis. For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation and identity have been fought. This anthology seeks to chart the history of those debates, bringing together the key statements in feminist film theory in Britain and the United States since 1970. The book maps the impact of major theoretical developments in this growing field - from structuralism and psychoanalysis to post-colonial theory, queer theory and postmodernism in the 1990s - interms of both theoretical shifts and changes in methodologies. Organised into six sections, the readings deal with a wide range of topics: oppressive images; woman" as fetishised object of desire; female spectatorship; film audiences; issues of fantasy and desire in popular film; and the cinematic pleasures of black women and lesbian women. The centrality of a feminist "politics of vision" unites all the readings in this book.Key Features"</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Feminism and motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Feminist film criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Women in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Butler, Judith, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Citron, Michelle, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Clover, Carol J., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Creed, Barbara, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Doane, Mary Ann, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gaines, Jane, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gledhill, Christine, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Haskell, Molly, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hooks, Bell, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Johnston, Claire, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kuhn, Annette, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lauretis, Teresa de, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lesage, Julia, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mayne, Judith, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Modleski, Tania, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mulvey, Laura, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rich, B. 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