New Punk Cinema / / Nicholas Rombes.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
• VerfasserIn: Rombes, Nicholas,
• MitwirkendeR: Chaudhuri, Shohini,; Dugdale, Timothy,; Gaggi, Silvio,; Halligan, Benjamin,; Harper, Graeme,; Isaacs, Bruce,; Lessard, Bruno,; McRoy, Jay,; Mendik, Xavier,; Rombes, Nicholas,; Rubio, Steven,; Thompson, Stacy,; Verevis, Constantine,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2005
• Year of Publication: 2022
• Language: English
• Series: Traditions in World Cinema : TWC
• Physical Description: 1 online resource (224 p.)

New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream.New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema.Key FeaturesOffers a comprehensive examination of the term 'new punk' cinema.Provides several new approaches for the study of digital cinema.Includes close analysis of several key new punk films and directors.

Table of Contents

Frontmatter -- Contents -- Notes on the contributors -- Acknowledgements -- Introduction -- Part I Backgrounds and contexts -- 1. Punk cinema -- 2 Italian Neo-realist influences -- 3 The french nee wave: new again -- 4 Sincerity and irony -- Part II Screening new punk cinema -- 5 DVD and the new cinema complexity -- 6 Digital technologies and the poetics of performance -- 7 Navigating chaos -- 8 Non-linear narrative -- 9 Making it real -- Part III Case studies -- 10 Dogma brothers: Lars von Trier an Thomas Vinterberg -- 11 Mike Figgis: time code and the screen -- 12 What was the neo-underground and what wasn't: a first reconsideration of Harmony Korine -- 13 Repo man: reclaiming the spirit of punk with Alex Cox -- Bibliography -- Index