The Edinburgh Companion to the Bible and the Arts / / Stephen Prickett.
An authoritative assessment of the changing relationship between the Bible and the artsIn this unique Companion, 35 scholars, from world-famous to just beginning, explore the role of the Bible in art and of artistic motifs in the Bible. Specially commissioned chapters demonstrate that just as the ar...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2014 |
Year of Publication: | 2022 |
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Prickett, Stephen, author. aut http://id.loc.gov/vocabulary/relators/aut The Edinburgh Companion to the Bible and the Arts / Stephen Prickett. Edinburgh : Edinburgh University Press, [2022] ©2014 1 online resource (608 p.) : 66 B/W illustrations 72 colour illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Companions to Literature and the Humanities Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- PLATES -- CONTRIBUTORS -- 1 INTRODUCTION -- I: Inspiration and Theory -- 2 ‘WHAT HAS ATHENS TO DO WITH JERUSALEM?’ THE BIBLICAL CHAIN-GANG -- 3 HEBREW AESTHETICS AND JEWISH BIBLICAL EXEGESIS -- 4 MIGNE’S ACHIEVEMENT AND THE MODERN TRANSMISSION OF ANCIENT MANUSCRIPTS -- 5 AUGUSTINE ON BEAUTY: A BIBLICAL AESTHETICS -- 6 SUBLIMITY AS RESISTANCE TO FORM IN THE EARLY MODERN BIBLE -- 7 ‘A BABEL OF BIBLES’: AESTHETICS, TRANSLATION AND INTERPRETATION SINCE 1885 -- 8 LEST THE STORY BE LOST: BIBLICAL FICTION -- 9 THE BIBLE AND PHENOMENOLOGY -- II: Art and Architecture -- 10 THE GOSPEL OF JOHN IN EARLY CHRISTIAN ART -- 11 IMAGES OF CONFLICT: THE ART OF ANTI-JUDAISM IN FIFTH-CENTURY ROME -- 12 A SHARED TRADITION: THE DECORATED PAGES OF MEDIEVAL BIBLES AND QUR’ANS -- 13 SPEAKING PICTURES: MEDIEVAL RELIGIOUS ART AND ITS VIEWERS -- 14 THE ICONOGRAPHY OF THE CROSS AS THE GREEN TREE -- 15 ART AND THE RESURRECTION NARRATIVES -- 16 COVENANTS AND CONNECTIONS: THE SASSETTI CHAPEL, SANTA TRINITA: SCENES FROM THE LIFE OF ST FRANCIS, GHIRLANDAIO, 1479–85 -- 17 WHO FRAMED BATHSHEBA? -- 18 THE FRESCO DECORATION IN THE SISTINE CHAPEL: BIBLICAL AUTHORITY AND THE CHURCH OF ROME -- 19 THE MATERIALITY AND ICONOGRAPHY OF THE COVERDALE BIBLE (1535) TITLE PAGE IN CONTEXT -- 20 MOSES AND EIGHTEENTH-CENTURY RELIGIOUS ART -- 21 BLAKE: TEXT AND IMAGE -- 22 ‘FOR THINE IS THE KINGDOM’: PORTRAYING THE BIBLE IN NINETEENTH-CENTURY STAINED GLASS -- 23 VAN GOGH: FRAMING A BIBLICAL VISION -- 24 COVENTRY CATHEDRAL: CONCEPT, REASONS AND REALITY -- III: Literature -- 25 SACRED POETRY: WATTS AND WESLEY -- 26 THE BIBLE INTERPRETED BY HYMNS -- 27 THE ART OF UNVEILING: BIBLICAL APOCALYPSE -- 28 THE DIVINE COMEDY AS THE WORD OF GOD -- 29 THE MEDIEVAL BIBLE AS LITERATURE -- 30 HOMER WRITES BACK: RHETORICAL ART AND BIBLICAL EPIC JUSTICE IN PARADISE LOST -- 31 BIBLICAL AND SEVENTEENTHCENTURY POETRY: THE CASE OF THE PSALMS AND GEORGE HERBERT -- 32 FROM VIRTUE TO GOODNESS: BIBLICAL VALUES IN VICTORIAN LITERATURE -- 33 THE MIRROR OF THE LAW OF LIBERTY: REFLECTING THE HIDDEN CHRIST IN GEORGE MACDONALD’S LILITH -- 34 FIGURATIVE LITERALISM: THE IMAGE OF THE CREATOR IN NINETEENTH-CENTURY BRITISH LITERATURE -- 35 FROM SATIRE TO SANCTITY: THE PROPHETIC BOOKS IN T. S. ELIOT’S POETRY -- 36 IMITATIO PILATI ET CHRISTI IN MODERN HISTORICAL DRAMA -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star An authoritative assessment of the changing relationship between the Bible and the artsIn this unique Companion, 35 scholars, from world-famous to just beginning, explore the role of the Bible in art and of artistic motifs in the Bible. Specially commissioned chapters demonstrate that just as the arts have portrayed biblical stories in a variety of ways and media over the centuries, so what we call ‘the’ Bible is not actually a single entity but has been composed of fiercely contested translations of texts in many languages, whose selection has depended historically on a variety of cultural pressures, theological, social, and, not least, aesthetic.Key FeaturesDivided into 3 sections, Inspiration and Theory, Art and Architecture, and LiteratureGenerously illustratedCovers aesthetic interpretations of specific biblical books; of the Hebrew and Christian Bibles as a whole; the transmission of biblical texts; various bindings and illustrations of Bibles – in response to pressures as diverse as Islamic craftsmanship and the English ReformationIncludes biblical influences on poetry, painting, church architecture, decoration, and stained glass; on poetry, hymns, novels, plays, and fantasy literatureSpans the earliest days of the Christian era to the present Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) Arts in the Bible. Christian art and symbolism. Literary Studies. LITERARY CRITICISM / Reference. bisacsh Alexander, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Aston, Nigel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bear, Bethany, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bielby, Nicholas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Burdon, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cohen, Mordechai Z., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dickinson, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Donnelly, Phillip J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Erskine-Hill, Patricia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gill, Robin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gorak, Jan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hart, Kevin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Herbert, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hodgkins, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hosking, Sarah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Irvine, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jensen, Robin M, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kraebel, A. B., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Latré, Guido, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lawson, Daphne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lennartz, Norbert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lyle Jeffrey, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mann, Vivian B., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Minnis, Alastair, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Moseley, Charles, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ossa-Richardson, Anthony, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Parlby, Geri, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Prickett, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rankin, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reddaway, Chloë, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rogers, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rowland, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schramm, Jan-Melissa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Shirley, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Watson, J. R, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Westbrook, Vivienne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, D. H., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 9783110780451 https://doi.org/10.1515/9781474471794 https://www.degruyter.com/isbn/9781474471794 Cover https://www.degruyter.com/document/cover/isbn/9781474471794/original |
language |
English |
format |
eBook |
author |
Prickett, Stephen, Prickett, Stephen, |
spellingShingle |
Prickett, Stephen, Prickett, Stephen, The Edinburgh Companion to the Bible and the Arts / Edinburgh Companions to Literature and the Humanities Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- PLATES -- CONTRIBUTORS -- 1 INTRODUCTION -- I: Inspiration and Theory -- 2 ‘WHAT HAS ATHENS TO DO WITH JERUSALEM?’ THE BIBLICAL CHAIN-GANG -- 3 HEBREW AESTHETICS AND JEWISH BIBLICAL EXEGESIS -- 4 MIGNE’S ACHIEVEMENT AND THE MODERN TRANSMISSION OF ANCIENT MANUSCRIPTS -- 5 AUGUSTINE ON BEAUTY: A BIBLICAL AESTHETICS -- 6 SUBLIMITY AS RESISTANCE TO FORM IN THE EARLY MODERN BIBLE -- 7 ‘A BABEL OF BIBLES’: AESTHETICS, TRANSLATION AND INTERPRETATION SINCE 1885 -- 8 LEST THE STORY BE LOST: BIBLICAL FICTION -- 9 THE BIBLE AND PHENOMENOLOGY -- II: Art and Architecture -- 10 THE GOSPEL OF JOHN IN EARLY CHRISTIAN ART -- 11 IMAGES OF CONFLICT: THE ART OF ANTI-JUDAISM IN FIFTH-CENTURY ROME -- 12 A SHARED TRADITION: THE DECORATED PAGES OF MEDIEVAL BIBLES AND QUR’ANS -- 13 SPEAKING PICTURES: MEDIEVAL RELIGIOUS ART AND ITS VIEWERS -- 14 THE ICONOGRAPHY OF THE CROSS AS THE GREEN TREE -- 15 ART AND THE RESURRECTION NARRATIVES -- 16 COVENANTS AND CONNECTIONS: THE SASSETTI CHAPEL, SANTA TRINITA: SCENES FROM THE LIFE OF ST FRANCIS, GHIRLANDAIO, 1479–85 -- 17 WHO FRAMED BATHSHEBA? -- 18 THE FRESCO DECORATION IN THE SISTINE CHAPEL: BIBLICAL AUTHORITY AND THE CHURCH OF ROME -- 19 THE MATERIALITY AND ICONOGRAPHY OF THE COVERDALE BIBLE (1535) TITLE PAGE IN CONTEXT -- 20 MOSES AND EIGHTEENTH-CENTURY RELIGIOUS ART -- 21 BLAKE: TEXT AND IMAGE -- 22 ‘FOR THINE IS THE KINGDOM’: PORTRAYING THE BIBLE IN NINETEENTH-CENTURY STAINED GLASS -- 23 VAN GOGH: FRAMING A BIBLICAL VISION -- 24 COVENTRY CATHEDRAL: CONCEPT, REASONS AND REALITY -- III: Literature -- 25 SACRED POETRY: WATTS AND WESLEY -- 26 THE BIBLE INTERPRETED BY HYMNS -- 27 THE ART OF UNVEILING: BIBLICAL APOCALYPSE -- 28 THE DIVINE COMEDY AS THE WORD OF GOD -- 29 THE MEDIEVAL BIBLE AS LITERATURE -- 30 HOMER WRITES BACK: RHETORICAL ART AND BIBLICAL EPIC JUSTICE IN PARADISE LOST -- 31 BIBLICAL AND SEVENTEENTHCENTURY POETRY: THE CASE OF THE PSALMS AND GEORGE HERBERT -- 32 FROM VIRTUE TO GOODNESS: BIBLICAL VALUES IN VICTORIAN LITERATURE -- 33 THE MIRROR OF THE LAW OF LIBERTY: REFLECTING THE HIDDEN CHRIST IN GEORGE MACDONALD’S LILITH -- 34 FIGURATIVE LITERALISM: THE IMAGE OF THE CREATOR IN NINETEENTH-CENTURY BRITISH LITERATURE -- 35 FROM SATIRE TO SANCTITY: THE PROPHETIC BOOKS IN T. S. ELIOT’S POETRY -- 36 IMITATIO PILATI ET CHRISTI IN MODERN HISTORICAL DRAMA -- INDEX |
author_facet |
Prickett, Stephen, Prickett, Stephen, Alexander, James, Alexander, James, Aston, Nigel, Aston, Nigel, Bear, Bethany, Bear, Bethany, Bielby, Nicholas, Bielby, Nicholas, Burdon, Christopher, Burdon, Christopher, Cohen, Mordechai Z., Cohen, Mordechai Z., Dickinson, David, Dickinson, David, Donnelly, Phillip J., Donnelly, Phillip J., Erskine-Hill, Patricia, Erskine-Hill, Patricia, Gill, Robin, Gill, Robin, Gorak, Jan, Gorak, Jan, Hart, Kevin, Hart, Kevin, Herbert, Christopher, Herbert, Christopher, Hodgkins, Christopher, Hodgkins, Christopher, Hosking, Sarah, Hosking, Sarah, Irvine, Christopher, Irvine, Christopher, Jensen, Robin M, Jensen, Robin M, Kraebel, A. B., Kraebel, A. B., Latré, Guido, Latré, Guido, Lawson, Daphne, Lawson, Daphne, Lennartz, Norbert, Lennartz, Norbert, Lyle Jeffrey, David, Lyle Jeffrey, David, Mann, Vivian B., Mann, Vivian B., Minnis, Alastair, Minnis, Alastair, Moseley, Charles, Moseley, Charles, Ossa-Richardson, Anthony, Ossa-Richardson, Anthony, Parlby, Geri, Parlby, Geri, Prickett, Stephen, Prickett, Stephen, Rankin, Mark, Rankin, Mark, Reddaway, Chloë, Reddaway, Chloë, Rogers, Christopher, Rogers, Christopher, Rowland, Christopher, Rowland, Christopher, Schramm, Jan-Melissa, Schramm, Jan-Melissa, Smith, Shirley, Smith, Shirley, Watson, J. R, Watson, J. R, Westbrook, Vivienne, Westbrook, Vivienne, Williams, D. H., Williams, D. H., |
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author2 |
Alexander, James, Alexander, James, Aston, Nigel, Aston, Nigel, Bear, Bethany, Bear, Bethany, Bielby, Nicholas, Bielby, Nicholas, Burdon, Christopher, Burdon, Christopher, Cohen, Mordechai Z., Cohen, Mordechai Z., Dickinson, David, Dickinson, David, Donnelly, Phillip J., Donnelly, Phillip J., Erskine-Hill, Patricia, Erskine-Hill, Patricia, Gill, Robin, Gill, Robin, Gorak, Jan, Gorak, Jan, Hart, Kevin, Hart, Kevin, Herbert, Christopher, Herbert, Christopher, Hodgkins, Christopher, Hodgkins, Christopher, Hosking, Sarah, Hosking, Sarah, Irvine, Christopher, Irvine, Christopher, Jensen, Robin M, Jensen, Robin M, Kraebel, A. B., Kraebel, A. B., Latré, Guido, Latré, Guido, Lawson, Daphne, Lawson, Daphne, Lennartz, Norbert, Lennartz, Norbert, Lyle Jeffrey, David, Lyle Jeffrey, David, Mann, Vivian B., Mann, Vivian B., Minnis, Alastair, Minnis, Alastair, Moseley, Charles, Moseley, Charles, Ossa-Richardson, Anthony, Ossa-Richardson, Anthony, Parlby, Geri, Parlby, Geri, Prickett, Stephen, Prickett, Stephen, Rankin, Mark, Rankin, Mark, Reddaway, Chloë, Reddaway, Chloë, Rogers, Christopher, Rogers, Christopher, Rowland, Christopher, Rowland, Christopher, Schramm, Jan-Melissa, Schramm, Jan-Melissa, Smith, Shirley, Smith, Shirley, Watson, J. R, Watson, J. R, Westbrook, Vivienne, Westbrook, Vivienne, Williams, D. H., Williams, D. H., |
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author_sort |
Prickett, Stephen, |
title |
The Edinburgh Companion to the Bible and the Arts / |
title_full |
The Edinburgh Companion to the Bible and the Arts / Stephen Prickett. |
title_fullStr |
The Edinburgh Companion to the Bible and the Arts / Stephen Prickett. |
title_full_unstemmed |
The Edinburgh Companion to the Bible and the Arts / Stephen Prickett. |
title_auth |
The Edinburgh Companion to the Bible and the Arts / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- PLATES -- CONTRIBUTORS -- 1 INTRODUCTION -- I: Inspiration and Theory -- 2 ‘WHAT HAS ATHENS TO DO WITH JERUSALEM?’ THE BIBLICAL CHAIN-GANG -- 3 HEBREW AESTHETICS AND JEWISH BIBLICAL EXEGESIS -- 4 MIGNE’S ACHIEVEMENT AND THE MODERN TRANSMISSION OF ANCIENT MANUSCRIPTS -- 5 AUGUSTINE ON BEAUTY: A BIBLICAL AESTHETICS -- 6 SUBLIMITY AS RESISTANCE TO FORM IN THE EARLY MODERN BIBLE -- 7 ‘A BABEL OF BIBLES’: AESTHETICS, TRANSLATION AND INTERPRETATION SINCE 1885 -- 8 LEST THE STORY BE LOST: BIBLICAL FICTION -- 9 THE BIBLE AND PHENOMENOLOGY -- II: Art and Architecture -- 10 THE GOSPEL OF JOHN IN EARLY CHRISTIAN ART -- 11 IMAGES OF CONFLICT: THE ART OF ANTI-JUDAISM IN FIFTH-CENTURY ROME -- 12 A SHARED TRADITION: THE DECORATED PAGES OF MEDIEVAL BIBLES AND QUR’ANS -- 13 SPEAKING PICTURES: MEDIEVAL RELIGIOUS ART AND ITS VIEWERS -- 14 THE ICONOGRAPHY OF THE CROSS AS THE GREEN TREE -- 15 ART AND THE RESURRECTION NARRATIVES -- 16 COVENANTS AND CONNECTIONS: THE SASSETTI CHAPEL, SANTA TRINITA: SCENES FROM THE LIFE OF ST FRANCIS, GHIRLANDAIO, 1479–85 -- 17 WHO FRAMED BATHSHEBA? -- 18 THE FRESCO DECORATION IN THE SISTINE CHAPEL: BIBLICAL AUTHORITY AND THE CHURCH OF ROME -- 19 THE MATERIALITY AND ICONOGRAPHY OF THE COVERDALE BIBLE (1535) TITLE PAGE IN CONTEXT -- 20 MOSES AND EIGHTEENTH-CENTURY RELIGIOUS ART -- 21 BLAKE: TEXT AND IMAGE -- 22 ‘FOR THINE IS THE KINGDOM’: PORTRAYING THE BIBLE IN NINETEENTH-CENTURY STAINED GLASS -- 23 VAN GOGH: FRAMING A BIBLICAL VISION -- 24 COVENTRY CATHEDRAL: CONCEPT, REASONS AND REALITY -- III: Literature -- 25 SACRED POETRY: WATTS AND WESLEY -- 26 THE BIBLE INTERPRETED BY HYMNS -- 27 THE ART OF UNVEILING: BIBLICAL APOCALYPSE -- 28 THE DIVINE COMEDY AS THE WORD OF GOD -- 29 THE MEDIEVAL BIBLE AS LITERATURE -- 30 HOMER WRITES BACK: RHETORICAL ART AND BIBLICAL EPIC JUSTICE IN PARADISE LOST -- 31 BIBLICAL AND SEVENTEENTHCENTURY POETRY: THE CASE OF THE PSALMS AND GEORGE HERBERT -- 32 FROM VIRTUE TO GOODNESS: BIBLICAL VALUES IN VICTORIAN LITERATURE -- 33 THE MIRROR OF THE LAW OF LIBERTY: REFLECTING THE HIDDEN CHRIST IN GEORGE MACDONALD’S LILITH -- 34 FIGURATIVE LITERALISM: THE IMAGE OF THE CREATOR IN NINETEENTH-CENTURY BRITISH LITERATURE -- 35 FROM SATIRE TO SANCTITY: THE PROPHETIC BOOKS IN T. S. ELIOT’S POETRY -- 36 IMITATIO PILATI ET CHRISTI IN MODERN HISTORICAL DRAMA -- INDEX |
title_new |
The Edinburgh Companion to the Bible and the Arts / |
title_sort |
the edinburgh companion to the bible and the arts / |
series |
Edinburgh Companions to Literature and the Humanities |
series2 |
Edinburgh Companions to Literature and the Humanities |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (608 p.) : 66 B/W illustrations 72 colour illustrations |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- PLATES -- CONTRIBUTORS -- 1 INTRODUCTION -- I: Inspiration and Theory -- 2 ‘WHAT HAS ATHENS TO DO WITH JERUSALEM?’ THE BIBLICAL CHAIN-GANG -- 3 HEBREW AESTHETICS AND JEWISH BIBLICAL EXEGESIS -- 4 MIGNE’S ACHIEVEMENT AND THE MODERN TRANSMISSION OF ANCIENT MANUSCRIPTS -- 5 AUGUSTINE ON BEAUTY: A BIBLICAL AESTHETICS -- 6 SUBLIMITY AS RESISTANCE TO FORM IN THE EARLY MODERN BIBLE -- 7 ‘A BABEL OF BIBLES’: AESTHETICS, TRANSLATION AND INTERPRETATION SINCE 1885 -- 8 LEST THE STORY BE LOST: BIBLICAL FICTION -- 9 THE BIBLE AND PHENOMENOLOGY -- II: Art and Architecture -- 10 THE GOSPEL OF JOHN IN EARLY CHRISTIAN ART -- 11 IMAGES OF CONFLICT: THE ART OF ANTI-JUDAISM IN FIFTH-CENTURY ROME -- 12 A SHARED TRADITION: THE DECORATED PAGES OF MEDIEVAL BIBLES AND QUR’ANS -- 13 SPEAKING PICTURES: MEDIEVAL RELIGIOUS ART AND ITS VIEWERS -- 14 THE ICONOGRAPHY OF THE CROSS AS THE GREEN TREE -- 15 ART AND THE RESURRECTION NARRATIVES -- 16 COVENANTS AND CONNECTIONS: THE SASSETTI CHAPEL, SANTA TRINITA: SCENES FROM THE LIFE OF ST FRANCIS, GHIRLANDAIO, 1479–85 -- 17 WHO FRAMED BATHSHEBA? -- 18 THE FRESCO DECORATION IN THE SISTINE CHAPEL: BIBLICAL AUTHORITY AND THE CHURCH OF ROME -- 19 THE MATERIALITY AND ICONOGRAPHY OF THE COVERDALE BIBLE (1535) TITLE PAGE IN CONTEXT -- 20 MOSES AND EIGHTEENTH-CENTURY RELIGIOUS ART -- 21 BLAKE: TEXT AND IMAGE -- 22 ‘FOR THINE IS THE KINGDOM’: PORTRAYING THE BIBLE IN NINETEENTH-CENTURY STAINED GLASS -- 23 VAN GOGH: FRAMING A BIBLICAL VISION -- 24 COVENTRY CATHEDRAL: CONCEPT, REASONS AND REALITY -- III: Literature -- 25 SACRED POETRY: WATTS AND WESLEY -- 26 THE BIBLE INTERPRETED BY HYMNS -- 27 THE ART OF UNVEILING: BIBLICAL APOCALYPSE -- 28 THE DIVINE COMEDY AS THE WORD OF GOD -- 29 THE MEDIEVAL BIBLE AS LITERATURE -- 30 HOMER WRITES BACK: RHETORICAL ART AND BIBLICAL EPIC JUSTICE IN PARADISE LOST -- 31 BIBLICAL AND SEVENTEENTHCENTURY POETRY: THE CASE OF THE PSALMS AND GEORGE HERBERT -- 32 FROM VIRTUE TO GOODNESS: BIBLICAL VALUES IN VICTORIAN LITERATURE -- 33 THE MIRROR OF THE LAW OF LIBERTY: REFLECTING THE HIDDEN CHRIST IN GEORGE MACDONALD’S LILITH -- 34 FIGURATIVE LITERALISM: THE IMAGE OF THE CREATOR IN NINETEENTH-CENTURY BRITISH LITERATURE -- 35 FROM SATIRE TO SANCTITY: THE PROPHETIC BOOKS IN T. S. ELIOT’S POETRY -- 36 IMITATIO PILATI ET CHRISTI IN MODERN HISTORICAL DRAMA -- INDEX |
isbn |
9781474471794 9783110780451 |
url |
https://doi.org/10.1515/9781474471794 https://www.degruyter.com/isbn/9781474471794 https://www.degruyter.com/document/cover/isbn/9781474471794/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.5 |
dewey-sort |
3700.5 |
dewey-raw |
700.5 |
dewey-search |
700.5 |
doi_str_mv |
10.1515/9781474471794 |
oclc_num |
1301546402 |
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Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 |
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The Edinburgh Companion to the Bible and the Arts / |
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Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>09904nam a22011295i 4500</leader><controlfield tag="001">9781474471794</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220524034747.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220524t20222014stk fo d z eng d</controlfield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)1302164253</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474471794</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474471794</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)619380</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield 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Edinburgh Companion to the Bible and the Arts /</subfield><subfield code="c">Stephen Prickett.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (608 p.) :</subfield><subfield code="b">66 B/W illustrations 72 colour illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh Companions to Literature and the Humanities</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">ACKNOWLEDGEMENTS -- </subfield><subfield code="t">FIGURES -- </subfield><subfield code="t">PLATES -- </subfield><subfield code="t">CONTRIBUTORS -- </subfield><subfield code="t">1 INTRODUCTION -- </subfield><subfield code="t">I: Inspiration and Theory -- </subfield><subfield code="t">2 ‘WHAT HAS ATHENS TO DO WITH JERUSALEM?’ THE BIBLICAL CHAIN-GANG -- </subfield><subfield code="t">3 HEBREW AESTHETICS AND JEWISH BIBLICAL EXEGESIS -- </subfield><subfield code="t">4 MIGNE’S ACHIEVEMENT AND THE MODERN TRANSMISSION OF ANCIENT MANUSCRIPTS -- </subfield><subfield code="t">5 AUGUSTINE ON BEAUTY: A BIBLICAL AESTHETICS -- </subfield><subfield code="t">6 SUBLIMITY AS RESISTANCE TO FORM IN THE EARLY MODERN BIBLE -- </subfield><subfield code="t">7 ‘A BABEL OF BIBLES’: AESTHETICS, TRANSLATION AND INTERPRETATION SINCE 1885 -- </subfield><subfield code="t">8 LEST THE STORY BE LOST: BIBLICAL FICTION -- </subfield><subfield code="t">9 THE BIBLE AND PHENOMENOLOGY -- </subfield><subfield code="t">II: Art and Architecture -- </subfield><subfield code="t">10 THE GOSPEL OF JOHN IN EARLY CHRISTIAN ART -- </subfield><subfield code="t">11 IMAGES OF CONFLICT: THE ART OF ANTI-JUDAISM IN FIFTH-CENTURY ROME -- </subfield><subfield code="t">12 A SHARED TRADITION: THE DECORATED PAGES OF MEDIEVAL BIBLES AND QUR’ANS -- </subfield><subfield code="t">13 SPEAKING PICTURES: MEDIEVAL RELIGIOUS ART AND ITS VIEWERS -- </subfield><subfield code="t">14 THE ICONOGRAPHY OF THE CROSS AS THE GREEN TREE -- </subfield><subfield code="t">15 ART AND THE RESURRECTION NARRATIVES -- </subfield><subfield code="t">16 COVENANTS AND CONNECTIONS: THE SASSETTI CHAPEL, SANTA TRINITA: SCENES FROM THE LIFE OF ST FRANCIS, GHIRLANDAIO, 1479–85 -- </subfield><subfield code="t">17 WHO FRAMED BATHSHEBA? -- </subfield><subfield code="t">18 THE FRESCO DECORATION IN THE SISTINE CHAPEL: BIBLICAL AUTHORITY AND THE CHURCH OF ROME -- </subfield><subfield code="t">19 THE MATERIALITY AND ICONOGRAPHY OF THE COVERDALE BIBLE (1535) TITLE PAGE IN CONTEXT -- </subfield><subfield code="t">20 MOSES AND EIGHTEENTH-CENTURY RELIGIOUS ART -- </subfield><subfield code="t">21 BLAKE: TEXT AND IMAGE -- </subfield><subfield code="t">22 ‘FOR THINE IS THE KINGDOM’: PORTRAYING THE BIBLE IN NINETEENTH-CENTURY STAINED GLASS -- </subfield><subfield code="t">23 VAN GOGH: FRAMING A BIBLICAL VISION -- </subfield><subfield code="t">24 COVENTRY CATHEDRAL: CONCEPT, REASONS AND REALITY -- </subfield><subfield code="t">III: Literature -- </subfield><subfield code="t">25 SACRED POETRY: WATTS AND WESLEY -- </subfield><subfield code="t">26 THE BIBLE INTERPRETED BY HYMNS -- </subfield><subfield code="t">27 THE ART OF UNVEILING: BIBLICAL APOCALYPSE -- </subfield><subfield code="t">28 THE DIVINE COMEDY AS THE WORD OF GOD -- </subfield><subfield code="t">29 THE MEDIEVAL BIBLE AS LITERATURE -- </subfield><subfield code="t">30 HOMER WRITES BACK: RHETORICAL ART AND BIBLICAL EPIC JUSTICE IN PARADISE LOST -- </subfield><subfield code="t">31 BIBLICAL AND SEVENTEENTHCENTURY POETRY: THE CASE OF THE PSALMS AND GEORGE HERBERT -- </subfield><subfield code="t">32 FROM VIRTUE TO GOODNESS: BIBLICAL VALUES IN VICTORIAN LITERATURE -- </subfield><subfield code="t">33 THE MIRROR OF THE LAW OF LIBERTY: REFLECTING THE HIDDEN CHRIST IN GEORGE MACDONALD’S LILITH -- </subfield><subfield code="t">34 FIGURATIVE LITERALISM: THE IMAGE OF THE CREATOR IN NINETEENTH-CENTURY BRITISH LITERATURE -- </subfield><subfield code="t">35 FROM SATIRE TO SANCTITY: THE PROPHETIC BOOKS IN T. S. ELIOT’S POETRY -- </subfield><subfield code="t">36 IMITATIO PILATI ET CHRISTI IN MODERN HISTORICAL DRAMA -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">An authoritative assessment of the changing relationship between the Bible and the artsIn this unique Companion, 35 scholars, from world-famous to just beginning, explore the role of the Bible in art and of artistic motifs in the Bible. Specially commissioned chapters demonstrate that just as the arts have portrayed biblical stories in a variety of ways and media over the centuries, so what we call ‘the’ Bible is not actually a single entity but has been composed of fiercely contested translations of texts in many languages, whose selection has depended historically on a variety of cultural pressures, theological, social, and, not least, aesthetic.Key FeaturesDivided into 3 sections, Inspiration and Theory, Art and Architecture, and LiteratureGenerously illustratedCovers aesthetic interpretations of specific biblical books; of the Hebrew and Christian Bibles as a whole; the transmission of biblical texts; various bindings and illustrations of Bibles – in response to pressures as diverse as Islamic craftsmanship and the English ReformationIncludes biblical influences on poetry, painting, church architecture, decoration, and stained glass; on poetry, hymns, novels, plays, and fantasy literatureSpans the earliest days of the Christian era to the present</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts in the Bible.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Christian art and symbolism.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Alexander, James, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Aston, Nigel, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bear, Bethany, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bielby, Nicholas, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Burdon, Christopher, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cohen, Mordechai Z., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Dickinson, David, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Donnelly, Phillip J., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Erskine-Hill, Patricia, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gill, Robin, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gorak, Jan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hart, Kevin, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Herbert, Christopher, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hodgkins, Christopher, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hosking, Sarah, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Irvine, Christopher, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jensen, Robin M, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kraebel, A. 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