Contemporary Cinema / / John Orr.
Contemporary Cinema is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Archive eBook-Package Pre-2000 |
---|---|
VerfasserIn: | |
MitwirkendeR: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©1998 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (224 p.) :; 10 black-and-white illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781474471466 |
---|---|
ctrlnum |
(DE-B1597)614881 |
collection |
bib_alma |
record_format |
marc |
spelling |
Orr, John, author. aut http://id.loc.gov/vocabulary/relators/aut Contemporary Cinema / John Orr. Edinburgh : Edinburgh University Press, [2022] ©1998 1 online resource (224 p.) : 10 black-and-white illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Foreword -- Acknowledgements -- 1. A Cinema of Poetry -- 2. The Sacrificial Unconscious: The Red Desert to Three Colours: Blue -- 3. The Screen as Split Subject 1: Persona's Legacy -- 4. The Screen as Split Subject 2: Into the 1990s -- 5. The Camera as Double Vision: Blow-Up to La Belle Noiseuse -- 6. American Reveries: Altman, Lynch, Malick, Scorsese -- 7. Anxieties of the Masculine Sublime -- 8. The Road to Nowhere: 1990s Noir -- Endnotes -- Select Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Contemporary Cinema is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. Poetic cinemas are seen as creating a distincitive match in their own cultures between critical social engagement and the delirium of form. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new technologies. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre. These multiple cinemas of poetry with their social commitment and stylistic delirium have created a new freshness, vitality and visual impact to outrival the mainstream genre products of the Hollywood studies which currently dominate the world.The most comprehensive study of major developments in the cinema during the last thirty years.New insights into the transformation of 1970s cinemaShows the continuing diffusion of cinemas of poetry and the most talented filmmakers of the 1980s and 1990s.Looks at the vitality of the different cinemas of poetry as aesthetic resistance to the forms of filmmaking dictated by the power and money of the Hollywood studios.Illustrated with 10 black-and-white film stills. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Motion pictures History. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Orr, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Archive eBook-Package Pre-2000 9783110780475 print 9780748608362 https://doi.org/10.1515/9781474471466 https://www.degruyter.com/isbn/9781474471466 Cover https://www.degruyter.com/document/cover/isbn/9781474471466/original |
language |
English |
format |
eBook |
author |
Orr, John, Orr, John, |
spellingShingle |
Orr, John, Orr, John, Contemporary Cinema / Frontmatter -- Contents -- List of Illustrations -- Foreword -- Acknowledgements -- 1. A Cinema of Poetry -- 2. The Sacrificial Unconscious: The Red Desert to Three Colours: Blue -- 3. The Screen as Split Subject 1: Persona's Legacy -- 4. The Screen as Split Subject 2: Into the 1990s -- 5. The Camera as Double Vision: Blow-Up to La Belle Noiseuse -- 6. American Reveries: Altman, Lynch, Malick, Scorsese -- 7. Anxieties of the Masculine Sublime -- 8. The Road to Nowhere: 1990s Noir -- Endnotes -- Select Bibliography -- Index |
author_facet |
Orr, John, Orr, John, Orr, John, Orr, John, |
author_variant |
j o jo j o jo |
author_role |
VerfasserIn VerfasserIn |
author2 |
Orr, John, Orr, John, |
author2_variant |
j o jo j o jo |
author2_role |
MitwirkendeR MitwirkendeR |
author_sort |
Orr, John, |
title |
Contemporary Cinema / |
title_full |
Contemporary Cinema / John Orr. |
title_fullStr |
Contemporary Cinema / John Orr. |
title_full_unstemmed |
Contemporary Cinema / John Orr. |
title_auth |
Contemporary Cinema / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Foreword -- Acknowledgements -- 1. A Cinema of Poetry -- 2. The Sacrificial Unconscious: The Red Desert to Three Colours: Blue -- 3. The Screen as Split Subject 1: Persona's Legacy -- 4. The Screen as Split Subject 2: Into the 1990s -- 5. The Camera as Double Vision: Blow-Up to La Belle Noiseuse -- 6. American Reveries: Altman, Lynch, Malick, Scorsese -- 7. Anxieties of the Masculine Sublime -- 8. The Road to Nowhere: 1990s Noir -- Endnotes -- Select Bibliography -- Index |
title_new |
Contemporary Cinema / |
title_sort |
contemporary cinema / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (224 p.) : 10 black-and-white illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- List of Illustrations -- Foreword -- Acknowledgements -- 1. A Cinema of Poetry -- 2. The Sacrificial Unconscious: The Red Desert to Three Colours: Blue -- 3. The Screen as Split Subject 1: Persona's Legacy -- 4. The Screen as Split Subject 2: Into the 1990s -- 5. The Camera as Double Vision: Blow-Up to La Belle Noiseuse -- 6. American Reveries: Altman, Lynch, Malick, Scorsese -- 7. Anxieties of the Masculine Sublime -- 8. The Road to Nowhere: 1990s Noir -- Endnotes -- Select Bibliography -- Index |
isbn |
9781474471466 9783110780475 9780748608362 |
url |
https://doi.org/10.1515/9781474471466 https://www.degruyter.com/isbn/9781474471466 https://www.degruyter.com/document/cover/isbn/9781474471466/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43 |
dewey-sort |
3791.43 |
dewey-raw |
791.43 |
dewey-search |
791.43 |
doi_str_mv |
10.1515/9781474471466 |
work_keys_str_mv |
AT orrjohn contemporarycinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)614881 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Archive eBook-Package Pre-2000 |
is_hierarchy_title |
Contemporary Cinema / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Archive eBook-Package Pre-2000 |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
_version_ |
1770176952841273344 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04675nam a22006735i 4500</leader><controlfield tag="001">9781474471466</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20221998stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474471466</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474471466</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)614881</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Orr, John, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Contemporary Cinema /</subfield><subfield code="c">John Orr.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1998</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (224 p.) :</subfield><subfield code="b">10 black-and-white illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Foreword -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">1. A Cinema of Poetry -- </subfield><subfield code="t">2. The Sacrificial Unconscious: The Red Desert to Three Colours: Blue -- </subfield><subfield code="t">3. The Screen as Split Subject 1: Persona's Legacy -- </subfield><subfield code="t">4. The Screen as Split Subject 2: Into the 1990s -- </subfield><subfield code="t">5. The Camera as Double Vision: Blow-Up to La Belle Noiseuse -- </subfield><subfield code="t">6. American Reveries: Altman, Lynch, Malick, Scorsese -- </subfield><subfield code="t">7. Anxieties of the Masculine Sublime -- </subfield><subfield code="t">8. The Road to Nowhere: 1990s Noir -- </subfield><subfield code="t">Endnotes -- </subfield><subfield code="t">Select Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Contemporary Cinema is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. Poetic cinemas are seen as creating a distincitive match in their own cultures between critical social engagement and the delirium of form. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new technologies. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre. These multiple cinemas of poetry with their social commitment and stylistic delirium have created a new freshness, vitality and visual impact to outrival the mainstream genre products of the Hollywood studies which currently dominate the world.The most comprehensive study of major developments in the cinema during the last thirty years.New insights into the transformation of 1970s cinemaShows the continuing diffusion of cinemas of poetry and the most talented filmmakers of the 1980s and 1990s.Looks at the vitality of the different cinemas of poetry as aesthetic resistance to the forms of filmmaking dictated by the power and money of the Hollywood studios.Illustrated with 10 black-and-white film stills.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Orr, John, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Archive eBook-Package Pre-2000</subfield><subfield code="z">9783110780475</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780748608362</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474471466</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474471466</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474471466/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078047-5 Edinburgh University Press Archive eBook-Package Pre-2000</subfield><subfield code="b">2000</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |