Modernist Disguise : : Masquerade in Modern Performance and Visual Culture / / Ron J. Popenhagen.

Analyses the expansion of head and body masking from nineteenth-century Paris to its international maturity in contemporary cultureLooks at the presence and development of masquerade in the modernist era - via performance history - with parallel references to theatricality and performativity in visu...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2021
Year of Publication:2022
Language:English
Series:Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP
Online Access:
Physical Description:1 online resource (272 p.) :; 18 B/W illustrations
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245 1 0 |a Modernist Disguise :  |b Masquerade in Modern Performance and Visual Culture /  |c Ron J. Popenhagen. 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t ILLUSTRATIONS --   |t SERIES EDITOR’S PREFACE --   |t ACKNOWLEDGEMENTS --   |t INTRODUCTION --   |t 1 IMPRESSIONS OF THE COVERED BODY --   |t 2 FACING CHANGE AND CHANGING MASKS --   |t 3 REFORMING AND UNIFORMING THE BODY --   |t 4 FEIGNED AND DISTORTED BODYSCAPES --   |t 5 ACTORS’ EFFIGIES AND PHOTO-PORTRAITS --   |t 6 FRACTURED AND EFFACED FAÇADES --   |t 7 OTHER PLACES --   |t EXHIBITIONS AND WEBSITES --   |t BIBLIOGRAPHY --   |t INDEX 
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520 |a Analyses the expansion of head and body masking from nineteenth-century Paris to its international maturity in contemporary cultureLooks at the presence and development of masquerade in the modernist era - via performance history - with parallel references to theatricality and performativity in visual arts and visual cultureComments upon masquerade’s foundation in popular performance throughout the 19th and 20th centuries, frequently alluding to significant images from the history of photographyTheorises masquerade within the context of European theatre and drama scholarship, as well as British and European conservatory arts and performance trainingEmploys critical thinking influenced by phenomenological and semiotic analyses of performanceThis book highlights that masquerade can be regarded as a distinct genre of performance activity that employs elements of the carnivalesque, circus, dance, gestural theatre and theatre of objects. Popenhagen traces artistic disguising from fin de siècle Pierrots in Paris, Marseille and Vienna to early twentieth-century masquerading in Moscow and Zürich. He explores identity play and display through the complementary lenses of image studies, cultural history and performance theory. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 0 |a Art and society  |z Europe  |x History  |y 19th century. 
650 0 |a Art and society  |z Europe  |x History  |y 20th century. 
650 0 |a Masquerades  |z Europe. 
650 0 |a Performance art  |z Europe. 
650 4 |a Literary Studies. 
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