Jarring Witnesses : : Modern Fiction and the Representation of History / / Robert Holton.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Archive eBook-Package Pre-2000
• VerfasserIn: Holton, Robert,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©1996
• Year of Publication: 2022
• Language: English
• Series: Postmodern Theory : POTH
• Physical Description: 1 online resource (304 p.)
• Other title: Frontmatter --; Contents --; Foreword --; Part I History and narrative --; 1 Historical narrative and the politics of point of view --; 2 Common sense and historical narrative --; Part II Modernism and orthodoxy --; 3 Nostromo and the ‘torrent of rubbish’ --; 4 Parade’s End: ‘Has the British this or that come to this!’ --; 5 Absalom, Absalom!: The ‘nigger in the woodpile’ --; Part III Postmodernism and heterodoxy --; 6 Bearing witness: African-American women’s fiction --; 7 V.: In the rathouse of history with Thomas Pynchon --; Conclusion --; Notes --; References --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474469272; 9783110780475
• DOI: 10.1515/9781474469272
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Robert Holton.

Jarring Witnesses begins by surveying the problem of point of view as a formal, cognitive and cultural determinant in narrative historiography, particularly in the way certain dominant forms of 'legitimate' history have necessitated the suppresson of the voices of 'jarring witnesses'. The theory is explored in relation to Pierre Bourdieu's theories of doxa and heterodoxy, Bakhtin's concept of heteroglossia, and postmodernism. With this theoretical framework established, a number of modern novels concerned with history are then explored. Chapters devoted to Conrad's Nostromo, Ford's Parade's End, and Faulkner's Absolom, Absolom! examine the ultimate orthodox historiographical points of view in these novels, while a chapter on the fiction of African-American women engages the problem of historiography from the margins of the dominant culture. In the final chapter, Pynchon's V is the focus of a discussion of postmodernism and historical discourse. This is an original, interdisciplinary work which engages issues of contemporaray academic debate and illustrates its arguments with examples from well-known texts. The book is relevant to current debates in the problems of narrative representation both in fiction and the writing of history, while addressing questions being raised in literary studies concerning the representation of cultural difference and the varieties of social and discursive power.