Asian Cinemas : : A Reader and Guide / / Dimitris Eleftheriotis, Gary Needham.
Asian cinema is an area of increasing interest in Anglo-US film studies while Asian films are now widely distributed and popular with western audiences. The fascination with Asian cinema must be examined in the context of a complex and often problematic relationship between western scholars, student...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2006 |
Year of Publication: | 2022 |
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Physical Description: | 1 online resource (488 p.) |
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Eleftheriotis, Dimitris, author. aut http://id.loc.gov/vocabulary/relators/aut Asian Cinemas : A Reader and Guide / Dimitris Eleftheriotis, Gary Needham. Edinburgh : Edinburgh University Press, [2022] ©2006 1 online resource (488 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I APPROACHING ASIAN CINEMAS -- SECTION 1 ORIENTALISM AND JAPANESE CINEMA -- JAPANESE CINEMA AND ORIENTALISM -- 1 A FILMMAKER FOR ALL SEASONS -- 2 THE DIFFICULTY OF BEING RADICAL: THE DISCIPLINE OF FILM STUDIES AND THE POST-COLONIAL WORLD ORDER -- 3 GODZILLA AND THE JAPANESE NIGHTMARE: WHEN THEM! IS U.S. -- 4 MONSTER ISLAND: GODZILLA AND JAPANESE SCI-FI/HORROR/FANTASY -- SECTION 2 COLONIAL ENCOUNTERS, POST-COLONIAL CRITICISM AND HONG KONG CINEMA -- THE POST-COLONIAL HONG KONG CINEMA -- 5 THE NEW HONG KONG CINEMA ANDTHE DÉJÀ DISPARU -- 6 KUNG FU: NEGOTIATING NATIONALISM AND MODERNITY -- 7 UNDER 'WESTERN EYES': THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA -- SECTION 3 CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- 8 PROBLEMATIZING CROSS-CULTURAL ANALYSIS: THE CASE OF WOMEN IN THE RECENT CHINESE CINEMA -- 9 SEEING MODERN CHINA:TOWARD ATHEORY OF ETHNIC SPECTATORSHIP -- 10 YELLOW EARTH: WESTERN ANALYSIS ANDA NON-WESTERN TEXT -- PART II FRAMEWORKS OF STUDY -- SECTION 4 NATIONAL CINEMA:THE CASE OF TURKEY -- TURKISH NATIONAL CINEMA -- 11 NARRATIVES OF RESISTANCE: NATIONAL IDENTITY AND AMBIVALENCE IN THE TURKISH MELODRAMA BETWEEN 1965 AND 1975 -- 12 TRANSLATING MODERNITY: REMAKES IN TURKISH CINEMA -- 13 MUTE BODIES, DISEMBODIED VOICES: NOTES ON SOUND IN TURKISH POPULAR CINEMA -- SECTION 5 GENRE CRITICISM AND POPULAR INDIAN CINEMA -- GENRE CRITICISM AND POPULAR INDIAN CINEMA -- 14 INDIAN CINEMA: PLEASURES AND POPULARITY -- 15 ADDRESSING THE SPECTATOR OF A 'THIRD WORLD' NATIONAL CINEMA:THE BOMBAY 'SOCIAL' FILM OFTHE 1940S AND 1950S -- 16 'HUM AAPKE HAIN KOUN?' - CINEPHILIA AND INDIAN FILMS -- 17 SHIFTING PITCH: THE BOLLYWOOD SONG SEQUENCE IN THE ANGLO-AMERICAN MARKET -- SECTION 6 QUESTIONS OF AUTHORSHIP AND TAIWANESE CINEMA -- FILM AUTHORSHIP AND TAIWANESE CINEMA -- ISSUES OF AUTHORSHIP -- 18 OZU AND THE COLONIAL ENCOUNTER IN HOU HSIAO-HSIEN -- 19 TOKYO LOVE STORY AND NY BAGELS: EAST-WEST CULTURAL ENCOUNTER IN EDWARD YANG'S TAIPEI STORY -- 20 THE TRANSNATIONAL CINEMA OFANG LEE -- SECTION 7 STARDOM:THE CASE OF BRUCE LEE -- BRUCE LEE: STARDOM AND IDENTITY -- 21 BRUCE LEE: NARCISSUS AND THE LITTLE DRAGON -- 22 HAN'S ISLAND REVISITED: ENTER THE DRAGON AS TRANSNATIONAL CULT FILM -- 23 FISTS OF FURY: DISCOURSES OF RACE AND MASCULINITY IN THE MARTIAL ARTS CINEMA -- BIBLIOGRAPHY -- INDEX OF FILMS/TV PROGRAMMES -- INDEX OF KEY TERMS restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Asian cinema is an area of increasing interest in Anglo-US film studies while Asian films are now widely distributed and popular with western audiences. The fascination with Asian cinema must be examined in the context of a complex and often problematic relationship between western scholars, students, viewers and Asian films. This book, therefore, examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors and Fifth Generation Chinese cinema) and uses them in order to investigate the limitations of Anglo-US theoretical models and critical paradigms. By engaging the readers with familiar areas of critical discourse (such as postcolonial criticism, 'national cinema', 'genre', 'authorship' and 'stardom') the book aims to introduce within such contexts the 'unfamiliar' case studies which will be explored in depth and detail. The advantage of such an approach is that it works with the dynamics of familiarity/unfamiliarity and resists the temptation to construct Asian cinemas as a gallery of exotic objects that might be particularly fascinating but remain deeply distant and foreign.KeyFeatures:A comprehensive study of Asian cinemas, including Hong Kong, Japan, China, India, Turkey and TaiwanAn accessible guide for the study and research of Asian cinema which addresses undergraduate and postgraduate students and researchersEach section contains a contextualising introductionIncludes key texts by Ackbar Abbas, Rey Chow, David Desser, Dimitris Eleftheriotis, Nezih Erdo Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Abbas, Ackbar, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brophy, Philip, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Chow, Rey, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Desser, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Eleftheriotis, Dimitris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Erdoğan, Nezih, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Garwood, Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gopalan, Lalitha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gürata, Ahmet, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hunt, Leon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kaplan, E. Ann, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Li, Siu Leung, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Needham, Gary, author. aut http://id.loc.gov/vocabulary/relators/aut Needham, Gary, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Noriega, Chon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pidduck, Julianne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tasker, Yvonne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Teo, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Thomas, Rosie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vasudevan, Ravi S., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, Tony, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wu, I-Fen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yau, Esther C. M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yoshimoto, Mitsuhiro, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748617777 https://doi.org/10.1515/9781474468039 https://www.degruyter.com/isbn/9781474468039 Cover https://www.degruyter.com/document/cover/isbn/9781474468039/original |
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English |
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eBook |
author |
Eleftheriotis, Dimitris, Eleftheriotis, Dimitris, Needham, Gary, |
spellingShingle |
Eleftheriotis, Dimitris, Eleftheriotis, Dimitris, Needham, Gary, Asian Cinemas : A Reader and Guide / Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I APPROACHING ASIAN CINEMAS -- SECTION 1 ORIENTALISM AND JAPANESE CINEMA -- JAPANESE CINEMA AND ORIENTALISM -- 1 A FILMMAKER FOR ALL SEASONS -- 2 THE DIFFICULTY OF BEING RADICAL: THE DISCIPLINE OF FILM STUDIES AND THE POST-COLONIAL WORLD ORDER -- 3 GODZILLA AND THE JAPANESE NIGHTMARE: WHEN THEM! IS U.S. -- 4 MONSTER ISLAND: GODZILLA AND JAPANESE SCI-FI/HORROR/FANTASY -- SECTION 2 COLONIAL ENCOUNTERS, POST-COLONIAL CRITICISM AND HONG KONG CINEMA -- THE POST-COLONIAL HONG KONG CINEMA -- 5 THE NEW HONG KONG CINEMA ANDTHE DÉJÀ DISPARU -- 6 KUNG FU: NEGOTIATING NATIONALISM AND MODERNITY -- 7 UNDER 'WESTERN EYES': THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA -- SECTION 3 CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- 8 PROBLEMATIZING CROSS-CULTURAL ANALYSIS: THE CASE OF WOMEN IN THE RECENT CHINESE CINEMA -- 9 SEEING MODERN CHINA:TOWARD ATHEORY OF ETHNIC SPECTATORSHIP -- 10 YELLOW EARTH: WESTERN ANALYSIS ANDA NON-WESTERN TEXT -- PART II FRAMEWORKS OF STUDY -- SECTION 4 NATIONAL CINEMA:THE CASE OF TURKEY -- TURKISH NATIONAL CINEMA -- 11 NARRATIVES OF RESISTANCE: NATIONAL IDENTITY AND AMBIVALENCE IN THE TURKISH MELODRAMA BETWEEN 1965 AND 1975 -- 12 TRANSLATING MODERNITY: REMAKES IN TURKISH CINEMA -- 13 MUTE BODIES, DISEMBODIED VOICES: NOTES ON SOUND IN TURKISH POPULAR CINEMA -- SECTION 5 GENRE CRITICISM AND POPULAR INDIAN CINEMA -- GENRE CRITICISM AND POPULAR INDIAN CINEMA -- 14 INDIAN CINEMA: PLEASURES AND POPULARITY -- 15 ADDRESSING THE SPECTATOR OF A 'THIRD WORLD' NATIONAL CINEMA:THE BOMBAY 'SOCIAL' FILM OFTHE 1940S AND 1950S -- 16 'HUM AAPKE HAIN KOUN?' - CINEPHILIA AND INDIAN FILMS -- 17 SHIFTING PITCH: THE BOLLYWOOD SONG SEQUENCE IN THE ANGLO-AMERICAN MARKET -- SECTION 6 QUESTIONS OF AUTHORSHIP AND TAIWANESE CINEMA -- FILM AUTHORSHIP AND TAIWANESE CINEMA -- ISSUES OF AUTHORSHIP -- 18 OZU AND THE COLONIAL ENCOUNTER IN HOU HSIAO-HSIEN -- 19 TOKYO LOVE STORY AND NY BAGELS: EAST-WEST CULTURAL ENCOUNTER IN EDWARD YANG'S TAIPEI STORY -- 20 THE TRANSNATIONAL CINEMA OFANG LEE -- SECTION 7 STARDOM:THE CASE OF BRUCE LEE -- BRUCE LEE: STARDOM AND IDENTITY -- 21 BRUCE LEE: NARCISSUS AND THE LITTLE DRAGON -- 22 HAN'S ISLAND REVISITED: ENTER THE DRAGON AS TRANSNATIONAL CULT FILM -- 23 FISTS OF FURY: DISCOURSES OF RACE AND MASCULINITY IN THE MARTIAL ARTS CINEMA -- BIBLIOGRAPHY -- INDEX OF FILMS/TV PROGRAMMES -- INDEX OF KEY TERMS |
author_facet |
Eleftheriotis, Dimitris, Eleftheriotis, Dimitris, Needham, Gary, Abbas, Ackbar, Abbas, Ackbar, Brophy, Philip, Brophy, Philip, Chow, Rey, Chow, Rey, Desser, David, Desser, David, Eleftheriotis, Dimitris, Eleftheriotis, Dimitris, Erdoğan, Nezih, Erdoğan, Nezih, Garwood, Ian, Garwood, Ian, Gopalan, Lalitha, Gopalan, Lalitha, Gürata, Ahmet, Gürata, Ahmet, Hunt, Leon, Hunt, Leon, Kaplan, E. Ann, Kaplan, E. Ann, Li, Siu Leung, Li, Siu Leung, Needham, Gary, Needham, Gary, Needham, Gary, Needham, Gary, Noriega, Chon, Noriega, Chon, Pidduck, Julianne, Pidduck, Julianne, Tasker, Yvonne, Tasker, Yvonne, Teo, Stephen, Teo, Stephen, Thomas, Rosie, Thomas, Rosie, Vasudevan, Ravi S., Vasudevan, Ravi S., Williams, Tony, Williams, Tony, Wu, I-Fen, Wu, I-Fen, Yau, Esther C. M., Yau, Esther C. M., Yoshimoto, Mitsuhiro, Yoshimoto, Mitsuhiro, |
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Abbas, Ackbar, Abbas, Ackbar, Brophy, Philip, Brophy, Philip, Chow, Rey, Chow, Rey, Desser, David, Desser, David, Eleftheriotis, Dimitris, Eleftheriotis, Dimitris, Erdoğan, Nezih, Erdoğan, Nezih, Garwood, Ian, Garwood, Ian, Gopalan, Lalitha, Gopalan, Lalitha, Gürata, Ahmet, Gürata, Ahmet, Hunt, Leon, Hunt, Leon, Kaplan, E. Ann, Kaplan, E. Ann, Li, Siu Leung, Li, Siu Leung, Needham, Gary, Needham, Gary, Needham, Gary, Needham, Gary, Noriega, Chon, Noriega, Chon, Pidduck, Julianne, Pidduck, Julianne, Tasker, Yvonne, Tasker, Yvonne, Teo, Stephen, Teo, Stephen, Thomas, Rosie, Thomas, Rosie, Vasudevan, Ravi S., Vasudevan, Ravi S., Williams, Tony, Williams, Tony, Wu, I-Fen, Wu, I-Fen, Yau, Esther C. M., Yau, Esther C. M., Yoshimoto, Mitsuhiro, Yoshimoto, Mitsuhiro, |
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author_sort |
Eleftheriotis, Dimitris, |
title |
Asian Cinemas : A Reader and Guide / |
title_sub |
A Reader and Guide / |
title_full |
Asian Cinemas : A Reader and Guide / Dimitris Eleftheriotis, Gary Needham. |
title_fullStr |
Asian Cinemas : A Reader and Guide / Dimitris Eleftheriotis, Gary Needham. |
title_full_unstemmed |
Asian Cinemas : A Reader and Guide / Dimitris Eleftheriotis, Gary Needham. |
title_auth |
Asian Cinemas : A Reader and Guide / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I APPROACHING ASIAN CINEMAS -- SECTION 1 ORIENTALISM AND JAPANESE CINEMA -- JAPANESE CINEMA AND ORIENTALISM -- 1 A FILMMAKER FOR ALL SEASONS -- 2 THE DIFFICULTY OF BEING RADICAL: THE DISCIPLINE OF FILM STUDIES AND THE POST-COLONIAL WORLD ORDER -- 3 GODZILLA AND THE JAPANESE NIGHTMARE: WHEN THEM! IS U.S. -- 4 MONSTER ISLAND: GODZILLA AND JAPANESE SCI-FI/HORROR/FANTASY -- SECTION 2 COLONIAL ENCOUNTERS, POST-COLONIAL CRITICISM AND HONG KONG CINEMA -- THE POST-COLONIAL HONG KONG CINEMA -- 5 THE NEW HONG KONG CINEMA ANDTHE DÉJÀ DISPARU -- 6 KUNG FU: NEGOTIATING NATIONALISM AND MODERNITY -- 7 UNDER 'WESTERN EYES': THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA -- SECTION 3 CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- 8 PROBLEMATIZING CROSS-CULTURAL ANALYSIS: THE CASE OF WOMEN IN THE RECENT CHINESE CINEMA -- 9 SEEING MODERN CHINA:TOWARD ATHEORY OF ETHNIC SPECTATORSHIP -- 10 YELLOW EARTH: WESTERN ANALYSIS ANDA NON-WESTERN TEXT -- PART II FRAMEWORKS OF STUDY -- SECTION 4 NATIONAL CINEMA:THE CASE OF TURKEY -- TURKISH NATIONAL CINEMA -- 11 NARRATIVES OF RESISTANCE: NATIONAL IDENTITY AND AMBIVALENCE IN THE TURKISH MELODRAMA BETWEEN 1965 AND 1975 -- 12 TRANSLATING MODERNITY: REMAKES IN TURKISH CINEMA -- 13 MUTE BODIES, DISEMBODIED VOICES: NOTES ON SOUND IN TURKISH POPULAR CINEMA -- SECTION 5 GENRE CRITICISM AND POPULAR INDIAN CINEMA -- GENRE CRITICISM AND POPULAR INDIAN CINEMA -- 14 INDIAN CINEMA: PLEASURES AND POPULARITY -- 15 ADDRESSING THE SPECTATOR OF A 'THIRD WORLD' NATIONAL CINEMA:THE BOMBAY 'SOCIAL' FILM OFTHE 1940S AND 1950S -- 16 'HUM AAPKE HAIN KOUN?' - CINEPHILIA AND INDIAN FILMS -- 17 SHIFTING PITCH: THE BOLLYWOOD SONG SEQUENCE IN THE ANGLO-AMERICAN MARKET -- SECTION 6 QUESTIONS OF AUTHORSHIP AND TAIWANESE CINEMA -- FILM AUTHORSHIP AND TAIWANESE CINEMA -- ISSUES OF AUTHORSHIP -- 18 OZU AND THE COLONIAL ENCOUNTER IN HOU HSIAO-HSIEN -- 19 TOKYO LOVE STORY AND NY BAGELS: EAST-WEST CULTURAL ENCOUNTER IN EDWARD YANG'S TAIPEI STORY -- 20 THE TRANSNATIONAL CINEMA OFANG LEE -- SECTION 7 STARDOM:THE CASE OF BRUCE LEE -- BRUCE LEE: STARDOM AND IDENTITY -- 21 BRUCE LEE: NARCISSUS AND THE LITTLE DRAGON -- 22 HAN'S ISLAND REVISITED: ENTER THE DRAGON AS TRANSNATIONAL CULT FILM -- 23 FISTS OF FURY: DISCOURSES OF RACE AND MASCULINITY IN THE MARTIAL ARTS CINEMA -- BIBLIOGRAPHY -- INDEX OF FILMS/TV PROGRAMMES -- INDEX OF KEY TERMS |
title_new |
Asian Cinemas : |
title_sort |
asian cinemas : a reader and guide / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (488 p.) Issued also in print. |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I APPROACHING ASIAN CINEMAS -- SECTION 1 ORIENTALISM AND JAPANESE CINEMA -- JAPANESE CINEMA AND ORIENTALISM -- 1 A FILMMAKER FOR ALL SEASONS -- 2 THE DIFFICULTY OF BEING RADICAL: THE DISCIPLINE OF FILM STUDIES AND THE POST-COLONIAL WORLD ORDER -- 3 GODZILLA AND THE JAPANESE NIGHTMARE: WHEN THEM! IS U.S. -- 4 MONSTER ISLAND: GODZILLA AND JAPANESE SCI-FI/HORROR/FANTASY -- SECTION 2 COLONIAL ENCOUNTERS, POST-COLONIAL CRITICISM AND HONG KONG CINEMA -- THE POST-COLONIAL HONG KONG CINEMA -- 5 THE NEW HONG KONG CINEMA ANDTHE DÉJÀ DISPARU -- 6 KUNG FU: NEGOTIATING NATIONALISM AND MODERNITY -- 7 UNDER 'WESTERN EYES': THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA -- SECTION 3 CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- 8 PROBLEMATIZING CROSS-CULTURAL ANALYSIS: THE CASE OF WOMEN IN THE RECENT CHINESE CINEMA -- 9 SEEING MODERN CHINA:TOWARD ATHEORY OF ETHNIC SPECTATORSHIP -- 10 YELLOW EARTH: WESTERN ANALYSIS ANDA NON-WESTERN TEXT -- PART II FRAMEWORKS OF STUDY -- SECTION 4 NATIONAL CINEMA:THE CASE OF TURKEY -- TURKISH NATIONAL CINEMA -- 11 NARRATIVES OF RESISTANCE: NATIONAL IDENTITY AND AMBIVALENCE IN THE TURKISH MELODRAMA BETWEEN 1965 AND 1975 -- 12 TRANSLATING MODERNITY: REMAKES IN TURKISH CINEMA -- 13 MUTE BODIES, DISEMBODIED VOICES: NOTES ON SOUND IN TURKISH POPULAR CINEMA -- SECTION 5 GENRE CRITICISM AND POPULAR INDIAN CINEMA -- GENRE CRITICISM AND POPULAR INDIAN CINEMA -- 14 INDIAN CINEMA: PLEASURES AND POPULARITY -- 15 ADDRESSING THE SPECTATOR OF A 'THIRD WORLD' NATIONAL CINEMA:THE BOMBAY 'SOCIAL' FILM OFTHE 1940S AND 1950S -- 16 'HUM AAPKE HAIN KOUN?' - CINEPHILIA AND INDIAN FILMS -- 17 SHIFTING PITCH: THE BOLLYWOOD SONG SEQUENCE IN THE ANGLO-AMERICAN MARKET -- SECTION 6 QUESTIONS OF AUTHORSHIP AND TAIWANESE CINEMA -- FILM AUTHORSHIP AND TAIWANESE CINEMA -- ISSUES OF AUTHORSHIP -- 18 OZU AND THE COLONIAL ENCOUNTER IN HOU HSIAO-HSIEN -- 19 TOKYO LOVE STORY AND NY BAGELS: EAST-WEST CULTURAL ENCOUNTER IN EDWARD YANG'S TAIPEI STORY -- 20 THE TRANSNATIONAL CINEMA OFANG LEE -- SECTION 7 STARDOM:THE CASE OF BRUCE LEE -- BRUCE LEE: STARDOM AND IDENTITY -- 21 BRUCE LEE: NARCISSUS AND THE LITTLE DRAGON -- 22 HAN'S ISLAND REVISITED: ENTER THE DRAGON AS TRANSNATIONAL CULT FILM -- 23 FISTS OF FURY: DISCOURSES OF RACE AND MASCULINITY IN THE MARTIAL ARTS CINEMA -- BIBLIOGRAPHY -- INDEX OF FILMS/TV PROGRAMMES -- INDEX OF KEY TERMS |
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9781474468039 9783110780468 9780748617777 |
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https://doi.org/10.1515/9781474468039 https://www.degruyter.com/isbn/9781474468039 https://www.degruyter.com/document/cover/isbn/9781474468039/original |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>08811nam a22009255i 4500</leader><controlfield tag="001">9781474468039</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20222006stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474468039</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474468039</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)614783</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Eleftheriotis, Dimitris, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Asian Cinemas :</subfield><subfield code="b">A Reader and Guide /</subfield><subfield code="c">Dimitris Eleftheriotis, Gary Needham.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (488 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">ACKNOWLEDGEMENTS -- </subfield><subfield code="t">INTRODUCTION -- </subfield><subfield code="t">PART I APPROACHING ASIAN CINEMAS -- </subfield><subfield code="t">SECTION 1 ORIENTALISM AND JAPANESE CINEMA -- </subfield><subfield code="t">JAPANESE CINEMA AND ORIENTALISM -- </subfield><subfield code="t">1 A FILMMAKER FOR ALL SEASONS -- </subfield><subfield code="t">2 THE DIFFICULTY OF BEING RADICAL: THE DISCIPLINE OF FILM STUDIES AND THE POST-COLONIAL WORLD ORDER -- </subfield><subfield code="t">3 GODZILLA AND THE JAPANESE NIGHTMARE: WHEN THEM! IS U.S. -- </subfield><subfield code="t">4 MONSTER ISLAND: GODZILLA AND JAPANESE SCI-FI/HORROR/FANTASY -- </subfield><subfield code="t">SECTION 2 COLONIAL ENCOUNTERS, POST-COLONIAL CRITICISM AND HONG KONG CINEMA -- </subfield><subfield code="t">THE POST-COLONIAL HONG KONG CINEMA -- </subfield><subfield code="t">5 THE NEW HONG KONG CINEMA ANDTHE DÉJÀ DISPARU -- </subfield><subfield code="t">6 KUNG FU: NEGOTIATING NATIONALISM AND MODERNITY -- </subfield><subfield code="t">7 UNDER 'WESTERN EYES': THE PERSONAL ODYSSEY OF HUANG FEI-HONG IN ONCE UPON A TIME IN CHINA -- </subfield><subfield code="t">SECTION 3 CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- </subfield><subfield code="t">CROSS-CULTURAL CRITICISM AND CHINESE CINEMA -- </subfield><subfield code="t">8 PROBLEMATIZING CROSS-CULTURAL ANALYSIS: THE CASE OF WOMEN IN THE RECENT CHINESE CINEMA -- </subfield><subfield code="t">9 SEEING MODERN CHINA:TOWARD ATHEORY OF ETHNIC SPECTATORSHIP -- </subfield><subfield code="t">10 YELLOW EARTH: WESTERN ANALYSIS ANDA NON-WESTERN TEXT -- </subfield><subfield code="t">PART II FRAMEWORKS OF STUDY -- </subfield><subfield code="t">SECTION 4 NATIONAL CINEMA:THE CASE OF TURKEY -- </subfield><subfield code="t">TURKISH NATIONAL CINEMA -- </subfield><subfield code="t">11 NARRATIVES OF RESISTANCE: NATIONAL IDENTITY AND AMBIVALENCE IN THE TURKISH MELODRAMA BETWEEN 1965 AND 1975 -- </subfield><subfield code="t">12 TRANSLATING MODERNITY: REMAKES IN TURKISH CINEMA -- </subfield><subfield code="t">13 MUTE BODIES, DISEMBODIED VOICES: NOTES ON SOUND IN TURKISH POPULAR CINEMA -- </subfield><subfield code="t">SECTION 5 GENRE CRITICISM AND POPULAR INDIAN CINEMA -- </subfield><subfield code="t">GENRE CRITICISM AND POPULAR INDIAN CINEMA -- </subfield><subfield code="t">14 INDIAN CINEMA: PLEASURES AND POPULARITY -- </subfield><subfield code="t">15 ADDRESSING THE SPECTATOR OF A 'THIRD WORLD' NATIONAL CINEMA:THE BOMBAY 'SOCIAL' FILM OFTHE 1940S AND 1950S -- </subfield><subfield code="t">16 'HUM AAPKE HAIN KOUN?' - CINEPHILIA AND INDIAN FILMS -- </subfield><subfield code="t">17 SHIFTING PITCH: THE BOLLYWOOD SONG SEQUENCE IN THE ANGLO-AMERICAN MARKET -- </subfield><subfield code="t">SECTION 6 QUESTIONS OF AUTHORSHIP AND TAIWANESE CINEMA -- </subfield><subfield code="t">FILM AUTHORSHIP AND TAIWANESE CINEMA -- </subfield><subfield code="t">ISSUES OF AUTHORSHIP -- </subfield><subfield code="t">18 OZU AND THE COLONIAL ENCOUNTER IN HOU HSIAO-HSIEN -- </subfield><subfield code="t">19 TOKYO LOVE STORY AND NY BAGELS: EAST-WEST CULTURAL ENCOUNTER IN EDWARD YANG'S TAIPEI STORY -- </subfield><subfield code="t">20 THE TRANSNATIONAL CINEMA OFANG LEE -- </subfield><subfield code="t">SECTION 7 STARDOM:THE CASE OF BRUCE LEE -- </subfield><subfield code="t">BRUCE LEE: STARDOM AND IDENTITY -- </subfield><subfield code="t">21 BRUCE LEE: NARCISSUS AND THE LITTLE DRAGON -- </subfield><subfield code="t">22 HAN'S ISLAND REVISITED: ENTER THE DRAGON AS TRANSNATIONAL CULT FILM -- </subfield><subfield code="t">23 FISTS OF FURY: DISCOURSES OF RACE AND MASCULINITY IN THE MARTIAL ARTS CINEMA -- </subfield><subfield code="t">BIBLIOGRAPHY -- </subfield><subfield code="t">INDEX OF FILMS/TV PROGRAMMES -- </subfield><subfield code="t">INDEX OF KEY TERMS</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Asian cinema is an area of increasing interest in Anglo-US film studies while Asian films are now widely distributed and popular with western audiences. The fascination with Asian cinema must be examined in the context of a complex and often problematic relationship between western scholars, students, viewers and Asian films. This book, therefore, examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors and Fifth Generation Chinese cinema) and uses them in order to investigate the limitations of Anglo-US theoretical models and critical paradigms. By engaging the readers with familiar areas of critical discourse (such as postcolonial criticism, 'national cinema', 'genre', 'authorship' and 'stardom') the book aims to introduce within such contexts the 'unfamiliar' case studies which will be explored in depth and detail. The advantage of such an approach is that it works with the dynamics of familiarity/unfamiliarity and resists the temptation to construct Asian cinemas as a gallery of exotic objects that might be particularly fascinating but remain deeply distant and foreign.KeyFeatures:A comprehensive study of Asian cinemas, including Hong Kong, Japan, China, India, Turkey and TaiwanAn accessible guide for the study and research of Asian cinema which addresses undergraduate and postgraduate students and researchersEach section contains a contextualising introductionIncludes key texts by Ackbar Abbas, Rey Chow, David Desser, Dimitris Eleftheriotis, Nezih Erdo</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Abbas, Ackbar, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brophy, Philip, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Chow, Rey, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Desser, David, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Eleftheriotis, Dimitris, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Erdoğan, Nezih, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Garwood, Ian, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gopalan, Lalitha, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gürata, Ahmet, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hunt, Leon, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kaplan, E. 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