Film Music : : Critical Approaches / / Kevin J. Donnelly.

For something we often barely notice music in films is usually highly effective. It creates tension, elicits emotion and is undoubtedly one of the most important aspects of the cinematic experience. Upon closer inspection, it can be seen that film music is highly complex and artful, not only having...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2001
Year of Publication:2022
Language:English
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Physical Description:1 online resource (224 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Acknowledgements
  • Introduction: The Hidden Heritage of Film Music: History and Scholarship
  • 1 Analytical and Interpretive Approaches to Film Music (1): Analysing the Music
  • 2 Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film
  • 3 'In the Mix': How Electrical Reproducers Facilitated the Transition to Sound in British Cinemas
  • 4 King Kong and Film on Music: Out of the Fog
  • 5 The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music
  • 6 The Documentary Film Scores of Gail Kubik
  • 7 Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot
  • 8 Performance and the Composite Film Score
  • 9 Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape
  • 10 'Would You Like to Hear Some Music?' Music in-and-out-of-control in the Films of Quentin Tarantino
  • Contributors
  • Index