New Blood in Contemporary Cinema : : Women Directors and the Poetics of Horror / / Patricia Pisters.
Discusses how contemporary women directors have appropriated horror aesthetics, enlarging its generic scope and expanding its emotional spectrumRevisits themes and concerns of the horror genre, from the perspective of women directorsIncludes case studies of important female directed films, including...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (256 p.) :; 26 B/W illustrations |
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Pisters, Patricia, author. aut http://id.loc.gov/vocabulary/relators/aut New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror / Patricia Pisters. Edinburgh : Edinburgh University Press, [2022] ©2020 1 online resource (256 p.) : 26 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction: Virginia’s Unruly Daughters and Carrie’s Crimson Sisters -- 1. Violence and Female Agency: Murderess, Her Body, Her Mind -- 2. Growing Pains: Breasts, Blood and Fangs -- 3. Longing and Lust, ‘Red Light’ on a ‘Dark Continent’ -- 4. Growing Bellies, Failing Mothers, Scary Offspring -- 5. Political Gutting, Crushed Life and Poetic Justice -- Conclusion: Bloody Red: Poetics, Patterns, Politics -- Notes -- Filmography -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Discusses how contemporary women directors have appropriated horror aesthetics, enlarging its generic scope and expanding its emotional spectrumRevisits themes and concerns of the horror genre, from the perspective of women directorsIncludes case studies of important female directed films, including Raw, Evolution and AtlanticsRevisits feminist themes such as female agency, gender and race relations and affect by returning to the work of feminist directors of the 1970s and 1980s (not necessarily considered as generic horror films), in comparison to contemporary women directorsIncludes women of colour as well as white women directors, thus acknowledges both differences of the specific ethnic and social political contexts and shared concernsSince the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadžihalilović and Ana Lily Amirpour, who put ‘a poetics of horror’ to new use in their work, expanding the range of gendered and racialized perspectives in the horror genre.Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) Feminist film criticism. Horror films History and criticism. Horror films. Women motion picture producers and directors. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413 print 9781474466950 https://doi.org/10.1515/9781474466974 https://www.degruyter.com/isbn/9781474466974 Cover https://www.degruyter.com/document/cover/isbn/9781474466974/original |
language |
English |
format |
eBook |
author |
Pisters, Patricia, Pisters, Patricia, |
spellingShingle |
Pisters, Patricia, Pisters, Patricia, New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror / Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction: Virginia’s Unruly Daughters and Carrie’s Crimson Sisters -- 1. Violence and Female Agency: Murderess, Her Body, Her Mind -- 2. Growing Pains: Breasts, Blood and Fangs -- 3. Longing and Lust, ‘Red Light’ on a ‘Dark Continent’ -- 4. Growing Bellies, Failing Mothers, Scary Offspring -- 5. Political Gutting, Crushed Life and Poetic Justice -- Conclusion: Bloody Red: Poetics, Patterns, Politics -- Notes -- Filmography -- Bibliography -- Index |
author_facet |
Pisters, Patricia, Pisters, Patricia, |
author_variant |
p p pp p p pp |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Pisters, Patricia, |
title |
New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror / |
title_sub |
Women Directors and the Poetics of Horror / |
title_full |
New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror / Patricia Pisters. |
title_fullStr |
New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror / Patricia Pisters. |
title_full_unstemmed |
New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror / Patricia Pisters. |
title_auth |
New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror / |
title_alt |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction: Virginia’s Unruly Daughters and Carrie’s Crimson Sisters -- 1. Violence and Female Agency: Murderess, Her Body, Her Mind -- 2. Growing Pains: Breasts, Blood and Fangs -- 3. Longing and Lust, ‘Red Light’ on a ‘Dark Continent’ -- 4. Growing Bellies, Failing Mothers, Scary Offspring -- 5. Political Gutting, Crushed Life and Poetic Justice -- Conclusion: Bloody Red: Poetics, Patterns, Politics -- Notes -- Filmography -- Bibliography -- Index |
title_new |
New Blood in Contemporary Cinema : |
title_sort |
new blood in contemporary cinema : women directors and the poetics of horror / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (256 p.) : 26 B/W illustrations |
contents |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction: Virginia’s Unruly Daughters and Carrie’s Crimson Sisters -- 1. Violence and Female Agency: Murderess, Her Body, Her Mind -- 2. Growing Pains: Breasts, Blood and Fangs -- 3. Longing and Lust, ‘Red Light’ on a ‘Dark Continent’ -- 4. Growing Bellies, Failing Mothers, Scary Offspring -- 5. Political Gutting, Crushed Life and Poetic Justice -- Conclusion: Bloody Red: Poetics, Patterns, Politics -- Notes -- Filmography -- Bibliography -- Index |
isbn |
9781474466974 9783110780413 9781474466950 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 H6 |
url |
https://doi.org/10.1515/9781474466974 https://www.degruyter.com/isbn/9781474466974 https://www.degruyter.com/document/cover/isbn/9781474466974/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430233082 |
dewey-sort |
3791.430233082 |
dewey-raw |
791.430233082 |
dewey-search |
791.430233082 |
doi_str_mv |
10.1515/9781474466974 |
oclc_num |
1312726478 |
work_keys_str_mv |
AT pisterspatricia newbloodincontemporarycinemawomendirectorsandthepoeticsofhorror |
status_str |
n |
ids_txt_mv |
(DE-B1597)614126 (OCoLC)1312726478 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
is_hierarchy_title |
New Blood in Contemporary Cinema : Women Directors and the Poetics of Horror / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
_version_ |
1806143814571655168 |
fullrecord |
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