Katherine Mansfield and the Arts : : Katherine Manfield Studies, Volume 3 / / Susan Reid, Delia da Sousa Correa, Gerri Kimber.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
• VerfasserIn: da Sousa Correa, Delia,; Kimber, Gerri,; Reid, Susan,
• MitwirkendeR: Adcock, Fleur,; Binckes, Faith,; Bowler, Rebecca,; Fraser, Robert,; Girl, Colonial,; Gunn, Kirsty,; Harding, Bruce,; Harrison, Andrew,; Kaplan, Sydney Janet,; Karl, Alissa G.,; Kemp, Jan,; Kennedy, Kate,; Kimber, Gerri,; Manhire, Vanessa,; Mansfield, Katherine,; Mare, Walter de la,; Marketplace, Modernist,; Raitt, Suzanne,; Reimer, Melissa C.,; Smith, Ali,; Smith, Angela,; Sousa Correa, Delia da,; Sun Choi, Young,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2011
• Year of Publication: 2022
• Language: English
• Series: Katherine Mansfield Studies : KMS
• Physical Description: 1 online resource (184 p.)
• Other title: Frontmatter --; Contents --; Introduction --; Articles --; ‘As fastidious as though I wrote with acid’: Katherine Mansfield, J. D. Fergusson and the Rhythm Group in Paris --; Performativity in Words: Musical Performance in Katherine Mansfield’s Stories --; A Literary Impressionist?: Mansfield’s Painterly Vignettes --; Mansfield, Woolf and Music: ‘The queerest sense of echo’ --; ‘All glittering with broken light’: Katherine Mansfield and Impressionism --; ‘The beauty of your line – the life behind it’: Katherine Mansfield and the Double Impression --; Creative Writing --; Poetry --; Report --; Review Article --; Reviews --; Notes on Contributors --; Acknowledgements
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474465861; 9783110780468
• DOI: 10.1515/9781474465861
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Susan Reid, Delia da Sousa Correa, Gerri Kimber.

Reveals how Katherine Mansfield's understanding of art and music shaped and inspired her writingThis volume emphasises the centrality of Katherine Mansfield to the cultural life of her time, illuminating how her love of painting and of music inspired her art. The Fauvist paintings of the Scottish colourist F.D. Fergusson, the music of Debussy, and indeed, of Wagner, all helped to forge a precise aesthetic, founded above all on the intense study and – in the case of music – practice of artistic technique. The essays in this volume explore Mansfield’s relationships with the visual arts and with music, bringing to light the way in which these helped to shape the formal qualities of her writing: its beauty of line and intensely musical effects. Mansfield’s relationship with Woolf is also strongly in the frame. As befits a volume dedicated to the arts, there is an introduction, poetry and a new short story by highly-acclaimed writers who count Mansfield amongst their chief inspirations.