No Power Without an Image : : Icons Between Photography and Film / / Libby Saxton.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
• VerfasserIn: Saxton, Libby,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2020
• Year of Publication: 2022
• Language: English
• Series: Edinburgh Studies in Film and Intermediality : ESFI
• Physical Description: 1 online resource (192 p.) :; 17 B/W illustrations
• Other title: Frontmatter --; Contents --; List of Figures --; Acknowledgements --; Introduction --; 1. Paper, Water, Ice: The Falling Soldier --; 2. The Double Life of the Gestapo Informer --; 3. Apocalyptic Stillness: The Self-Immolators --; 4. The Face of the Crowd: Che --; 5. Film Frame, Film Still, Star Portrait: The Marianne of ’68 --; Epilogue: Protesting Women --; Bibliography --; Filmography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474463171; 9783110780413
• DOI: 10.1515/9781474463171
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Libby Saxton.

Explores the entwined histories of iconic photographs and filmReviews the lives of seven legendary photographs through the lens of cinema, expanding understanding of these interlocking mediaPresents new archival research into and close analysis of the double lives of four of these photographs as pieces of footage, enhancing knowledge of some of film history’s most haunting momentsProposes the icon as a novel paradigm for thinking about the confluence of still and moving images and their relationship to historyExplores developments in technology and aesthetics that shaped the iconic image, enriching appreciation of its historical emergenceThe first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the ‘paper cinema’ of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.