The Cinema of Disorientation : : Inviting Confusions / / Dominic Lash.
Examines disorientation and confusion, and their theoretical implications, in contemporary narrative filmExplores the relationship between orientation and disorientation for the film viewerDefends a flexible and responsive form of criticism that is not without method but that tailors its method to t...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (208 p.) :; 30 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- Prospectus
- Part 1: Confusion as Fusion: Metalepsis, Completeness and Coherence
- Chapter 1: Metalepsis in Film and Its Implications
- Chapter 2: Genres within Genres within Genres: Nested Narrative and Metalepsis
- Chapter 3: ‘Disappeared where it’s real hard to disappear’: Three Ways of Getting Lost in INLAND EMPIRE
- Chapter 4: Achieving Coherence: Diegesis and Death in Holy Motors
- Part 2: Disorientating Figures and Figures of Disorientation
- Chapter 5: Figuring (Out) Films: Figuration in Narrative Cinema
- Chapter 6: Distinguishing the Indistinguishable: Figures of Imperceptibility and Impossibility in Lost Highway and Caché
- Chapter 7: Homes for Displaced Figures: Pedro Costa’s Colossal Youth
- Chapter 8: Sink or Swim: Immersing Ourselves in Jean-Luc Godard’s Adieu au langage
- Conclusion: Method-Free Orientation
- Appendix: Colossal Youth Scene Breakdown
- Notes
- Bibliography
- Filmography
- Index