Asian Cinema : : A Regional View / / Olivia Khoo.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
• VerfasserIn: Khoo, Olivia,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2021
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (168 p.) :; 24 B/W illustrations
• Other title: Frontmatter --; Contents --; Figures --; Acknowledgements --; CHAPTER 1 Introduction: Theorising Asian Cinema as a Regional Cinema --; CHAPTER 2 Pan-Asian Filmmaking and Co-productions with China: Horizontal Collaborations and Vertical Aspirations --; CHAPTER 3 Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films --; CHAPTER 4 From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition --; CHAPTER 5 Queer Asian Cinema, Female Authorship and the Short Film Format --; CHAPTER 6 Archiving Asian Cinema --; CHAPTER 7 Asian Cinema in 3D: Regional Technical Innovation --; Epilogue: New Regional Intimacies --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474461788; 9783110992809; 9783110992816; 9783110993899; 9783110994810; 9783110780406
• DOI: 10.1515/9781474461788
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Olivia Khoo.

Studies the dynamic industrial and cultural transformations that have produced a regional Asian cinema in the last three decadesIncludes case studies that illustrate collaborative models of film production, distribution, exhibition and reception that have shaped a regional Asian cinema in the last three decadesOffers a new framework that synthesises Euro-American film studies approaches and inter-Asia cultural studies methodologiesContributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studiesAsia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas.This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies.