European Film Remakes /

European Film Remakes / / Stijn Joye, Eduard Cuelenaere, Gertjan Willems.

Combines historical and contemporary approaches to film remakes in EuropeInvestigates, next to the textual, socio-cultural and political dimensions, the often neglected industrial, financial and production-related dynamics of European remake practicesProvides a mix of different methodologies, rangin...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
VerfasserIn:
Cuelenaere, Eduard,
Joye, Stijn,
Willems, Gertjan,
MitwirkendeR:
Araüna Baró, Núria,
Cuelenaere, Eduard,
Forrest, Jennifer,
Joye, Stijn,
Leitch, Thomas,
Martin, Marie,
Mathilde Frank, Stefanie,
Meir, Christopher,
Munro, Robert,
Noordenbos, Boris,
Sanyal, Kamalika,
Slugan, Mario,
Smith, Iain Robert,
Souch, Irina,
Stewart, Michael,
Van Heuckelom, Kris,
Varga, Balázs,
Verevis, Constantine,
Verstraten, Peter,
Willems, Gertjan,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2021
Year of Publication:2022
Language:English
Series:Screen Serialities : SCSE
Online Access:
Physical Description:1 online resource (272 p.) :; 3 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • Figures
  • Notes on Contributors
  • Acknowledgements
  • Preface: Farewell, Hollywood
  • Introduction: Film Remakes in the Context of European Cinema
  • Part I Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies
  • 1 The Film Remake as Prism: Towards a Model of Systematic Textual Analysis
  • 2 The ‘Secret Remake’: A European Take on the Traditional Remake?
  • 3 From ‘Mini-Remake’ to Open-Ended Coda: How to Make a ‘Proper’ Homage
  • 4 Rainer Werner Fassbinder’s Berlin Alexanderplatz (1980) as Remake?
  • 5 Remakesploitation: Exploitation Film Remakes and the Transnational Giallo
  • Part II Historical Perspectives: Continuity and Change
  • 6 Re-forming La Maternelle: Socio-Cultural Continuity and the Remake
  • 7 Screening Transformation Processes: Post-War Remakes of Nazi-Era Films
  • 8 The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion and Critical Reception in the Context of Technological Innovation
  • Part III Contemporary Perspectives: European Film Remakes in the New Millennium
  • 9 Remakes à la polonaise: From National Re-Adaptations to Internationally Inspired Rom-Coms
  • 10 Nostalgic Mediations of the Soviet Past in Nikolai Lebedev’s Remake The Crew (2016)
  • 11 Mistaken Identities: Millennial Remakes, Post-Socialist Transformation and Hungarian Popular Cinema
  • 12 Refashioning the Remake: A Bigger Splash
  • Part IV Industrial Perspectives: Practices of Production and Circulation
  • 13 Remake and Decline in Scottish Cinema: Whisky Galore! 1949 and 2016
  • 14 ‘Remakable’ Directors: The Contemporary Spanish Media Industry and Popular Discourses on Remakes and National Authorship
  • 15 Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies
  • Index

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