Reading Ideas in Victorian Literature : : Literary Content as Artistic Experience / / Patrick Fessenbecker.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
• VerfasserIn: Fessenbecker, Patrick,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2020
• Year of Publication: 2022
• Language: English
• Series: Edinburgh Critical Studies in Victorian Culture : ECSVC
• Physical Description: 1 online resource (256 p.)
• Other title: Frontmatter --; Contents --; Series Editor’s Preface --; Acknowledgements --; List of Abbreviations --; Introduction: In Defence of Paraphrase --; 1. Content and Form --; 2. Anthony Trollope on Akrasia, Self-Deception and Ethical Confusion --; 3. Justifying Anachronism --; 4. The Scourge of the Unwilling: George Eliot on the Sources of Normativity --; 5. Everyday Aesthetics and the Experience of the Profound --; 6. Robert Browning, Augusta Webster and the Role of Morality --; Epilogue: Between Immersion and Critique – Thoughtful Reading --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474460620; 9783110780413
• DOI: 10.1515/9781474460620?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Patrick Fessenbecker.

Argues against the repeated emphasis on literary form and for the artistic importance of literary contentAppeals to those interested in philosophy and literature, especially the philosophy of literatureBrings together thinkers from the analytic and continental traditions in aestheticsContains an updated and expanded version of the award-winning essay ‘In Defence of Paraphrase’Makes a case for why Victorian literature and Victorian moral thought are worthy of attention Offers new readings of George Eliot, Anthony Trollope, and Augusta WebsterIt is natural to assume that if works of literature are artistically valuable, it’s not because of anything they say but because of what they are: beautiful. Works of art try to say nothing, to use their content only as matter for realizing the beauty of complex form. But what if appreciating the things a work of literature has to say is a way of appreciating it as a work of art? Often dismissed as too lengthy, messy, and preachy to qualify as genuine art, in fact Victorian narrative challenges our conceptions about what makes art worth engaging.