The Edinburgh Companion to Modernism and Technology / / ed. by Alex Goody.
The first comprehensive reference book to define and delineate the intersections of modernism and technologyProposes significant new ways for understanding the intersections of modernism and technologyIncludes original research contributions from a diverse and interdisciplinary range of modernist sc...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Companions to Literature and the Humanities
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Physical Description: | 1 online resource (472 p.) :; 40 B/W illustrations 11 colour illustrations 40 black and white & 11 colour illustrations |
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The Edinburgh Companion to Modernism and Technology / ed. by Alex Goody. Edinburgh : Edinburgh University Press, [2022] ©2022 1 online resource (472 p.) : 40 B/W illustrations 11 colour illustrations 40 black and white & 11 colour illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Modernist Technology Studies -- Part I Machines -- 1 Electricity: Technologies and Aesthetics -- 2 Clocks: Modernist Heterochrony and the Contemporary Big Clock -- 3 Print: Anaïs Nin’s Embodied Encounters with Print Technology -- 4 Subways: Underground Networks Through Modernist Poetry and Prose -- 5 Automobiles: The Modernist Gaze and Speed’s Visual Limit-field -- 6 Aeroplanes: Rethinking Aeriality in a Long 1930s -- 7 Robots: Gendered Machines and Anxious Technophilia -- Part II Media -- 8 Materials: Glass, Iron and Ghostly Fabric -- 9 Advertising: Magazine Ads and the Creation of Femininity in Early Twentieth-century America -- 10 Photography: Gertrude Käsebier and the Maternal Line of Sight -- 11 X-rays: Technological Revelation and its Cultural Receptions -- 12 Cinema: Notes on Germaine Dulac’s ‘Integral Cinema’, Form and Spirit -- 13 Radio: Blindness, Disability and Technology -- 14 Music: Modernist Remediation and Technologies of Listening -- 15 Performance: Machine Dances and the Avant-garde’s Technological Imaginary -- 16 Amplification: At Home with Marlene Dietrich Overseas -- Part III Bodies -- 17 Sex: Hypnosis, Hormones, Birth Control and the Modernist Body -- 18 Race: Fordism, Factories and the Mechanical Reproduction of Racial Identity -- 19 Technics: Education and Pharmakon in Lawrence, Simondon and Stiegler -- 20 Germs: The Shocks, Politics and Aesthetics of Microbial Modernism -- 21 Noise: Labour, Industry and Embodiment in Interwar Factory Fiction -- Part IV Systems -- 22 Nation: GPO Documentaries and Infrastructures of the Nation-state -- 23 Infrastructure: Women Writers Confront Large Technological Systems -- 24 Paperwork: Atomic Age Bureaucracy in C. P. Snow’s Strangers and Brothers -- 25 Information: Literature and Knowledge in the Age of Bradshaw and Baedeker -- 26 Computation: The Work of Calculation Between Human and Mechanism -- 27 Networks: Modernism in Circulation, 1920–2020 -- 28 War: Modernism in Camouflage, Strategic Fantasy and the Technological Sublime -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The first comprehensive reference book to define and delineate the intersections of modernism and technologyProposes significant new ways for understanding the intersections of modernism and technologyIncludes original research contributions from a diverse and interdisciplinary range of modernist scholarsOffers a key research resource for scholars in modernist studies and cognate areasProvides a classroom-ready collection of essays relevant to undergraduate and graduate courses on modernist literature, art and cultureThough modernism’s emergence in an environment of techno-cultural acceleration has long been recognized, recent scholarship has deepened and challenged our understanding of the connections between twentieth-century cultural production and its technological interlocutors. In twenty-eight chapters by leading academics, The Edinburgh Companion to Modernism and Technology re-examines the machines and media that functioned as modernism’s contexts and competitors. Grounded in an interdisciplinary approach informed by the theoretical and socio-historical frames of current teaching and research on modernism and technology, this research volume makes a crucial and timely intervention in the field of modernist studies. The scholarly contributions on machines that govern transport, production, and public utilities, on media and communication technologies, on the intersections of technology with the human body, and on the technological systems of the early twentieth century capture the contemporary state of modernist technology studies and chart the future directions of this vibrant area. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Literary Studies. 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title |
The Edinburgh Companion to Modernism and Technology / |
spellingShingle |
The Edinburgh Companion to Modernism and Technology / Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Modernist Technology Studies -- Part I Machines -- 1 Electricity: Technologies and Aesthetics -- 2 Clocks: Modernist Heterochrony and the Contemporary Big Clock -- 3 Print: Anaïs Nin’s Embodied Encounters with Print Technology -- 4 Subways: Underground Networks Through Modernist Poetry and Prose -- 5 Automobiles: The Modernist Gaze and Speed’s Visual Limit-field -- 6 Aeroplanes: Rethinking Aeriality in a Long 1930s -- 7 Robots: Gendered Machines and Anxious Technophilia -- Part II Media -- 8 Materials: Glass, Iron and Ghostly Fabric -- 9 Advertising: Magazine Ads and the Creation of Femininity in Early Twentieth-century America -- 10 Photography: Gertrude Käsebier and the Maternal Line of Sight -- 11 X-rays: Technological Revelation and its Cultural Receptions -- 12 Cinema: Notes on Germaine Dulac’s ‘Integral Cinema’, Form and Spirit -- 13 Radio: Blindness, Disability and Technology -- 14 Music: Modernist Remediation and Technologies of Listening -- 15 Performance: Machine Dances and the Avant-garde’s Technological Imaginary -- 16 Amplification: At Home with Marlene Dietrich Overseas -- Part III Bodies -- 17 Sex: Hypnosis, Hormones, Birth Control and the Modernist Body -- 18 Race: Fordism, Factories and the Mechanical Reproduction of Racial Identity -- 19 Technics: Education and Pharmakon in Lawrence, Simondon and Stiegler -- 20 Germs: The Shocks, Politics and Aesthetics of Microbial Modernism -- 21 Noise: Labour, Industry and Embodiment in Interwar Factory Fiction -- Part IV Systems -- 22 Nation: GPO Documentaries and Infrastructures of the Nation-state -- 23 Infrastructure: Women Writers Confront Large Technological Systems -- 24 Paperwork: Atomic Age Bureaucracy in C. P. Snow’s Strangers and Brothers -- 25 Information: Literature and Knowledge in the Age of Bradshaw and Baedeker -- 26 Computation: The Work of Calculation Between Human and Mechanism -- 27 Networks: Modernism in Circulation, 1920–2020 -- 28 War: Modernism in Camouflage, Strategic Fantasy and the Technological Sublime -- Notes on Contributors -- Index |
title_full |
The Edinburgh Companion to Modernism and Technology / ed. by Alex Goody. |
title_fullStr |
The Edinburgh Companion to Modernism and Technology / ed. by Alex Goody. |
title_full_unstemmed |
The Edinburgh Companion to Modernism and Technology / ed. by Alex Goody. |
title_auth |
The Edinburgh Companion to Modernism and Technology / |
title_alt |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Modernist Technology Studies -- Part I Machines -- 1 Electricity: Technologies and Aesthetics -- 2 Clocks: Modernist Heterochrony and the Contemporary Big Clock -- 3 Print: Anaïs Nin’s Embodied Encounters with Print Technology -- 4 Subways: Underground Networks Through Modernist Poetry and Prose -- 5 Automobiles: The Modernist Gaze and Speed’s Visual Limit-field -- 6 Aeroplanes: Rethinking Aeriality in a Long 1930s -- 7 Robots: Gendered Machines and Anxious Technophilia -- Part II Media -- 8 Materials: Glass, Iron and Ghostly Fabric -- 9 Advertising: Magazine Ads and the Creation of Femininity in Early Twentieth-century America -- 10 Photography: Gertrude Käsebier and the Maternal Line of Sight -- 11 X-rays: Technological Revelation and its Cultural Receptions -- 12 Cinema: Notes on Germaine Dulac’s ‘Integral Cinema’, Form and Spirit -- 13 Radio: Blindness, Disability and Technology -- 14 Music: Modernist Remediation and Technologies of Listening -- 15 Performance: Machine Dances and the Avant-garde’s Technological Imaginary -- 16 Amplification: At Home with Marlene Dietrich Overseas -- Part III Bodies -- 17 Sex: Hypnosis, Hormones, Birth Control and the Modernist Body -- 18 Race: Fordism, Factories and the Mechanical Reproduction of Racial Identity -- 19 Technics: Education and Pharmakon in Lawrence, Simondon and Stiegler -- 20 Germs: The Shocks, Politics and Aesthetics of Microbial Modernism -- 21 Noise: Labour, Industry and Embodiment in Interwar Factory Fiction -- Part IV Systems -- 22 Nation: GPO Documentaries and Infrastructures of the Nation-state -- 23 Infrastructure: Women Writers Confront Large Technological Systems -- 24 Paperwork: Atomic Age Bureaucracy in C. P. Snow’s Strangers and Brothers -- 25 Information: Literature and Knowledge in the Age of Bradshaw and Baedeker -- 26 Computation: The Work of Calculation Between Human and Mechanism -- 27 Networks: Modernism in Circulation, 1920–2020 -- 28 War: Modernism in Camouflage, Strategic Fantasy and the Technological Sublime -- Notes on Contributors -- Index |
title_new |
The Edinburgh Companion to Modernism and Technology / |
title_sort |
the edinburgh companion to modernism and technology / |
series |
Edinburgh Companions to Literature and the Humanities |
series2 |
Edinburgh Companions to Literature and the Humanities |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (472 p.) : 40 B/W illustrations 11 colour illustrations 40 black and white & 11 colour illustrations |
contents |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Modernist Technology Studies -- Part I Machines -- 1 Electricity: Technologies and Aesthetics -- 2 Clocks: Modernist Heterochrony and the Contemporary Big Clock -- 3 Print: Anaïs Nin’s Embodied Encounters with Print Technology -- 4 Subways: Underground Networks Through Modernist Poetry and Prose -- 5 Automobiles: The Modernist Gaze and Speed’s Visual Limit-field -- 6 Aeroplanes: Rethinking Aeriality in a Long 1930s -- 7 Robots: Gendered Machines and Anxious Technophilia -- Part II Media -- 8 Materials: Glass, Iron and Ghostly Fabric -- 9 Advertising: Magazine Ads and the Creation of Femininity in Early Twentieth-century America -- 10 Photography: Gertrude Käsebier and the Maternal Line of Sight -- 11 X-rays: Technological Revelation and its Cultural Receptions -- 12 Cinema: Notes on Germaine Dulac’s ‘Integral Cinema’, Form and Spirit -- 13 Radio: Blindness, Disability and Technology -- 14 Music: Modernist Remediation and Technologies of Listening -- 15 Performance: Machine Dances and the Avant-garde’s Technological Imaginary -- 16 Amplification: At Home with Marlene Dietrich Overseas -- Part III Bodies -- 17 Sex: Hypnosis, Hormones, Birth Control and the Modernist Body -- 18 Race: Fordism, Factories and the Mechanical Reproduction of Racial Identity -- 19 Technics: Education and Pharmakon in Lawrence, Simondon and Stiegler -- 20 Germs: The Shocks, Politics and Aesthetics of Microbial Modernism -- 21 Noise: Labour, Industry and Embodiment in Interwar Factory Fiction -- Part IV Systems -- 22 Nation: GPO Documentaries and Infrastructures of the Nation-state -- 23 Infrastructure: Women Writers Confront Large Technological Systems -- 24 Paperwork: Atomic Age Bureaucracy in C. P. Snow’s Strangers and Brothers -- 25 Information: Literature and Knowledge in the Age of Bradshaw and Baedeker -- 26 Computation: The Work of Calculation Between Human and Mechanism -- 27 Networks: Modernism in Circulation, 1920–2020 -- 28 War: Modernism in Camouflage, Strategic Fantasy and the Technological Sublime -- Notes on Contributors -- Index |
isbn |
9781474460552 9783110993899 9783110994810 9783110993752 9783110993738 9783110780390 9781474460545 |
url |
https://doi.org/10.1515/9781474460552 https://www.degruyter.com/isbn/9781474460552 https://www.degruyter.com/document/cover/isbn/9781474460552/original |
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code="t">Contents -- </subfield><subfield code="t">Figures -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">Introduction: Modernist Technology Studies -- </subfield><subfield code="t">Part I Machines -- </subfield><subfield code="t">1 Electricity: Technologies and Aesthetics -- </subfield><subfield code="t">2 Clocks: Modernist Heterochrony and the Contemporary Big Clock -- </subfield><subfield code="t">3 Print: Anaïs Nin’s Embodied Encounters with Print Technology -- </subfield><subfield code="t">4 Subways: Underground Networks Through Modernist Poetry and Prose -- </subfield><subfield code="t">5 Automobiles: The Modernist Gaze and Speed’s Visual Limit-field -- </subfield><subfield code="t">6 Aeroplanes: Rethinking Aeriality in a Long 1930s -- </subfield><subfield code="t">7 Robots: Gendered Machines and Anxious Technophilia -- </subfield><subfield code="t">Part II Media -- </subfield><subfield code="t">8 Materials: Glass, Iron and Ghostly Fabric -- </subfield><subfield code="t">9 Advertising: Magazine Ads and the Creation of Femininity in Early Twentieth-century America -- </subfield><subfield code="t">10 Photography: Gertrude Käsebier and the Maternal Line of Sight -- </subfield><subfield code="t">11 X-rays: Technological Revelation and its Cultural Receptions -- </subfield><subfield code="t">12 Cinema: Notes on Germaine Dulac’s ‘Integral Cinema’, Form and Spirit -- </subfield><subfield code="t">13 Radio: Blindness, Disability and Technology -- </subfield><subfield code="t">14 Music: Modernist Remediation and Technologies of Listening -- </subfield><subfield code="t">15 Performance: Machine Dances and the Avant-garde’s Technological Imaginary -- </subfield><subfield code="t">16 Amplification: At Home with Marlene Dietrich Overseas -- </subfield><subfield code="t">Part III Bodies -- </subfield><subfield code="t">17 Sex: Hypnosis, Hormones, Birth Control and the Modernist Body -- </subfield><subfield code="t">18 Race: Fordism, Factories and the Mechanical Reproduction of Racial Identity -- </subfield><subfield code="t">19 Technics: Education and Pharmakon in Lawrence, Simondon and Stiegler -- </subfield><subfield code="t">20 Germs: The Shocks, Politics and Aesthetics of Microbial Modernism -- </subfield><subfield code="t">21 Noise: Labour, Industry and Embodiment in Interwar Factory Fiction -- </subfield><subfield code="t">Part IV Systems -- </subfield><subfield code="t">22 Nation: GPO Documentaries and Infrastructures of the Nation-state -- </subfield><subfield code="t">23 Infrastructure: Women Writers Confront Large Technological Systems -- </subfield><subfield code="t">24 Paperwork: Atomic Age Bureaucracy in C. P. Snow’s Strangers and Brothers -- </subfield><subfield code="t">25 Information: Literature and Knowledge in the Age of Bradshaw and Baedeker -- </subfield><subfield code="t">26 Computation: The Work of Calculation Between Human and Mechanism -- </subfield><subfield code="t">27 Networks: Modernism in Circulation, 1920–2020 -- </subfield><subfield code="t">28 War: Modernism in Camouflage, Strategic Fantasy and the Technological Sublime -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The first comprehensive reference book to define and delineate the intersections of modernism and technologyProposes significant new ways for understanding the intersections of modernism and technologyIncludes original research contributions from a diverse and interdisciplinary range of modernist scholarsOffers a key research resource for scholars in modernist studies and cognate areasProvides a classroom-ready collection of essays relevant to undergraduate and graduate courses on modernist literature, art and cultureThough modernism’s emergence in an environment of techno-cultural acceleration has long been recognized, recent scholarship has deepened and challenged our understanding of the connections between twentieth-century cultural production and its technological interlocutors. In twenty-eight chapters by leading academics, The Edinburgh Companion to Modernism and Technology re-examines the machines and media that functioned as modernism’s contexts and competitors. Grounded in an interdisciplinary approach informed by the theoretical and socio-historical frames of current teaching and research on modernism and technology, this research volume makes a crucial and timely intervention in the field of modernist studies. The scholarly contributions on machines that govern transport, production, and public utilities, on media and communication technologies, on the intersections of technology with the human body, and on the technological systems of the early twentieth century capture the contemporary state of modernist technology studies and chart the future directions of this vibrant area.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Beeston, Alix, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bloom, Emily C., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Deer, Patrick, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield 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