Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou / / Sarah Hickmott.
Analyses the role of music in the work of Nancy, Lacoue-Labarthe and Badiou, and the role of gender in the philosophy of musicAnalyses the role or characterisation of music in both well-known and lesser-known texts including Á l’écoute, Le Chant des Muses and Five Lessons on WagnerArticulates the st...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Crosscurrents : CROSS
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| Online Access: | |
| Physical Description: | 1 online resource (256 p.) :; 5 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Series Editor’s Preface
- Abbreviations
- Prelude
- 1. Music, Mousike, Muses (and Sirens)
- 2. Music, Meaning and Materiality: Nancy’s Corps Sonore
- 3. ‘Catacoustic’ Subjects and the Injustice of Being Born: Lacoue-Labarthe’s Musical Maternal Muse
- 4. Midwives and Madams: Mus(e)ic, Mediation and Badiou’s ‘Universal’ Subject
- 5. From Parnassus to Bayreuth: Staging a Music which is Not One
- Encore: After Music
- Bibliography
- Index