Vampires in Italian Cinema, 1956-1975 / / Michael Guarneri.
Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975Actively engages in the ongoing academic debate about the cultural legitimacy of Italian genre cinemaCovers unpublished film production data (from the Archivio Centrale...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (232 p.) :; 12 B/W illustrations |
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Table of Contents:
- Frontmatter
- CONTENTS
- FIGURES AND TABLES
- ACKNOWLEDGEMENTS
- INTRODUCTION
- PART I THE INDUSTRIAL CONTEXT
- 1. THE ITALIAN FILM INDUSTRY (1945–1985)
- 2. ITALIAN VAMPIRE CINEMA (1956–1975)
- PART II VAMPIRE SEX AND VAMPIRE GENDER
- 3. FEMALE VAMPIRES
- 4. MALE VAMPIRES
- PART III SANGUINE ECONOMY, BLOODY POLITIC
- 5. VAMPIRES OF THE LATE 1950S AND EARLY 1960S
- 6. POST-1968 VAMPIRES
- APPENDIX A: THREE ITALIAN VAMPIRE FILMS THAT WERE NEVER MADE
- APPENDIX B: FILES FROM THE ITALIAN SHOW BUSINESS BUREAU FONDS AT THE ARCHIVIO CENTRALE DELLO STATO IN ROME
- BIBLIOGRAPHY
- INDEX