Tim Burton's Bodies : : Gothic, Animated, Creaturely and Corporeal / / Stella Hockenhull, Fran Pheasant-Kelly.

Offers a novel, body-centric approach to Burton’s films that provides a distinctive way to consider his filmmakingExplores unique technical personnel perspectives into creative processes of Corpse Bride that enhances knowledge about Burton as a filmmaker, and provides previously undocumented facts a...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2021
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (320 p.) :; 36 B/W illustrations
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100 1 |a Hockenhull, Stella,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Tim Burton's Bodies :  |b Gothic, Animated, Creaturely and Corporeal /  |c Stella Hockenhull, Fran Pheasant-Kelly. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2022] 
264 4 |c ©2021 
300 |a 1 online resource (320 p.) :  |b 36 B/W illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t FIGURES --   |t NOTES ON CONTRIBUTORS --   |t ACKNOWLEDGEMENTS --   |t INTRODUCTION --   |t PART ONE. ANIMATED BODIES --   |t 1. TRANSFORMATION: METAMORPHOSIS, ANIMATION AND FAIRY TALE IN THE WORK OF TIM BURTON --   |t 2. AGREEING TO BE A ‘BURTON BODY’: DEVELOPING THE CORPSE BRIDE STORY --   |t 3. TIM BURTON’S UNRULY ANIMATION --   |t 4. CORPSE BRIDE: ANIMATION, ANIMATED CORPSES AND THE GOTHIC --   |t PART TWO. CREATURELY BODIES --   |t 5. BURTON, APES AND RACE: THE CREATURELY POLITICS OF TIM BURTON’S PLANET OF THE APES --   |t 6. DEAD PETS’ SOCIETY: GOTHIC ANIMAL BODIES IN THE FILMS OF TIM BURTON --   |t 7. TOO DARK FOR DISNEY: TIM BURTON, CHILDREN’S HORROR AND PET DEATH --   |t 8. MONSTROUS MASCULINITY: ‘BECOMING CENTAUR’ IN TIM BURTON’S SLEEPY HOLLOW --   |t 9. ANOMALOUS BODIES IN TIM BURTON’S BESTIARY: REIMAGINING DUMBO --   |t PART THREE. CORPOREAL BODIES --   |t 10. ALL OF US CANNIBALS: EATING BODIES IN CHARLIE AND THE CHOCOLATE FACTORY AND SWEENEY TODD: THE DEMON BARBER OF FLEET STREET --   |t 11. ‘I MIGHT JUST SPLIT A SEAM’: FABRIC AND SOMATIC INTEGRITY IN THE WORK OF TIM BURTON --   |t 12. THE SEMIOTICS OF A BROKEN BODY: TIM BURTON’S USE OF SYNECDOCHE --   |t 13. ART AND THE ORGAN WITHOUT A BODY: ‘THE JAR’ AS BURTON’S ARTISTIC MANIFESTO --   |t 14. ‘HELL HERE!’: TIM BURTON’S DESTRUCTION OF MICHELLE PFEIFFER IN BATMAN RETURNS --   |t PART FOUR. GOTHIC, MONSTROUS AND PECULIAR BODIES --   |t 15. THE GROTESQUE SOCIAL OUTCAST IN THE FILMS OF TIM BURTON --   |t 16. ‘A GIANT MAN CAN’T HAVE AN ORDINARY-SIZED LIFE’: ON TIM BURTON’S BIG FISH --   |t 17. TIM BURTON’S CURIOUS BODIES IN MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: A CONTEMPORARY TALE OF THE GROTESQUE --   |t 18. ASEXUALITY AND SOCIAL ANXIETY: THE PERILS OF A PECULIAR BODY --   |t 19. BURTON’S BENEVOLENTLY MONSTROUS FRANKENSTEINS --   |t BIBLIOGRAPHY --   |t FILM AND TELEVISION --   |t INDEX 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Offers a novel, body-centric approach to Burton’s films that provides a distinctive way to consider his filmmakingExplores unique technical personnel perspectives into creative processes of Corpse Bride that enhances knowledge about Burton as a filmmaker, and provides previously undocumented facts about the filmIncludes a range of theoretical approaches, drawn from psychoanalysis, philosophy, animal studies, aesthetics, feminism and representationProvides a multidisciplinary approach with inclusion of animal studies’ expertise that illuminates different strategies for analysing characters/bodiesExamines works including The Jar that are little explored and which will extend knowledge of Burton’s canonProvides up-to-date research including Burton’s most recent film Dumbo (2019)Tim Burton is an internationally celebrated director, critically acclaimed for his fantasy horror films and the macabre ghosts, animated corpses and grotesques that inhabit them. This innovative study centres on the body as a centripetal force in Burton’s work and considers the array of anomalous, extraordinary and transgressive beings that pervade his canon. It broadens the focus of living forms to include animated, creaturely, corporeal and Gothic bodies, exploring the way that Burton celebrates the body – whether human, animal, animated or anthropomorphised.In prioritising the somatic aspects of characters, Tim Burton’s Bodies spotlights actual physical attributes and behaviour, and considers what meanings these may impart in terms of race, class, gender, sexuality, humanimality and disability. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 0 |a Human body in motion pictures. 
650 4 |a Film, Media & Cultural Studies. 
650 7 |a PERFORMING ARTS / Film & Video / Direction & Production.  |2 bisacsh 
700 1 |a Bassil-Morozow, Helena,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Boyacıoğlu, Elif,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Claire, Claire,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Cobb, Thomas J.,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Colombani, Elsa,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Davies, Cath,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Duarte, José,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Geal, Robert,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Hackett, Alexandra Jayne,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Hockenhull, Stella,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Holliday, Christopher,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Lipiner, Michael,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Liénard-Yeterian, Marie,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Lloyd, Rebecca,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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700 1 |a Martins, Ana Rita,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Moore, Samantha,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Pagnoni Berns, Fernando Gabriel,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Parr, Christopher,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Pheasant-Kelly, Fran,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
700 1 |a Pheasant-Kelly, Fran,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Pheasant-Kelly, Frances,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Piatkowski, Peter,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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