Towards an Intermedial History of Brazilian Cinema / / ed. by Lúcia Nagib.
Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical per...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Studies in Film and Intermediality : ESFI
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Physical Description: | 1 online resource (384 p.) :; 76 B/W illustrations 1 B/W tables 77 B&W illustrations |
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Towards an Intermedial History of Brazilian Cinema / ed. by Lúcia Nagib. Edinburgh : Edinburgh University Press, [2022] ©2022 1 online resource (384 p.) : 76 B/W illustrations 1 B/W tables 77 B&W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Studies in Film and Intermediality : ESFI Frontmatter -- Contents -- List of Figures -- The Contributors -- Acknowledgements -- Introduction -- Part I Intervisuality -- 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- 2 Intermedial Landscapes in the Work of Cao Guimarães -- 3 ‘The most innocent film of the year’: Comic Books, Sex and Cinema Marginal -- 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babás and Aquarius -- 5 Exploring the Cinematic Imaginary: Carlos Adriano, André Parente and the Precision of the Vague -- Part II The Empire of Music -- 6 Watson Macedo’s Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- 8 Music-video Aesthetics in Pernambucan Cinema -- 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola – música para os olhos (2007) -- Part III Entertainment Circuits -- 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros’s Works and Intermedial Strategies -- 11 ‘Synchronised Film Fever’ amid the ‘Gramophonoradiomania’: Record, Radio and Cinema at the Dawn of the ‘Talkies’ in Rio de Janeiro -- 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- 13 Gilda de Abreu’s O Ébrio as a Unique Intermedial Project -- 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s–1960s) -- Part IV From Impure Cinema to Cosmopoetics -- 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- 16 Queering Intermediality in Brazilian Cinema -- 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo’s Critique of Conservative Modernisation -- 18 Intermedial Territories: Maps and the Amazonian Moving Image -- 19 An Intermedial Reading of Glauber Rocha’s Cosmogony -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical periods in Brazilian cinemaProvides an overarching historical coverage of Brazilian cinema, through an innovative approach that connects different periods in Brazilian film history through the multiple art and media forms interwoven in themProposes that different phases of a national cinema can be framed as comparable and interrelated phenomena, rather than relying on evolutionary chronologies and classical-modern or centre-periphery modelsExplores new ways of understanding Brazilian film history, and the history of cinema in generalFrom its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts left a distinctive mark on Brazilian cinema’s poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: the film prologues that connected the screen to the stage in the 1920s; the chanchada musical comedies, inflected by vaudeville theatre and the radio; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations and other experiments. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Intermediality. Motion pictures Brazil History. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Adamatti, Margarida Maria, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beugnet, Martine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Butler, Alison, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cesarino Costa, Flávia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Christie, Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Corrêa de Araújo, Luciana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Elduque, Albert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lins, Consuelo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lira de Sousa, Ramayana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Luca, Tiago de, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Luna Freire, Rafael de, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nagib, Lúcia , editor. edt http://id.loc.gov/vocabulary/relators/edt Nagib, Lúcia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Paiva, Samuel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Procopio Furtado, Gustavo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reck Miranda, Suzana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Soares Brandão, Alessandra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Solomon, Stefan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Suppia, Alfredo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vieira, João Luiz, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Xavier, Ismail, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 9783110992809 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English 9783110992816 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 9783110780390 https://doi.org/10.1515/9781474453004 https://www.degruyter.com/isbn/9781474453004 Cover https://www.degruyter.com/document/cover/isbn/9781474453004/original |
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English |
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Adamatti, Margarida Maria, Adamatti, Margarida Maria, Beugnet, Martine, Beugnet, Martine, Butler, Alison, Butler, Alison, Cesarino Costa, Flávia, Cesarino Costa, Flávia, Christie, Ian, Christie, Ian, Corrêa de Araújo, Luciana, Corrêa de Araújo, Luciana, Elduque, Albert, Elduque, Albert, Lins, Consuelo, Lins, Consuelo, Lira de Sousa, Ramayana, Lira de Sousa, Ramayana, Luca, Tiago de, Luca, Tiago de, Luna Freire, Rafael de, Luna Freire, Rafael de, Nagib, Lúcia , Nagib, Lúcia , Nagib, Lúcia, Nagib, Lúcia, Paiva, Samuel, Paiva, Samuel, Procopio Furtado, Gustavo, Procopio Furtado, Gustavo, Reck Miranda, Suzana, Reck Miranda, Suzana, Soares Brandão, Alessandra, Soares Brandão, Alessandra, Solomon, Stefan, Solomon, Stefan, Suppia, Alfredo, Suppia, Alfredo, Vieira, João Luiz, Vieira, João Luiz, Xavier, Ismail, Xavier, Ismail, |
author_facet |
Adamatti, Margarida Maria, Adamatti, Margarida Maria, Beugnet, Martine, Beugnet, Martine, Butler, Alison, Butler, Alison, Cesarino Costa, Flávia, Cesarino Costa, Flávia, Christie, Ian, Christie, Ian, Corrêa de Araújo, Luciana, Corrêa de Araújo, Luciana, Elduque, Albert, Elduque, Albert, Lins, Consuelo, Lins, Consuelo, Lira de Sousa, Ramayana, Lira de Sousa, Ramayana, Luca, Tiago de, Luca, Tiago de, Luna Freire, Rafael de, Luna Freire, Rafael de, Nagib, Lúcia , Nagib, Lúcia , Nagib, Lúcia, Nagib, Lúcia, Paiva, Samuel, Paiva, Samuel, Procopio Furtado, Gustavo, Procopio Furtado, Gustavo, Reck Miranda, Suzana, Reck Miranda, Suzana, Soares Brandão, Alessandra, Soares Brandão, Alessandra, Solomon, Stefan, Solomon, Stefan, Suppia, Alfredo, Suppia, Alfredo, Vieira, João Luiz, Vieira, João Luiz, Xavier, Ismail, Xavier, Ismail, |
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author_sort |
Adamatti, Margarida Maria, |
title |
Towards an Intermedial History of Brazilian Cinema / |
spellingShingle |
Towards an Intermedial History of Brazilian Cinema / Edinburgh Studies in Film and Intermediality : ESFI Frontmatter -- Contents -- List of Figures -- The Contributors -- Acknowledgements -- Introduction -- Part I Intervisuality -- 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- 2 Intermedial Landscapes in the Work of Cao Guimarães -- 3 ‘The most innocent film of the year’: Comic Books, Sex and Cinema Marginal -- 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babás and Aquarius -- 5 Exploring the Cinematic Imaginary: Carlos Adriano, André Parente and the Precision of the Vague -- Part II The Empire of Music -- 6 Watson Macedo’s Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- 8 Music-video Aesthetics in Pernambucan Cinema -- 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola – música para os olhos (2007) -- Part III Entertainment Circuits -- 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros’s Works and Intermedial Strategies -- 11 ‘Synchronised Film Fever’ amid the ‘Gramophonoradiomania’: Record, Radio and Cinema at the Dawn of the ‘Talkies’ in Rio de Janeiro -- 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- 13 Gilda de Abreu’s O Ébrio as a Unique Intermedial Project -- 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s–1960s) -- Part IV From Impure Cinema to Cosmopoetics -- 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- 16 Queering Intermediality in Brazilian Cinema -- 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo’s Critique of Conservative Modernisation -- 18 Intermedial Territories: Maps and the Amazonian Moving Image -- 19 An Intermedial Reading of Glauber Rocha’s Cosmogony -- Index |
title_full |
Towards an Intermedial History of Brazilian Cinema / ed. by Lúcia Nagib. |
title_fullStr |
Towards an Intermedial History of Brazilian Cinema / ed. by Lúcia Nagib. |
title_full_unstemmed |
Towards an Intermedial History of Brazilian Cinema / ed. by Lúcia Nagib. |
title_auth |
Towards an Intermedial History of Brazilian Cinema / |
title_alt |
Frontmatter -- Contents -- List of Figures -- The Contributors -- Acknowledgements -- Introduction -- Part I Intervisuality -- 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- 2 Intermedial Landscapes in the Work of Cao Guimarães -- 3 ‘The most innocent film of the year’: Comic Books, Sex and Cinema Marginal -- 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babás and Aquarius -- 5 Exploring the Cinematic Imaginary: Carlos Adriano, André Parente and the Precision of the Vague -- Part II The Empire of Music -- 6 Watson Macedo’s Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- 8 Music-video Aesthetics in Pernambucan Cinema -- 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola – música para os olhos (2007) -- Part III Entertainment Circuits -- 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros’s Works and Intermedial Strategies -- 11 ‘Synchronised Film Fever’ amid the ‘Gramophonoradiomania’: Record, Radio and Cinema at the Dawn of the ‘Talkies’ in Rio de Janeiro -- 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- 13 Gilda de Abreu’s O Ébrio as a Unique Intermedial Project -- 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s–1960s) -- Part IV From Impure Cinema to Cosmopoetics -- 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- 16 Queering Intermediality in Brazilian Cinema -- 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo’s Critique of Conservative Modernisation -- 18 Intermedial Territories: Maps and the Amazonian Moving Image -- 19 An Intermedial Reading of Glauber Rocha’s Cosmogony -- Index |
title_new |
Towards an Intermedial History of Brazilian Cinema / |
title_sort |
towards an intermedial history of brazilian cinema / |
series |
Edinburgh Studies in Film and Intermediality : ESFI |
series2 |
Edinburgh Studies in Film and Intermediality : ESFI |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (384 p.) : 76 B/W illustrations 1 B/W tables 77 B&W illustrations |
contents |
Frontmatter -- Contents -- List of Figures -- The Contributors -- Acknowledgements -- Introduction -- Part I Intervisuality -- 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- 2 Intermedial Landscapes in the Work of Cao Guimarães -- 3 ‘The most innocent film of the year’: Comic Books, Sex and Cinema Marginal -- 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babás and Aquarius -- 5 Exploring the Cinematic Imaginary: Carlos Adriano, André Parente and the Precision of the Vague -- Part II The Empire of Music -- 6 Watson Macedo’s Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- 8 Music-video Aesthetics in Pernambucan Cinema -- 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola – música para os olhos (2007) -- Part III Entertainment Circuits -- 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros’s Works and Intermedial Strategies -- 11 ‘Synchronised Film Fever’ amid the ‘Gramophonoradiomania’: Record, Radio and Cinema at the Dawn of the ‘Talkies’ in Rio de Janeiro -- 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- 13 Gilda de Abreu’s O Ébrio as a Unique Intermedial Project -- 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s–1960s) -- Part IV From Impure Cinema to Cosmopoetics -- 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- 16 Queering Intermediality in Brazilian Cinema -- 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo’s Critique of Conservative Modernisation -- 18 Intermedial Territories: Maps and the Amazonian Moving Image -- 19 An Intermedial Reading of Glauber Rocha’s Cosmogony -- Index |
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9781474453004 9783110992809 9783110992816 9783110993899 9783110994810 9783110780390 |
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PN1993 |
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PN 41993.5 B6 T69 42022 |
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Brazil |
url |
https://doi.org/10.1515/9781474453004 https://www.degruyter.com/isbn/9781474453004 https://www.degruyter.com/document/cover/isbn/9781474453004/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430981 |
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3791.430981 |
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791.430981 |
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791.430981 |
doi_str_mv |
10.1515/9781474453004 |
oclc_num |
1343104111 |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 |
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Towards an Intermedial History of Brazilian Cinema / |
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the Precision of the Vague -- </subfield><subfield code="t">Part II The Empire of Music -- </subfield><subfield code="t">6 Watson Macedo’s Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- </subfield><subfield code="t">7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- </subfield><subfield code="t">8 Music-video Aesthetics in Pernambucan Cinema -- </subfield><subfield code="t">9 Possessing Archival Images: Ghosts, Songs and Films in Cartola – música para os olhos (2007) -- </subfield><subfield code="t">Part III Entertainment Circuits -- </subfield><subfield code="t">10 Intermediality in Brazilian Silent Cinema: Luiz de Barros’s Works and Intermedial Strategies -- </subfield><subfield code="t">11 ‘Synchronised Film Fever’ amid the ‘Gramophonoradiomania’: Record, Radio and Cinema at the Dawn of the ‘Talkies’ in Rio de Janeiro -- </subfield><subfield code="t">12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- </subfield><subfield code="t">13 Gilda de Abreu’s O Ébrio as a Unique Intermedial Project -- </subfield><subfield code="t">14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s–1960s) -- </subfield><subfield code="t">Part IV From Impure Cinema to Cosmopoetics -- </subfield><subfield code="t">15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- </subfield><subfield code="t">16 Queering Intermediality in Brazilian Cinema -- </subfield><subfield code="t">17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo’s Critique of Conservative Modernisation -- </subfield><subfield code="t">18 Intermedial Territories: Maps and the Amazonian Moving Image -- </subfield><subfield code="t">19 An Intermedial Reading of Glauber Rocha’s Cosmogony -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical periods in Brazilian cinemaProvides an overarching historical coverage of Brazilian cinema, through an innovative approach that connects different periods in Brazilian film history through the multiple art and media forms interwoven in themProposes that different phases of a national cinema can be framed as comparable and interrelated phenomena, rather than relying on evolutionary chronologies and classical-modern or centre-periphery modelsExplores new ways of understanding Brazilian film history, and the history of cinema in generalFrom its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts left a distinctive mark on Brazilian cinema’s poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: the film prologues that connected the screen to the stage in the 1920s; the chanchada musical comedies, inflected by vaudeville theatre and the radio; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations and other experiments. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Intermediality.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Brazil</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Adamatti, Margarida Maria, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Beugnet, Martine, </subfield><subfield code="e">contributor.</subfield><subfield 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