Film and the Imagined Image / / Sarah Cooper.
A study of how films prompt spectators to create images in the mindFrom documentary to art-house cinema – and from an abundance of onscreen images to their complete absence – films that experiment variously with narration, voice-over and soundscapes do not only engage viewers’ thoughts and senses. T...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (208 p.) :; 20 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- PART I. DUAL VISION
- CHAPTER 1. Seeing Pictures
- CHAPTER 2. Feeling Pictures
- PART II. MAKING MENTAL MOTION PICTURES
- CHAPTER 3. Layering
- CHAPTER 4. Volumising
- CHAPTER 5. Supplementing
- CHAPTER 6. Reshaping
- CHAPTER 7. Erasing
- Conclusion: Broadening Out
- Postscript
- Notes
- Filmography
- Bibliography
- Index