Slum Imaginaries and Spatial Justice in Philippine Cinema / / Katrina Macapagal.
Examines contemporary examples of Philippine urban cinema from the 2000sFormulates the theory of the slum chronotope" as a theoretical tool to analyse narrative and genre formation in films that dialogue with the slum settingCombines approaches from various fields, drawing heavily from human ge...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (216 p.) :; 20 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- Part I Locating Philippine Urban Cinema
- 1. Spatial Justice and the Slum Chronotope
- 2. The Rise of Manila Slums and Philippine Urban Cinema
- 3. The Slum Chronotope in Philippine Cinema Genres and Modalities
- Part II Routes of Reading Philippine Urban Cinema
- 4. Kids in the Hood: Chronotopes of Passage in Ang Pagdadalaga Ni Maximo Oliveros and Tribu
- 5. Women Walking: Affective Chronotopes in the Melodramatic Imaginaries of Kubrador, Foster Child and Lola
- 6. Men on the Move: Chronotopes of Mobility in the Noir Imaginaries of Kinatay, Metro Manila and On the Job
- 7. Migrants in Transit: The Slum Chronotope and Chronotopes of In/ Visibility in the Overseas Filipino Worker Genre
- 8. Sounds of Youth: The Production of Noise and Chronotopes of Performance in Respeto
- Conclusion
- Bibliography
- Filmography
- Index