Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 / / Chad Kia.

Explores the ways in which esoteric religion shaped the masterpieces of classical Persian paintingTransforming our understanding of Persian art, this impressive interdisciplinary book decodes some of the world’s most exquisite medieval paintings. It reveals the hidden meaning behind enigmatic figure...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2019
Year of Publication:2022
Language:English
Series:Edinburgh Studies in Classical Islamic History and Culture
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Physical Description:1 online resource (304 p.) :; 12 colour illustrations
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id 9781474450416
lccn 2019286921
ctrlnum (DE-B1597)619347
(OCoLC)1306540281
collection bib_alma
record_format marc
spelling Kia, Chad, author. aut http://id.loc.gov/vocabulary/relators/aut
Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 / Chad Kia.
Edinburgh : Edinburgh University Press, [2022]
©2019
1 online resource (304 p.) : 12 colour illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Edinburgh Studies in Classical Islamic History and Culture
Frontmatter -- Contents -- List of Plates -- Acknowledgements -- Introduction: Coming to Terms with Meaning in Persian Painting -- 1. Poetics of the Picture: Verbal Imagery and Visual Language -- 2. Remaking Persian Painting: Didactic Sufism in a Timurid Manuscript -- 3. The Third Station on the Path to Sufism: ‘The Bearded Man Drowning’ -- 4. Fixed-figure Prototypes and the Symbolic Order -- 5. The Culmination of a Trend: ‘Depraved Man Commits Bestiality’ 135 Conclusion: The Sufi Synthesis -- Conclusion: The Sufi Synthesis -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Explores the ways in which esoteric religion shaped the masterpieces of classical Persian paintingTransforming our understanding of Persian art, this impressive interdisciplinary book decodes some of the world’s most exquisite medieval paintings. It reveals the hidden meaning behind enigmatic figures and scenes that have puzzled modern scholars, focusing on five ‘miniature’ paintings. Chad Kia shows how the cryptic elements in these works of art from Timurid Persia conveyed the mystical teachings of Sufi poets like Rumi, Attar and Jami, and heralded one of the most significant events in the history of Islam: the takeover by the Safavids in 1501 and the conversion of Iran to Shiism.Key featuresInterprets celebrated but enigmatic paintings from collections in the Metropolitan Museum, the British Library and the Freer GalleryBrings poetry and art together in a transformative reading of Persian illustrated manuscriptsBridges art history, literature and religion to reconsider Shia and Safavid cultural and intellectual historyConnects Persian figural painting to the rise of the Safavids and Shiism in Iran
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)
Illumination of books and manuscripts, Iranian.
Painting, Iranian 16th century.
Painting, Iranian To 1500.
Shīʻah Iran History.
Shīʻah Iran History.
Symbolism in art.
Islamic Studies.
ART / History / Medieval. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420
https://doi.org/10.1515/9781474450416?locatt=mode:legacy
https://www.degruyter.com/isbn/9781474450416
Cover https://www.degruyter.com/document/cover/isbn/9781474450416/original
language English
format eBook
author Kia, Chad,
Kia, Chad,
spellingShingle Kia, Chad,
Kia, Chad,
Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 /
Edinburgh Studies in Classical Islamic History and Culture
Frontmatter --
Contents --
List of Plates --
Acknowledgements --
Introduction: Coming to Terms with Meaning in Persian Painting --
1. Poetics of the Picture: Verbal Imagery and Visual Language --
2. Remaking Persian Painting: Didactic Sufism in a Timurid Manuscript --
3. The Third Station on the Path to Sufism: ‘The Bearded Man Drowning’ --
4. Fixed-figure Prototypes and the Symbolic Order --
5. The Culmination of a Trend: ‘Depraved Man Commits Bestiality’ 135 Conclusion: The Sufi Synthesis --
Conclusion: The Sufi Synthesis --
Notes --
Bibliography --
Index
author_facet Kia, Chad,
Kia, Chad,
author_variant c k ck
c k ck
author_role VerfasserIn
VerfasserIn
author_sort Kia, Chad,
title Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 /
title_full Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 / Chad Kia.
title_fullStr Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 / Chad Kia.
title_full_unstemmed Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 / Chad Kia.
title_auth Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 /
title_alt Frontmatter --
Contents --
List of Plates --
Acknowledgements --
Introduction: Coming to Terms with Meaning in Persian Painting --
1. Poetics of the Picture: Verbal Imagery and Visual Language --
2. Remaking Persian Painting: Didactic Sufism in a Timurid Manuscript --
3. The Third Station on the Path to Sufism: ‘The Bearded Man Drowning’ --
4. Fixed-figure Prototypes and the Symbolic Order --
5. The Culmination of a Trend: ‘Depraved Man Commits Bestiality’ 135 Conclusion: The Sufi Synthesis --
Conclusion: The Sufi Synthesis --
Notes --
Bibliography --
Index
title_new Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 /
title_sort art, allegory and the rise of shi’ism in iran, 1487-1565 /
series Edinburgh Studies in Classical Islamic History and Culture
series2 Edinburgh Studies in Classical Islamic History and Culture
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (304 p.) : 12 colour illustrations
contents Frontmatter --
Contents --
List of Plates --
Acknowledgements --
Introduction: Coming to Terms with Meaning in Persian Painting --
1. Poetics of the Picture: Verbal Imagery and Visual Language --
2. Remaking Persian Painting: Didactic Sufism in a Timurid Manuscript --
3. The Third Station on the Path to Sufism: ‘The Bearded Man Drowning’ --
4. Fixed-figure Prototypes and the Symbolic Order --
5. The Culmination of a Trend: ‘Depraved Man Commits Bestiality’ 135 Conclusion: The Sufi Synthesis --
Conclusion: The Sufi Synthesis --
Notes --
Bibliography --
Index
isbn 9781474450416
9783110780420
callnumber-first D - World History
callnumber-subject DS - Asia
callnumber-label DS292
callnumber-sort DS 3292 K53 42019
geographic_facet Iran
era_facet 16th century.
To 1500.
url https://doi.org/10.1515/9781474450416?locatt=mode:legacy
https://www.degruyter.com/isbn/9781474450416
https://www.degruyter.com/document/cover/isbn/9781474450416/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 750 - Painting
dewey-ones 759 - Historical, geographic & persons treatment
dewey-full 759.9550902
dewey-sort 3759.9550902
dewey-raw 759.9550902
dewey-search 759.9550902
doi_str_mv 10.1515/9781474450416?locatt=mode:legacy
oclc_num 1306540281
work_keys_str_mv AT kiachad artallegoryandtheriseofshiisminiran14871565
status_str n
ids_txt_mv (DE-B1597)619347
(OCoLC)1306540281
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
is_hierarchy_title Art, Allegory and the Rise of Shi’ism in Iran, 1487-1565 /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
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