ReFocus : : The Films of Pedro Costa: Producing and Consuming Contemporary Art Cinema / / Nuno Barradas Jorge.
Examines the film aesthetics and authorship practices of Portuguese filmmaker Pedro Costa, within a production contextThe first English-language scholarly monograph dedicated to filmmaker Pedro Costa, covering all his feature and short length films, as well as video installation works to dateInvesti...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | ReFocus: The International Directors Series : RFIDS
|
| Online Access: | |
| Physical Description: | 1 online resource (184 p.) :; 17 B/W illustrations |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction
- 1 Cinema’s ‘Primitive Beauty’: Pedro Costa’s Artistic Formation and the Making of Blood (1989)
- 2 Negotiating Filmmaking: Adaptation, Location and Docufiction
- 3 Digital Filmmaking at the Interstices
- 4 Critical Reception and the International Film Festival
- 5 Between the Black Box and the White Cube
- 6 Renegotiating Circulation: Retrospectives and DVD Releases
- 7 A ‘Document of Documents’: Authorship, Intertextuality and Politics in Horse Money (2014)
- Conclusion
- Filmography
- Bibliography
- Index