Antonioni and the Aesthetics of Impurity : : Remaking the Image in the 1960s / / Matilde Nardelli.
Discusses Antonioni’s cinema in relation to art and other mediaCritically and comprehensively explores the relation between Antonioni’s cinema and art in the 1960s and 1970s, at a time of profound transformation in, and dialogue between, both cinema and art Moves away from traditional readings of An...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (248 p.) :; 35 B/W illustrations |
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Nardelli, Matilde, author. aut http://id.loc.gov/vocabulary/relators/aut Antonioni and the Aesthetics of Impurity : Remaking the Image in the 1960s / Matilde Nardelli. Edinburgh : Edinburgh University Press, [2022] ©2020 1 online resource (248 p.) : 35 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Antonioni and the Aesthetics of Impurity -- 1 Impure Pictoriality: The Matter of Painting -- 2 Performing the Mind: Interiority, Television and Artificial Brains -- 3 (Quietly) Noisy Images: Sonic Landscapes, Audiotape and ‘the New Musicality’ -- 4 The ‘Image-World’ and the Reality of Photography -- 5 Uncinematic Provocations and the Pursuit of Boredom -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Discusses Antonioni’s cinema in relation to art and other mediaCritically and comprehensively explores the relation between Antonioni’s cinema and art in the 1960s and 1970s, at a time of profound transformation in, and dialogue between, both cinema and art Moves away from traditional readings of Antonioni’s cinema in terms of ‘purity’ by addressing its engagement with mixed and mass mediaApproaches Antonioni’s work through a comparative – trasnational and transmedial – lens Addresses the legacy of Antonioni’s cinema in contemporary artMichelangelo Antonioni’s 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema’s ‘modern’ incarnation. Reconnecting Antonioni’s aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works’ crucial, yet overlooked, affinity with the new ‘impure’ art practices that emerged in the period. At the same time, the book also offers a novel reading of the films’ dialogue with postwar pictorial abstraction. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via his cinema, the book replaces auteuristic accounts of the director’s work with a new understanding of its critical significance in late-twentieth century cinema and visual culture. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) Antonioni, Michelangelo-Criticism and interpretation. Motion picture producers and directors Italy. Motion picture producers and directors-Italy. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413 print 9781474444040 https://doi.org/10.1515/9781474444064 https://www.degruyter.com/isbn/9781474444064 Cover https://www.degruyter.com/document/cover/isbn/9781474444064/original |
language |
English |
format |
eBook |
author |
Nardelli, Matilde, Nardelli, Matilde, |
spellingShingle |
Nardelli, Matilde, Nardelli, Matilde, Antonioni and the Aesthetics of Impurity : Remaking the Image in the 1960s / Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Antonioni and the Aesthetics of Impurity -- 1 Impure Pictoriality: The Matter of Painting -- 2 Performing the Mind: Interiority, Television and Artificial Brains -- 3 (Quietly) Noisy Images: Sonic Landscapes, Audiotape and ‘the New Musicality’ -- 4 The ‘Image-World’ and the Reality of Photography -- 5 Uncinematic Provocations and the Pursuit of Boredom -- Bibliography -- Index |
author_facet |
Nardelli, Matilde, Nardelli, Matilde, |
author_variant |
m n mn m n mn |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Nardelli, Matilde, |
title |
Antonioni and the Aesthetics of Impurity : Remaking the Image in the 1960s / |
title_sub |
Remaking the Image in the 1960s / |
title_full |
Antonioni and the Aesthetics of Impurity : Remaking the Image in the 1960s / Matilde Nardelli. |
title_fullStr |
Antonioni and the Aesthetics of Impurity : Remaking the Image in the 1960s / Matilde Nardelli. |
title_full_unstemmed |
Antonioni and the Aesthetics of Impurity : Remaking the Image in the 1960s / Matilde Nardelli. |
title_auth |
Antonioni and the Aesthetics of Impurity : Remaking the Image in the 1960s / |
title_alt |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Antonioni and the Aesthetics of Impurity -- 1 Impure Pictoriality: The Matter of Painting -- 2 Performing the Mind: Interiority, Television and Artificial Brains -- 3 (Quietly) Noisy Images: Sonic Landscapes, Audiotape and ‘the New Musicality’ -- 4 The ‘Image-World’ and the Reality of Photography -- 5 Uncinematic Provocations and the Pursuit of Boredom -- Bibliography -- Index |
title_new |
Antonioni and the Aesthetics of Impurity : |
title_sort |
antonioni and the aesthetics of impurity : remaking the image in the 1960s / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (248 p.) : 35 B/W illustrations |
contents |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction: Antonioni and the Aesthetics of Impurity -- 1 Impure Pictoriality: The Matter of Painting -- 2 Performing the Mind: Interiority, Television and Artificial Brains -- 3 (Quietly) Noisy Images: Sonic Landscapes, Audiotape and ‘the New Musicality’ -- 4 The ‘Image-World’ and the Reality of Photography -- 5 Uncinematic Provocations and the Pursuit of Boredom -- Bibliography -- Index |
isbn |
9781474444064 9783110780413 9781474444040 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 A58 N37 42020EB |
geographic_facet |
Italy. |
url |
https://doi.org/10.1515/9781474444064 https://www.degruyter.com/isbn/9781474444064 https://www.degruyter.com/document/cover/isbn/9781474444064/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4302/33092 |
dewey-sort |
3791.4302 533092 |
dewey-raw |
791.4302/33092 |
dewey-search |
791.4302/33092 |
doi_str_mv |
10.1515/9781474444064 |
oclc_num |
1306538484 |
work_keys_str_mv |
AT nardellimatilde antonioniandtheaestheticsofimpurityremakingtheimageinthe1960s |
status_str |
n |
ids_txt_mv |
(DE-B1597)614436 (OCoLC)1306538484 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
is_hierarchy_title |
Antonioni and the Aesthetics of Impurity : Remaking the Image in the 1960s / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
_version_ |
1770176926622679040 |
fullrecord |
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