Sixties British Cinema Reconsidered / / Laura Mayne, Duncan Petrie, Melanie Williams.
Re-evaluates a critically neglected period in British film historyOrganised around four themes: stardom; film production, film style and the wider cultural contextActs as a companion volume to the monograph Transformation and Tradition in 1960s British CinemaThis collection of exciting new research...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
---|---|
VerfasserIn: | |
MitwirkendeR: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (280 p.) :; 28 B/W illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781474443906 |
---|---|
ctrlnum |
(DE-B1597)615536 (OCoLC)1312726959 |
collection |
bib_alma |
record_format |
marc |
spelling |
Petrie, Duncan, author. aut http://id.loc.gov/vocabulary/relators/aut Sixties British Cinema Reconsidered / Laura Mayne, Duncan Petrie, Melanie Williams. Edinburgh : Edinburgh University Press, [2022] ©2020 1 online resource (280 p.) : 28 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- FIGURES AND TABLES -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION -- PART ONE STARS AND STARDOM -- 1. MALE STARDOM IN 1960s BRITISH CINEMA -- 2. ‘REBEL REBEL’?: OLIVER REED IN THE 1960s -- 3. CAROL WHITE: THE BARDOT OF BATTERSEA -- 4. ‘THE OLD WAVE AT WORK’: THE TRANSATLANTIC STARDOM OF THE BRITISH CHARACTER ACTRESS IN THE 1960s -- PART TWO CREATIVE COLLABORATIONS -- 5. WOODERY-POKERY: CHARLES WOOD’S SIXTIES SCREENWRITING -- 6. ‘BEYOND NATURALISM’: JOCELYN HERBERT, IF . . . (1968) AND DESIGN FOR PERFORMANCE IN 1960s BRITISH CINEMA -- 7. KES: FROM PAGE TO SCREEN -- 8. ‘I’D LIKE TO REMEMBER YOU AS YOU ARE – AS JUST A GRUMPY OLD MAN’: JOSEPH LOSEY AND THE MAKING OF FIGURES IN A LANDSCAPE (1970) -- PART THREE STYLE AND GENRE -- 9. ‘WHOLESOME ROUGH STUFF’: HAMMER FILMS AND THE ‘A’ AND ‘U’ CERTIFICATE, 1959–65 -- 10. WIDESCREEN PYROTECHNICS: SHOT COMPOSITION AND STAGING IN THE COLD WAR FILMS OF JOSEPH LOSEY AND SIDNEY J. FURIE -- 11. THE RISE AND FALL OF THE COLOURFUL CORPORATE FANTASY IN 1960s BRITISH CINEMA -- 12. WITCHFINDERS AND SORCERERS: SORCERY AND COUNTERCULTURE IN THE WORK OF MICHAEL REEVES -- PART FOUR CULTURAL TRANSFORMATIONS -- 13. ‘AN IMPULSE OF ANGER, INSTANTLY REGRETTED’: REBELLION AND REACTION IN THE EARLY-1960s NAVAL FILM -- 14. NARRATIVES OF RACE AND IDENTITY IN SIXTIES BRITISH CINEMA -- 15. PANIC AT THE DISCO: BRAINWASHING, ALIENATION AND THE DISCOTHEQUE IN SWINGING LONDON FILMS -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Re-evaluates a critically neglected period in British film historyOrganised around four themes: stardom; film production, film style and the wider cultural contextActs as a companion volume to the monograph Transformation and Tradition in 1960s British CinemaThis collection of exciting new research on British cinema of the 1960s reconsiders and reframes the film culture that emerged from that tumultuous decade. Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes. With perspectives and insights from established scholars and new critical voices, Sixties British Cinema Reconsidered draws on under-explored archival resources to explore four key research areas: stars and stardom; creative collaborations in filmmaking; developments in genre and film style; and how the cinema of the period both responded and contributed to social and cultural transformation in the 1960s.ContributorsDavid Cairns, Edinburgh College of ArtLlewella Chapman, University of East AngliaPhillip Drummond, New York University in LondonPaul Frith, University of East AngliaMark Fryers, University of East Anglia and NYU LondonDavid Forrest, University of SheffieldCaroline Langhorst, De Montfort University Victoria Lowe, University of ManchesterLaura Mayne, University of HullClaire Mortimer, independent scholarDuncan Petrie, University of YorkSteven Roberts, University of BristolCarolyn Rickards, University of BristolSophia Satchell-Baeza, University of the Arts London and De Montfort UniversityVirginie Sélavy, independent scholarAndrew Spicer, University of the West of England BristolMargherita Sprio, University of WestminsterSue Vice, University of Sheffield Melanie Williams, University of East Anglia" Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) Motion pictures Great Britain History. Film, Media & Cultural Studies. HISTORY / Europe / Great Britain / General. bisacsh Cairns, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Chapman, Llewella, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Drummond, Phillip, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Forrest, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Frith, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Fryers, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Langhorst, Caroline, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lowe, Vicky, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mayne, Laura, author. aut http://id.loc.gov/vocabulary/relators/aut Mortimer, Claire, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Petrie, Duncan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rickards, Carolyn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Roberts, Steven, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Satchell-Baeza, Sophia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Spicer, Andrew, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sprio, Margherita, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sélavy, Virginie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vice, Sue, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, Melanie, author. aut http://id.loc.gov/vocabulary/relators/aut Williams, Melanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413 print 9781474443883 https://doi.org/10.1515/9781474443906 https://www.degruyter.com/isbn/9781474443906 Cover https://www.degruyter.com/document/cover/isbn/9781474443906/original |
language |
English |
format |
eBook |
author |
Petrie, Duncan, Petrie, Duncan, Mayne, Laura, Williams, Melanie, |
spellingShingle |
Petrie, Duncan, Petrie, Duncan, Mayne, Laura, Williams, Melanie, Sixties British Cinema Reconsidered / Frontmatter -- CONTENTS -- FIGURES AND TABLES -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION -- PART ONE STARS AND STARDOM -- 1. MALE STARDOM IN 1960s BRITISH CINEMA -- 2. ‘REBEL REBEL’?: OLIVER REED IN THE 1960s -- 3. CAROL WHITE: THE BARDOT OF BATTERSEA -- 4. ‘THE OLD WAVE AT WORK’: THE TRANSATLANTIC STARDOM OF THE BRITISH CHARACTER ACTRESS IN THE 1960s -- PART TWO CREATIVE COLLABORATIONS -- 5. WOODERY-POKERY: CHARLES WOOD’S SIXTIES SCREENWRITING -- 6. ‘BEYOND NATURALISM’: JOCELYN HERBERT, IF . . . (1968) AND DESIGN FOR PERFORMANCE IN 1960s BRITISH CINEMA -- 7. KES: FROM PAGE TO SCREEN -- 8. ‘I’D LIKE TO REMEMBER YOU AS YOU ARE – AS JUST A GRUMPY OLD MAN’: JOSEPH LOSEY AND THE MAKING OF FIGURES IN A LANDSCAPE (1970) -- PART THREE STYLE AND GENRE -- 9. ‘WHOLESOME ROUGH STUFF’: HAMMER FILMS AND THE ‘A’ AND ‘U’ CERTIFICATE, 1959–65 -- 10. WIDESCREEN PYROTECHNICS: SHOT COMPOSITION AND STAGING IN THE COLD WAR FILMS OF JOSEPH LOSEY AND SIDNEY J. FURIE -- 11. THE RISE AND FALL OF THE COLOURFUL CORPORATE FANTASY IN 1960s BRITISH CINEMA -- 12. WITCHFINDERS AND SORCERERS: SORCERY AND COUNTERCULTURE IN THE WORK OF MICHAEL REEVES -- PART FOUR CULTURAL TRANSFORMATIONS -- 13. ‘AN IMPULSE OF ANGER, INSTANTLY REGRETTED’: REBELLION AND REACTION IN THE EARLY-1960s NAVAL FILM -- 14. NARRATIVES OF RACE AND IDENTITY IN SIXTIES BRITISH CINEMA -- 15. PANIC AT THE DISCO: BRAINWASHING, ALIENATION AND THE DISCOTHEQUE IN SWINGING LONDON FILMS -- INDEX |
author_facet |
Petrie, Duncan, Petrie, Duncan, Mayne, Laura, Williams, Melanie, Cairns, David, Cairns, David, Chapman, Llewella, Chapman, Llewella, Drummond, Phillip, Drummond, Phillip, Forrest, David, Forrest, David, Frith, Paul, Frith, Paul, Fryers, Mark, Fryers, Mark, Langhorst, Caroline, Langhorst, Caroline, Lowe, Vicky, Lowe, Vicky, Mayne, Laura, Mayne, Laura, Mortimer, Claire, Mortimer, Claire, Petrie, Duncan, Petrie, Duncan, Rickards, Carolyn, Rickards, Carolyn, Roberts, Steven, Roberts, Steven, Satchell-Baeza, Sophia, Satchell-Baeza, Sophia, Spicer, Andrew, Spicer, Andrew, Sprio, Margherita, Sprio, Margherita, Sélavy, Virginie, Sélavy, Virginie, Vice, Sue, Vice, Sue, Williams, Melanie, Williams, Melanie, Williams, Melanie, Williams, Melanie, |
author_variant |
d p dp d p dp l m lm m w mw |
author_role |
VerfasserIn VerfasserIn VerfasserIn VerfasserIn |
author2 |
Cairns, David, Cairns, David, Chapman, Llewella, Chapman, Llewella, Drummond, Phillip, Drummond, Phillip, Forrest, David, Forrest, David, Frith, Paul, Frith, Paul, Fryers, Mark, Fryers, Mark, Langhorst, Caroline, Langhorst, Caroline, Lowe, Vicky, Lowe, Vicky, Mayne, Laura, Mayne, Laura, Mortimer, Claire, Mortimer, Claire, Petrie, Duncan, Petrie, Duncan, Rickards, Carolyn, Rickards, Carolyn, Roberts, Steven, Roberts, Steven, Satchell-Baeza, Sophia, Satchell-Baeza, Sophia, Spicer, Andrew, Spicer, Andrew, Sprio, Margherita, Sprio, Margherita, Sélavy, Virginie, Sélavy, Virginie, Vice, Sue, Vice, Sue, Williams, Melanie, Williams, Melanie, Williams, Melanie, Williams, Melanie, |
author2_variant |
d c dc d c dc l c lc l c lc p d pd p d pd d f df d f df p f pf p f pf m f mf m f mf c l cl c l cl v l vl v l vl l m lm c m cm c m cm d p dp d p dp c r cr c r cr s r sr s r sr s s b ssb s s b ssb a s as a s as m s ms m s ms v s vs v s vs s v sv s v sv m w mw m w mw m w mw |
author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR VerfasserIn VerfasserIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR VerfasserIn VerfasserIn MitwirkendeR MitwirkendeR |
author_sort |
Petrie, Duncan, |
title |
Sixties British Cinema Reconsidered / |
title_full |
Sixties British Cinema Reconsidered / Laura Mayne, Duncan Petrie, Melanie Williams. |
title_fullStr |
Sixties British Cinema Reconsidered / Laura Mayne, Duncan Petrie, Melanie Williams. |
title_full_unstemmed |
Sixties British Cinema Reconsidered / Laura Mayne, Duncan Petrie, Melanie Williams. |
title_auth |
Sixties British Cinema Reconsidered / |
title_alt |
Frontmatter -- CONTENTS -- FIGURES AND TABLES -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION -- PART ONE STARS AND STARDOM -- 1. MALE STARDOM IN 1960s BRITISH CINEMA -- 2. ‘REBEL REBEL’?: OLIVER REED IN THE 1960s -- 3. CAROL WHITE: THE BARDOT OF BATTERSEA -- 4. ‘THE OLD WAVE AT WORK’: THE TRANSATLANTIC STARDOM OF THE BRITISH CHARACTER ACTRESS IN THE 1960s -- PART TWO CREATIVE COLLABORATIONS -- 5. WOODERY-POKERY: CHARLES WOOD’S SIXTIES SCREENWRITING -- 6. ‘BEYOND NATURALISM’: JOCELYN HERBERT, IF . . . (1968) AND DESIGN FOR PERFORMANCE IN 1960s BRITISH CINEMA -- 7. KES: FROM PAGE TO SCREEN -- 8. ‘I’D LIKE TO REMEMBER YOU AS YOU ARE – AS JUST A GRUMPY OLD MAN’: JOSEPH LOSEY AND THE MAKING OF FIGURES IN A LANDSCAPE (1970) -- PART THREE STYLE AND GENRE -- 9. ‘WHOLESOME ROUGH STUFF’: HAMMER FILMS AND THE ‘A’ AND ‘U’ CERTIFICATE, 1959–65 -- 10. WIDESCREEN PYROTECHNICS: SHOT COMPOSITION AND STAGING IN THE COLD WAR FILMS OF JOSEPH LOSEY AND SIDNEY J. FURIE -- 11. THE RISE AND FALL OF THE COLOURFUL CORPORATE FANTASY IN 1960s BRITISH CINEMA -- 12. WITCHFINDERS AND SORCERERS: SORCERY AND COUNTERCULTURE IN THE WORK OF MICHAEL REEVES -- PART FOUR CULTURAL TRANSFORMATIONS -- 13. ‘AN IMPULSE OF ANGER, INSTANTLY REGRETTED’: REBELLION AND REACTION IN THE EARLY-1960s NAVAL FILM -- 14. NARRATIVES OF RACE AND IDENTITY IN SIXTIES BRITISH CINEMA -- 15. PANIC AT THE DISCO: BRAINWASHING, ALIENATION AND THE DISCOTHEQUE IN SWINGING LONDON FILMS -- INDEX |
title_new |
Sixties British Cinema Reconsidered / |
title_sort |
sixties british cinema reconsidered / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (280 p.) : 28 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- FIGURES AND TABLES -- NOTES ON THE CONTRIBUTORS -- INTRODUCTION -- PART ONE STARS AND STARDOM -- 1. MALE STARDOM IN 1960s BRITISH CINEMA -- 2. ‘REBEL REBEL’?: OLIVER REED IN THE 1960s -- 3. CAROL WHITE: THE BARDOT OF BATTERSEA -- 4. ‘THE OLD WAVE AT WORK’: THE TRANSATLANTIC STARDOM OF THE BRITISH CHARACTER ACTRESS IN THE 1960s -- PART TWO CREATIVE COLLABORATIONS -- 5. WOODERY-POKERY: CHARLES WOOD’S SIXTIES SCREENWRITING -- 6. ‘BEYOND NATURALISM’: JOCELYN HERBERT, IF . . . (1968) AND DESIGN FOR PERFORMANCE IN 1960s BRITISH CINEMA -- 7. KES: FROM PAGE TO SCREEN -- 8. ‘I’D LIKE TO REMEMBER YOU AS YOU ARE – AS JUST A GRUMPY OLD MAN’: JOSEPH LOSEY AND THE MAKING OF FIGURES IN A LANDSCAPE (1970) -- PART THREE STYLE AND GENRE -- 9. ‘WHOLESOME ROUGH STUFF’: HAMMER FILMS AND THE ‘A’ AND ‘U’ CERTIFICATE, 1959–65 -- 10. WIDESCREEN PYROTECHNICS: SHOT COMPOSITION AND STAGING IN THE COLD WAR FILMS OF JOSEPH LOSEY AND SIDNEY J. FURIE -- 11. THE RISE AND FALL OF THE COLOURFUL CORPORATE FANTASY IN 1960s BRITISH CINEMA -- 12. WITCHFINDERS AND SORCERERS: SORCERY AND COUNTERCULTURE IN THE WORK OF MICHAEL REEVES -- PART FOUR CULTURAL TRANSFORMATIONS -- 13. ‘AN IMPULSE OF ANGER, INSTANTLY REGRETTED’: REBELLION AND REACTION IN THE EARLY-1960s NAVAL FILM -- 14. NARRATIVES OF RACE AND IDENTITY IN SIXTIES BRITISH CINEMA -- 15. PANIC AT THE DISCO: BRAINWASHING, ALIENATION AND THE DISCOTHEQUE IN SWINGING LONDON FILMS -- INDEX |
isbn |
9781474443906 9783110780413 9781474443883 |
geographic_facet |
Great Britain |
url |
https://doi.org/10.1515/9781474443906 https://www.degruyter.com/isbn/9781474443906 https://www.degruyter.com/document/cover/isbn/9781474443906/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430941 |
dewey-sort |
3791.430941 |
dewey-raw |
791.430941 |
dewey-search |
791.430941 |
doi_str_mv |
10.1515/9781474443906 |
oclc_num |
1312726959 |
work_keys_str_mv |
AT petrieduncan sixtiesbritishcinemareconsidered AT cairnsdavid sixtiesbritishcinemareconsidered AT chapmanllewella sixtiesbritishcinemareconsidered AT drummondphillip sixtiesbritishcinemareconsidered AT forrestdavid sixtiesbritishcinemareconsidered AT frithpaul sixtiesbritishcinemareconsidered AT fryersmark sixtiesbritishcinemareconsidered AT langhorstcaroline sixtiesbritishcinemareconsidered AT lowevicky sixtiesbritishcinemareconsidered AT maynelaura sixtiesbritishcinemareconsidered AT mortimerclaire sixtiesbritishcinemareconsidered AT rickardscarolyn sixtiesbritishcinemareconsidered AT robertssteven sixtiesbritishcinemareconsidered AT satchellbaezasophia sixtiesbritishcinemareconsidered AT spicerandrew sixtiesbritishcinemareconsidered AT spriomargherita sixtiesbritishcinemareconsidered AT selavyvirginie sixtiesbritishcinemareconsidered AT vicesue sixtiesbritishcinemareconsidered AT williamsmelanie sixtiesbritishcinemareconsidered |
status_str |
n |
ids_txt_mv |
(DE-B1597)615536 (OCoLC)1312726959 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
is_hierarchy_title |
Sixties British Cinema Reconsidered / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField |
_version_ |
1770176926593318912 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07766nam a22009015i 4500</leader><controlfield tag="001">9781474443906</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20230127011820.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">230127t20222020stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474443906</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474443906</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)615536</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312726959</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.430941</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Petrie, Duncan, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sixties British Cinema Reconsidered /</subfield><subfield code="c">Laura Mayne, Duncan Petrie, Melanie Williams.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (280 p.) :</subfield><subfield code="b">28 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">FIGURES AND TABLES -- </subfield><subfield code="t">NOTES ON THE CONTRIBUTORS -- </subfield><subfield code="t">INTRODUCTION -- </subfield><subfield code="t">PART ONE STARS AND STARDOM -- </subfield><subfield code="t">1. MALE STARDOM IN 1960s BRITISH CINEMA -- </subfield><subfield code="t">2. ‘REBEL REBEL’?: OLIVER REED IN THE 1960s -- </subfield><subfield code="t">3. CAROL WHITE: THE BARDOT OF BATTERSEA -- </subfield><subfield code="t">4. ‘THE OLD WAVE AT WORK’: THE TRANSATLANTIC STARDOM OF THE BRITISH CHARACTER ACTRESS IN THE 1960s -- </subfield><subfield code="t">PART TWO CREATIVE COLLABORATIONS -- </subfield><subfield code="t">5. WOODERY-POKERY: CHARLES WOOD’S SIXTIES SCREENWRITING -- </subfield><subfield code="t">6. ‘BEYOND NATURALISM’: JOCELYN HERBERT, IF . . . (1968) AND DESIGN FOR PERFORMANCE IN 1960s BRITISH CINEMA -- </subfield><subfield code="t">7. KES: FROM PAGE TO SCREEN -- </subfield><subfield code="t">8. ‘I’D LIKE TO REMEMBER YOU AS YOU ARE – AS JUST A GRUMPY OLD MAN’: JOSEPH LOSEY AND THE MAKING OF FIGURES IN A LANDSCAPE (1970) -- </subfield><subfield code="t">PART THREE STYLE AND GENRE -- </subfield><subfield code="t">9. ‘WHOLESOME ROUGH STUFF’: HAMMER FILMS AND THE ‘A’ AND ‘U’ CERTIFICATE, 1959–65 -- </subfield><subfield code="t">10. WIDESCREEN PYROTECHNICS: SHOT COMPOSITION AND STAGING IN THE COLD WAR FILMS OF JOSEPH LOSEY AND SIDNEY J. FURIE -- </subfield><subfield code="t">11. THE RISE AND FALL OF THE COLOURFUL CORPORATE FANTASY IN 1960s BRITISH CINEMA -- </subfield><subfield code="t">12. WITCHFINDERS AND SORCERERS: SORCERY AND COUNTERCULTURE IN THE WORK OF MICHAEL REEVES -- </subfield><subfield code="t">PART FOUR CULTURAL TRANSFORMATIONS -- </subfield><subfield code="t">13. ‘AN IMPULSE OF ANGER, INSTANTLY REGRETTED’: REBELLION AND REACTION IN THE EARLY-1960s NAVAL FILM -- </subfield><subfield code="t">14. NARRATIVES OF RACE AND IDENTITY IN SIXTIES BRITISH CINEMA -- </subfield><subfield code="t">15. PANIC AT THE DISCO: BRAINWASHING, ALIENATION AND THE DISCOTHEQUE IN SWINGING LONDON FILMS -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Re-evaluates a critically neglected period in British film historyOrganised around four themes: stardom; film production, film style and the wider cultural contextActs as a companion volume to the monograph Transformation and Tradition in 1960s British CinemaThis collection of exciting new research on British cinema of the 1960s reconsiders and reframes the film culture that emerged from that tumultuous decade. Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes. With perspectives and insights from established scholars and new critical voices, Sixties British Cinema Reconsidered draws on under-explored archival resources to explore four key research areas: stars and stardom; creative collaborations in filmmaking; developments in genre and film style; and how the cinema of the period both responded and contributed to social and cultural transformation in the 1960s.ContributorsDavid Cairns, Edinburgh College of ArtLlewella Chapman, University of East AngliaPhillip Drummond, New York University in LondonPaul Frith, University of East AngliaMark Fryers, University of East Anglia and NYU LondonDavid Forrest, University of SheffieldCaroline Langhorst, De Montfort University Victoria Lowe, University of ManchesterLaura Mayne, University of HullClaire Mortimer, independent scholarDuncan Petrie, University of YorkSteven Roberts, University of BristolCarolyn Rickards, University of BristolSophia Satchell-Baeza, University of the Arts London and De Montfort UniversityVirginie Sélavy, independent scholarAndrew Spicer, University of the West of England BristolMargherita Sprio, University of WestminsterSue Vice, University of Sheffield Melanie Williams, University of East Anglia"</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Europe / Great Britain / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cairns, David, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Chapman, Llewella, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Drummond, Phillip, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Forrest, David, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Frith, Paul, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Fryers, Mark, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Langhorst, Caroline, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lowe, Vicky, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mayne, Laura, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mortimer, Claire, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Petrie, Duncan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rickards, Carolyn, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Roberts, Steven, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Satchell-Baeza, Sophia, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Spicer, Andrew, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sprio, Margherita, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sélavy, Virginie, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Vice, Sue, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Williams, Melanie, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Williams, Melanie, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Complete eBook-Package 2020</subfield><subfield code="z">9783110780413</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781474443883</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474443906</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474443906</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474443906/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078041-3 Edinburgh University Press Complete eBook-Package 2020</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_HICS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_HICS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |