Gothic Fiction and the Writing of Trauma, 1914-1934 : : The Ghosts of World War One / / Andrew Smith.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
• VerfasserIn: Smith, Andrew,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (232 p.)
• Other title: Frontmatter --; Contents --; Acknowledgements --; Introduction: The Ghosts of War --; 1 The Psychology of War: Gothic and the Redirection of the Uncanny --; 2 The Ghosts of War: Writing Trauma --; 3 Spiritualism, War and the Modernist Gothic --; 4 Aftershock: Malevolent Ghosts and the Problem of Memory --; Conclusion: Ghostly Afterlives --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474443456; 9783110993899; 9783110994810; 9783110992960; 9783110992939; 9783110780390
• DOI: 10.1515/9781474443456
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Andrew Smith.

The first detailed analysis of literature and trauma in World War OneExplores how the Gothic shaped, and controlled, cultural anxieties about the warProvides a unique critical revision of the figure of the ghost across a wide range of literature of the periodDraws on the Imperial War Museum’s archives (especially for accounts of the war by less-well-known figures Dorothea Crewdson, Jack Martin and Ronald Skirth)Critically complicates the view of the Gothic as articulating, rather than containing, traumaThis book examines the representation of the ghost-soldier in literature published from 1914–1934, both marking the presence of trauma and attempting to make sense of trauma. Andrew Smith examines short stories, novels, poems and memoirs that employ ghosts to reflect upon feelings of loss, paralleling the literary context with accounts of shell-shock which construe the damaged soldier as psychologically missing and therefore spectre-like.The author argues that literary and non-literary texts repeatedly deploy a form of the uncanny, familiar from a Gothic tradition, as way of reflecting upon grief. In support of this claim, he draws on fiction by well-known authors such as M. R. James, E. F. Benson, Dorothy L. Sayers, and Dennis Wheatley, alongside largely forgotten contributions to The Strand and other periodical publications such as The Occult Review.