Distributed Cognition in Victorian Culture and Modernism / / Miranda Anderson, Peter Garratt, Mark Sprevak.

Reinvigorates our understanding of Victorian and modernist works and societyOffers a wide-ranging application of theories of distributed cognition to Victorian culture and ModernismExplores the distinctive nature and expression of notions of distributed cognition in Victorian culture and Modernism a...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2020
Year of Publication:2022
Language:English
Series:The Edinburgh History of Distributed Cognition : EHDC
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Physical Description:1 online resource (304 p.) :; 21 colour illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Series Preface
  • 1 Distributed Cognition and the Humanities
  • 2 Introduction
  • 3 The Victorian Extended Mind: George Eliot, Psychology and the Bounds of Cognition
  • 4 Instrumental Eyes: Enacted and Interactive Perception in Victorian Optical Technologies and Victorian Fiction
  • 5 Aesthetic Perception and Embodied Cognition: Art and Literature at the Fin de Siècle
  • 6 The Heterocosmic Self: Analogy, Temporality and Structural Couplings in Proust’s Swann’s Way
  • 7 Distributed Cognition and the Phenomenology of Modernist Painting and Poetry (Rilke and Cézanne)
  • 8 Directionality and Duration in Distributed Consciousness: Modernist Perspectives on Photographic Objectivity
  • 9 Walking, Identity and Visual Perception in Romantic and Modernist Literature
  • 10 Surrealism, Chance and the Extended Mind
  • 11 Distributed Cognition, Porous Qualia and Modernist Narrative
  • 12 Nietzsche’s Genealogie der Moral Pro and Contra Distributed Cognition
  • 13 A 5th E: Distributed Cognition and the Question of Ethics in Benjamin and Vygotsky, and Horkheimer and Dewey
  • Notes on Contributors
  • Bibliography
  • Index