Cinematic Realism : : Lukács, Kracauer and Theories of the Filmic Real / / Ian Aitken.
Assesses classical and contemporary theories of cinematic realismExplores classical and contemporary theories of cinematic realism to assess their overall key concepts and intellectual configurationsExplores classical theories of cinematic realism more deeply through an analysis of Lukacs/Bergson/ti...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (320 p.) :; 1 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Preface
- Introduction: Representation, Perception and Cinematic Realism
- 1. Bergson, the Image and Time
- 2. Introduction to Lukács: Essence, Phenomena and Temporality
- 3. ‘On the Phenomenology of the Creative Process’ (Lukács 1914)
- 4. ‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913)
- 5. The Specificity of the Aesthetic (Lukács 1963)
- 6. Husserl, Epochē and Lebenswelt
- 7. Introduction to Kracauer: Abstraction, Redemption and Modernity
- 8. ‘Photography’ (Kracauer 1927)
- 9. ‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960)
- 10. ‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968)
- Bibliography
- Index