Rancière and Music / / Chris Stover, João Pedro Cachopo, Patrick Nickleson.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
• VerfasserIn: Cachopo, João Pedro,; Nickleson, Patrick,; Stover, Chris,
• MitwirkendeR: Bertrand, Loïc,; Cachopo, João Pedro,; Clausius, Katharina,; Collins, Sarah,; DiPiero, Dan,; Dineen, Murray,; Fourie, William,; Frappier, Daniel,; Kaltenecker, Martin,; Klette Bøhler, Kjetil,; Nickleson, Patrick,; Rancière, Jacques,; Stover, Chris,; Trottier, Danick,; Venter, Carina,; Vogt, Erik M.,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2020
• Year of Publication: 2022
• Language: English
• Series: Critical Connections : CRCO
• Physical Description: 1 online resource (416 p.) :; 7 B/W illustrations

A rich exploration of the meaning and consequences of Jacques Rancière’s work in relation to music and the aesthetic15 essays by scholars from a variety of music and sound-related fieldsWith an Afterword by Rancière, newly written specially for this volume, on the role of music in his thought and writingConsiders many aspects of Rancière’s thought, conceived through musical lensesDevelops of key Rancièrian concepts including the distribution of the sensible, the aesthetic regime of art, politics and the police, speech and noise, disagreement, equality and moreThe place of music in Rancière’s thought has long been underestimated or unrecognised. Rancière and Music responds to this absence with a collection of 15 essays by scholars from a variety of music- and sound-related fields, including an Afterword by Rancière on the role of music in his thought and writing. The essays engage closely with Rancière’s existing commentary on music and its relationship to other arts in the aesthetic regime, revealed through detailed case studies around music, sound and listening.Rancière’s thought is explored along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music. Rancière’s work is also set creatively in dialogue with other key contemporary thinkers including Adorno, Althusser, Badiou and Deleuze.ContributorsLoïc Bertrand, Université Paris Diderot, France. Kjetil Klette Bøhler, Oslo Metropolitan University, Norway.João Pedro Cachopo, Universidade Nova de Lisboa, Portugal, and University of Chicago, USA. Katharina Clausius, Université de Montréal, Canada.Sarah Collins, University of Western Australia. Murray Dineen, University of Ottawa, Canada.Dan DiPiero, Miami University of Ohio, USA.William Fourie, Stellenbosch University, South Africa.Daniel Frappier, Université du Québec à Montréal, Canada.Martin Kaltenecker, Université Paris Diderot, France.Patrick Nickleson, Queen's University at Kingston, Ontario, Canada.Jacques Rancière, University of Paris VIII, France.Chris Stover, University of Oslo, Norway.Danick Trottier, Université du Québec à Montréal, Canada.Carina Venter, Stellenbosch University, South Africa.Erik Vogt, Trinity College, CT, USA and University of Vienna, Austria.

Table of Contents

Frontmatter -- Contents -- Examples -- Acknowledgements -- Notes on Contributors -- Introduction -- Part I Music and Noise -- 1. Musique concrète and the Aesthetic Regime of Art -- 2. ‘Rip it up and start again’: Reconfigurations of the Audible under the Aesthetic Regime of the Arts -- 3. A Lesson in Low Music -- Part II: Politics of History -- 4. Wandering with Rancière: Sound and Structure under the Aesthetic Regime -- 5. Staging Music in the Aesthetic Regime of Art: Rancière, Berlioz and the Bells of Harold en Italie -- 6. Rancière on Music, Rancière’s Non-music -- 7. Coloured Opera and the Violence of Dis-identification -- Part III: Politics of Interaction -- 8. Musical Politics in the Cuban Police Order -- 9. Rancière and Improvisation: Reading Contingency in Music and Politics -- 10. Rancière’s Affective Impropriety -- Part IV: Encounters and Challenges -- 11. Rancière, Resistance and the Problem of Commemorative Art: Music Displacing Violence Displacing Music -- 12. Stain -- 13. On Shoemakers and Related Matters: Rancière and Badiou on Richard Wagner -- 14. Roll Over the Musical Boundaries: A Few Milestones for the Implementation of an Equal Method in Musicology -- Afterword: A Distant Sound -- Works Cited -- Index