Acting Across Borders : : Mobility and Identity in Italian Cinema / / Alberto Zambenedetti.

Sheds new light on the notion of Italian identity as it is understood by the national cinemaCombines Film Studies with the Mobilities FrameworkLooks at previously unexplored facets of Amedeo Nazzari’s and Alberto Sordi’s careersExplores a variety of physical, ideological and social ‘borders’ in the...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2021
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (256 p.) :; 30 B/W illustrations
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100 1 |a Zambenedetti, Alberto,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Acting Across Borders :  |b Mobility and Identity in Italian Cinema /  |c Alberto Zambenedetti. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2022] 
264 4 |c ©2021 
300 |a 1 online resource (256 p.) :  |b 30 B/W illustrations 
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505 0 0 |t Frontmatter --   |t Contents --   |t List of Figures --   |t Acknowledgements --   |t Introduction: Acting Across Borders --   |t PART ONE: AMEDEO NAZZARI --   |t Introduction to Part One: Amedeo Nazzari’s Many Im/mobilities --   |t 1. Flying: Empire Cinema’s (Aero)Mobilities --   |t 2. Returning: Im/mobility and Immigrant’s Nostalgia --   |t 3. Fighting: Wartime Im/mobility in Harlem --   |t 4. Romancing: Postwar Im/mobilities in Raffaello Matarazzo’s Melodramas --   |t 5. Migrating: The Pathology of Im/mobility --   |t Conclusion to Part One: Driving the Flâneuse: Le notti di Cabiria --   |t PART TWO: ALBERTO SORDI --   |t Introduction to Part Two: Alberto Sordi’s Mobile Comedies --   |t 6. Vacationing: The Rise of the Travelling Comedian --   |t 7. Working: ‘L’Italia è una Repubblica Democratica, fondata sul lavoro’ --   |t 8. Killing: Criminal Mobilities --   |t 9. Exploring: Italian Identity Abroad --   |t 10. Drilling: (Auto)Mobile Satires of Global Petroculture --   |t Conclusion to Part Two: Driving Across (Screen) Borders --   |t Filmography --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Sheds new light on the notion of Italian identity as it is understood by the national cinemaCombines Film Studies with the Mobilities FrameworkLooks at previously unexplored facets of Amedeo Nazzari’s and Alberto Sordi’s careersExplores a variety of physical, ideological and social ‘borders’ in the 'cinematic bodies' of Nazzari and SordiStudying the careers of popular actors Amedeo Nazzari and Alberto Sordi, Acting Across Borders explores the question of how Italian cinema from the 1930s to 1980s has considered human mobility. Through close readings of a selection of films, Alberto Zambenedetti examines the concept of italianità (Italian-ness) as manifested in contexts related to migration, diaspora, exile, tourism, travel and their supporting infrastructures. In this wide-ranging study, the methodologies of Film Studies and the Mobilities Framework are combined to illuminate an undertheorised yet vital tradition in the history of the national cinema. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 4 |a Film, Media & Cultural Studies. 
650 7 |a PERFORMING ARTS / Acting & Auditioning.  |2 bisacsh 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Edinburgh University Press Complete eBook-Package 2021  |z 9783110780406 
776 0 |c print  |z 9781474439862 
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