The Little Art Colony and US Modernism : : Carmel, Provincetown, Taos / / Geneva M. Gano.
Explores the little art communities and their aesthetic products in the early twentieth centuryHistoricizes and theorizes the role and function of the little art community as a geo-social formationComparative, place-based study of three semiperipheral (non-metropolitan) sitesNew readings of major au...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Modern American Literature and the New Twentieth Century : MALN20C
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| Online Access: | |
| Physical Description: | 1 online resource (320 p.) :; 15 B/W illustrations |
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Table of Contents:
- Frontmatter
- CONTENTS
- List of Illustrations
- Acknowledgements
- Introduction: Modernism beyond the Metropolis
- Part I: Carmel
- 1. Race, Place and Cultural Production in Carmel-by-the-Sea
- 2. Robinson Jeffers, the Art Worker and the ‘Carmel Idea’
- Part II: Provincetown
- 3. Building the Beloved Community in Provincetown
- 4. Eugene O’Neill: Superpersonalisation and Racial Spectacularism
- Part III: Taos
- 5. Cultivating the Taos Mystique
- 6. ‘Something Stood Up in my Soul’: D. H. Lawrence in Taos
- Epilogue: The Afterlife of the Little Arts Colony: Institutionalising Creative Collectivities
- Notes
- Index