Sensing Willa Cather : : The Writer and the Body in Transition / / Guy J. Reynolds.
A radical reinterpretation of Willa Cather’s oeuvreDistinctive contribution to ‘Body Studies’Offers a new way to understand Cather’s relationship to literary /cultural ModernismDeploying the concepts and techniques of Body Studies, Guy J. Reynolds remaps Cather’s vast and diverse range of writing fr...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Modern American Literature and the New Twentieth Century : MALN20C
|
| Online Access: | |
| Physical Description: | 1 online resource (256 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGEMENTS
- LIST OF ABBREVIATIONS
- CHAPTER 1 Willa Cather in the Realm of the Senses
- CHAPTER 2 Cather’s Bodily Art and the Emergence of Modernism
- CHAPTER 3 ‘Sense-dwarfed’: Cather, Aestheticism and a New Corporealism
- CHAPTER 4 Pale Shades and Living Colours: Cather’s Looks
- CHAPTER 5 Sound Affects: Music, Voice and Silence in The Song of the Lark, My Mortal Enemy and Lucy Gayheart
- CHAPTER 6 Touch: Haptic Narrative in The Professor’s House, Shadows on the Rock and Sapphira and the Slave Girl
- CHAPTER 7 Cather, Taste and National Cuisines: The Professor’s House, Death Comes for the Archbishop and Shadows on the Rock
- CHAPTER 8 Cather’s Smellscapes: Perfumes and Flowers, Disgust and Seduction
- CHAPTER 9 Conclusion: The Body of the Author
- BIBLIOGRAPHY AND FURTHER READING
- INDEX