Distributed Cognition in Medieval and Renaissance Culture / / Miranda Anderson, Michael Wheeler.

Reveals the diverse ways that cognition was seen as spread over brain, body and world in the 9–17th centuriesThe second book in an ambitious 4-volume set looking at distributed cognition in the history of thoughtIncludes essays on literature, philosophy, law, art, music, medicine, science and materi...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2019
Year of Publication:2022
Language:English
Series:The Edinburgh History of Distributed Cognition : EHDC
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Physical Description:1 online resource (376 p.) :; 9 B/W illustrations 7 colour illustrations
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Other title:Frontmatter --
Contents --
List of Illustrations --
Series Preface --
1 Distributed Cognition and the Humanities --
2 Distributed Cognition in Medieval and Renaissance Studies --
3 Medieval Icelandic Legal Treatises as Tools for External Scaffolding of Legal Cognition --
4 Horse-Riding Storytellers and Distributed Cognition in Chaucer’s Canterbury Tales --
5 Cognitive Ecology and the Idea of Nation in Late-Medieval Scotland: The Flyting of William Dunbar and Walter Kennedy --
6 The Mead of Poetry: Old Norse Poetry as a Mind-Altering Substance --
7 Enculturated, Embodied, Social: Medieval Drama and Cognitive Integration --
8 Ben Jonson and the Limits of Distributed Cognition --
9 Masked Interaction: The Case for an Enactive View of Commedia dell’Arte (and the Italian Renaissance) --
10 Thinking with the Hand: The Practice of Drawing in Renaissance Italy --
11 The Medieval (Music) Book: A Multimodal Cognitive Artefact --
12 Distributed Cognition, Improvisation and the Performing Arts in Early Modern Europe --
13 Pierced with Passion: Brains, Bodies and Worlds in Early Modern Texts --
14 Metaphors They Lived By: The Language of Early Modern Intersubjectivity --
15 ‘Le Sigh’: Enactive and Psychoanalytic Insights into Medieval and Renaissance Paralanguage --
16 ‘The adding of artificial organs to the natural’: Extended and Distributed Cognition in Robert Hooke’s Methodology --
Notes on Contributors --
Bibliography --
Index
Summary:Reveals the diverse ways that cognition was seen as spread over brain, body and world in the 9–17th centuriesThe second book in an ambitious 4-volume set looking at distributed cognition in the history of thoughtIncludes essays on literature, philosophy, law, art, music, medicine, science and material cultureFor students and scholars in medieval and Renaissance studies, cognitive humanities and philosophy of mind Draws out what was distinctive about medieval and Renaissance insights into (and superstitions about) the cognitive roles of the body and environmentExamines how humanities topics are affected by new insights from the cognitive sciencesThis collection explores how medieval and Renaissance practices and ideas reveal the expression (and suppression) of cognition as distributed across brain, body and world. As many of the texts and practices have influenced later Western European societies and cultures, this book reveals vital stages in the historical development of our attempts to comprehend and optimise the distributed nature of cognition.ContributorsMiranda Anderson, Honorary Fellow, University of Edinburgh and Anniversary Fellow, University of Stirling, UK.Guillemette Bolens, Professor of Medieval English Literature and Comparative Literature, University of Geneva. Hannah Burrows, Lecturer in Scandinavian Studies, University of Aberdeen. Julie E. Cumming, Professor, Schulich School of Music, McGill University, Canada.Elizabeth Elliott, Lecturer in English, University of Aberdeen. Aranye Fradenburg Joy, Founder of the Literature and The Mind Specialization and Distinguished Professor of English and Comparative Literature, UC Santa Barbara; Faculty Member, New Center For Psychoanalysis, Los Angeles; Psychoanalyst in Private Practice. Cynthia Houng, Doctoral Candidate, Department of History, Princeton University. Daniel T. Lochman, Professor of English, Texas State University. Raphael Lyne, Reader in Renaissance Literature, Faculty of English, and Fellow of Murray Edwards College, University of Cambridge, UK.Kate Maxwell, Associate Professor of Music History, University of Tromsø, Norway.Pieter Present, Vrije Universiteit Brussel (VUB). Werner Schäfke, Assistant Professor for Legal Education and Profession Studies, Faculty of Law, University of Copenhagen. Jan Söffner, Chair For Cultural Theory and Cultural Analysis, Zeppelin University in Friedrichshafen.Mark Sprevak, Senior Lecturer in Philosophy, University of Edinburgh. Evelyn Tribble, Professor and Donald Collie Chair of English, University of Otago, New Zealand. Michael Wheeler, Professor of Philosophy, University of Stirling. Hannah Chapelle Wojciehowski, Arthur J. Thaman and Wilhelmina Doré Thaman Professor of English, University of Texas, Austin. Clare Wright, Lecturer in Medieval Literature, University of Kent.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781474438155
9783110780420
DOI:10.1515/9781474438155
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Miranda Anderson, Michael Wheeler.