Greek Cinema and Migration, 1991-2016 / / Philip E. Phillis.
Discusses issues of immigration and identity within contemporary Greek cinema (1991-2016)Focuses on representations of immigrants and refugees in contemporary Greek cinemaProvides an in-depth understanding of Greek cinema from the early 1990s and its direct correlation to foreign migration and the c...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (280 p.) :; 30 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction: Greek Immigration Cinema
- 1. Looking Across (Greco-Albanian) Borders: Diasporic, Migrant and Supranational Filmmaking
- 2. The Anxieties of Transnationalism: Reception of Immigration Films
- 3. En Route to Fortress Europe: Migration and Exilic Life in Roadblocks
- 4. Tragic Pathos and Border Syndrome: Constantine Giannaris’s Hostage
- 5. Neither ‘Good’ nor ‘Bad’: Reinventing Albanian Identities in Eduart and Mirupafshim
- 6. Others/Mirrors
- 7. Our Own People? Repatriation, Citizenship, Belonging
- 8. Migration Without a Face
- 9. Documenting Crises: Raising Awareness through Documentary Film
- Filmography
- Bibliography
- Index