British Avant-Garde Fiction of the 1960s / / Kaye Mitchell, Nonia Williams.
Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, resear...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Year of Publication: | 2022 |
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Mitchell, Kaye, author. aut http://id.loc.gov/vocabulary/relators/aut British Avant-Garde Fiction of the 1960s / Kaye Mitchell, Nonia Williams. Edinburgh : Edinburgh University Press, [2022] ©2019 1 online resource (280 p.) : 4 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgements -- Introduction: ‘The avant-garde must not be romanticized. The avant-garde must not be dismissed’ -- Contributors -- 1. Muriel Spark and the Possibility of Popular Experiment -- 2. B. S. Johnson: The Book as Dynamic Object -- 3. Giles Gordon: Beyond the Words and Beyond the Language of Experimentalism -- 4. Brigid Brophy’s Aestheticism: The Camp Anti-Novel -- 5. Alexander Trocchi: Man at Leisure -- 6. Anna Kavan: Pursuing the ‘in-between reality’ Hidden by the ‘ordinary surface of things’ -- 7. J. G. Ballard: Visuality and the Novels of the Near Future -- 8. Ann Quin: ‘infuriating’ Experiments? -- 9. Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns -- 10. Eva Figes: Tracing the Survival of a ‘Poetry of the Inarticulate’ -- 11. Christine Brooke-Rose: The Development of Experiment -- 12. Aspirations Inevitably Failing: Hope and Negativity in Rayner Heppenstall’s Experimental Fiction of the 1960s -- 13. Maureen Duffy: The Politics of Experimental Fiction -- 14. Not the Last Word on the Sixties Avant-Garde: An Afterword -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Explores the trailblazing work of the British literary avant-garde of the 1960sThis collection showcases the liveliness of British avant-garde fiction of the 1960s, which is diverse in its aesthetic practices and (sometimes) divided in its politics. It brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial – and crucially overlooked – period of British literary history.Via detailed readings of authors such as Ann Quin, B.S. Johnson, Alexander Trocchi, Maureen Duffy, Alan Burns, Christine Brooke-Rose and many others, the contributors reveal the diversity of material produced in this period and trace the complex relations of influence and indebtedness between the 60s avant-garde, earlier modernisms and later postmodern writing. The volume shows that the 1960s is an even more vibrant period of literary experiment in Britain than might previously have been supposed – and that the avant-garde fiction produced then rewards our renewed attention to it.Key Features:Provides much-needed critical analyses of the work of 60s avant-garde writers Offers focused essays – each presents one author in their cultural/critical/historical contexts – by experts in the fieldRecuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernismResponds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Literary Studies. LITERARY CRITICISM / Feminist. bisacsh Clarke, Chris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Darlington, Joseph, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Devaney, Kieran, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ferris, Natalie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gutkin, Len, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hove, Hannah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hucklesby, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jones, Stephanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kilian, Eveline, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb MacKay, Marina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mitchell, Kaye, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tew, Philip, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Webb, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb White, Glyn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, Nonia, author. aut http://id.loc.gov/vocabulary/relators/aut Williams, Nonia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420 print 9781474436199 https://doi.org/10.1515/9781474436212 https://www.degruyter.com/isbn/9781474436212 Cover https://www.degruyter.com/document/cover/isbn/9781474436212/original |
language |
English |
format |
eBook |
author |
Mitchell, Kaye, Mitchell, Kaye, Williams, Nonia, |
spellingShingle |
Mitchell, Kaye, Mitchell, Kaye, Williams, Nonia, British Avant-Garde Fiction of the 1960s / Frontmatter -- Contents -- Acknowledgements -- Introduction: ‘The avant-garde must not be romanticized. The avant-garde must not be dismissed’ -- Contributors -- 1. Muriel Spark and the Possibility of Popular Experiment -- 2. B. S. Johnson: The Book as Dynamic Object -- 3. Giles Gordon: Beyond the Words and Beyond the Language of Experimentalism -- 4. Brigid Brophy’s Aestheticism: The Camp Anti-Novel -- 5. Alexander Trocchi: Man at Leisure -- 6. Anna Kavan: Pursuing the ‘in-between reality’ Hidden by the ‘ordinary surface of things’ -- 7. J. G. Ballard: Visuality and the Novels of the Near Future -- 8. Ann Quin: ‘infuriating’ Experiments? -- 9. Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns -- 10. Eva Figes: Tracing the Survival of a ‘Poetry of the Inarticulate’ -- 11. Christine Brooke-Rose: The Development of Experiment -- 12. Aspirations Inevitably Failing: Hope and Negativity in Rayner Heppenstall’s Experimental Fiction of the 1960s -- 13. Maureen Duffy: The Politics of Experimental Fiction -- 14. Not the Last Word on the Sixties Avant-Garde: An Afterword -- Notes on Contributors -- Index |
author_facet |
Mitchell, Kaye, Mitchell, Kaye, Williams, Nonia, Clarke, Chris, Clarke, Chris, Darlington, Joseph, Darlington, Joseph, Devaney, Kieran, Devaney, Kieran, Ferris, Natalie, Ferris, Natalie, Gutkin, Len, Gutkin, Len, Hove, Hannah, Hove, Hannah, Hucklesby, David, Hucklesby, David, Jones, Stephanie, Jones, Stephanie, Kilian, Eveline, Kilian, Eveline, MacKay, Marina, MacKay, Marina, Mitchell, Kaye, Mitchell, Kaye, Tew, Philip, Tew, Philip, Webb, Christopher, Webb, Christopher, White, Glyn, White, Glyn, Williams, Nonia, Williams, Nonia, Williams, Nonia, Williams, Nonia, |
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Clarke, Chris, Clarke, Chris, Darlington, Joseph, Darlington, Joseph, Devaney, Kieran, Devaney, Kieran, Ferris, Natalie, Ferris, Natalie, Gutkin, Len, Gutkin, Len, Hove, Hannah, Hove, Hannah, Hucklesby, David, Hucklesby, David, Jones, Stephanie, Jones, Stephanie, Kilian, Eveline, Kilian, Eveline, MacKay, Marina, MacKay, Marina, Mitchell, Kaye, Mitchell, Kaye, Tew, Philip, Tew, Philip, Webb, Christopher, Webb, Christopher, White, Glyn, White, Glyn, Williams, Nonia, Williams, Nonia, Williams, Nonia, Williams, Nonia, |
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author_sort |
Mitchell, Kaye, |
title |
British Avant-Garde Fiction of the 1960s / |
title_full |
British Avant-Garde Fiction of the 1960s / Kaye Mitchell, Nonia Williams. |
title_fullStr |
British Avant-Garde Fiction of the 1960s / Kaye Mitchell, Nonia Williams. |
title_full_unstemmed |
British Avant-Garde Fiction of the 1960s / Kaye Mitchell, Nonia Williams. |
title_auth |
British Avant-Garde Fiction of the 1960s / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- Introduction: ‘The avant-garde must not be romanticized. The avant-garde must not be dismissed’ -- Contributors -- 1. Muriel Spark and the Possibility of Popular Experiment -- 2. B. S. Johnson: The Book as Dynamic Object -- 3. Giles Gordon: Beyond the Words and Beyond the Language of Experimentalism -- 4. Brigid Brophy’s Aestheticism: The Camp Anti-Novel -- 5. Alexander Trocchi: Man at Leisure -- 6. Anna Kavan: Pursuing the ‘in-between reality’ Hidden by the ‘ordinary surface of things’ -- 7. J. G. Ballard: Visuality and the Novels of the Near Future -- 8. Ann Quin: ‘infuriating’ Experiments? -- 9. Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns -- 10. Eva Figes: Tracing the Survival of a ‘Poetry of the Inarticulate’ -- 11. Christine Brooke-Rose: The Development of Experiment -- 12. Aspirations Inevitably Failing: Hope and Negativity in Rayner Heppenstall’s Experimental Fiction of the 1960s -- 13. Maureen Duffy: The Politics of Experimental Fiction -- 14. Not the Last Word on the Sixties Avant-Garde: An Afterword -- Notes on Contributors -- Index |
title_new |
British Avant-Garde Fiction of the 1960s / |
title_sort |
british avant-garde fiction of the 1960s / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (280 p.) : 4 B/W illustrations |
contents |
Frontmatter -- Contents -- Acknowledgements -- Introduction: ‘The avant-garde must not be romanticized. The avant-garde must not be dismissed’ -- Contributors -- 1. Muriel Spark and the Possibility of Popular Experiment -- 2. B. S. Johnson: The Book as Dynamic Object -- 3. Giles Gordon: Beyond the Words and Beyond the Language of Experimentalism -- 4. Brigid Brophy’s Aestheticism: The Camp Anti-Novel -- 5. Alexander Trocchi: Man at Leisure -- 6. Anna Kavan: Pursuing the ‘in-between reality’ Hidden by the ‘ordinary surface of things’ -- 7. J. G. Ballard: Visuality and the Novels of the Near Future -- 8. Ann Quin: ‘infuriating’ Experiments? -- 9. Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns -- 10. Eva Figes: Tracing the Survival of a ‘Poetry of the Inarticulate’ -- 11. Christine Brooke-Rose: The Development of Experiment -- 12. Aspirations Inevitably Failing: Hope and Negativity in Rayner Heppenstall’s Experimental Fiction of the 1960s -- 13. Maureen Duffy: The Politics of Experimental Fiction -- 14. Not the Last Word on the Sixties Avant-Garde: An Afterword -- Notes on Contributors -- Index |
isbn |
9781474436212 9783110780420 9781474436199 |
url |
https://doi.org/10.1515/9781474436212 https://www.degruyter.com/isbn/9781474436212 https://www.degruyter.com/document/cover/isbn/9781474436212/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
823 - English fiction |
dewey-full |
823.9140911 |
dewey-sort |
3823.9140911 |
dewey-raw |
823.9140911 |
dewey-search |
823.9140911 |
doi_str_mv |
10.1515/9781474436212 |
oclc_num |
1312727181 |
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