Shakespeare in the North : : Place, Politics and Performance in England and Scotland / / Adam Hansen.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English
• VerfasserIn: Hansen, Adam,
• MitwirkendeR: Frazer, Paul,; Hansen, Adam,; Heaton, Caroline,; Hopkins, Lisa,; Jackson, Chris,; Loxley, James,; Maley, Willy,; Oakley-Brown, Liz,; Smialkowska, Monika,; Stacey, Richard,; Veerapen, Steven,; Wardle, Janice,; Wilson, Richard,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2021
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (336 p.) :; 1 B/W illustrations

Presents fresh perspectives on Shakespeare’s representations of and in the ‘North’, past and presentPresents a wide range of emerging and established scholars working across the North of England, and across the English-Scottish borderLooks backwards and forwards, offering a survey of historical change, with chapters on Shakespeare and Northernness in the early modern period, as well as on later appropriations of his work in the ‘North’Attunes to Shakespeare’s role in live political and theoretical debates about national sovereignty and identities, and regional communities and culturesSituates Shakespeare’s works alongside less canonical texts and diverse mediaOffers detailed case studies of new material, with primary sources drawn from rich but rarely-used local, municipal and performance archivesProvides an opportunity to critically reflect on links and differences between past and present, England and Scotland, the local and the globalThis exciting collection of original essays critically assesses the significance of locality in Shakespearean plays. Considering how Shakespeare and his contemporaries understood the ‘North’, it brings together diverse voices to define what the ‘North’ meant and means in relation to Shakespeare. The book also situates Shakespeare’s works alongside less canonical texts and media, as well as detailed case studies of new material from rich but rarely-used local, municipal and performance archives. It provides an opportunity to critically reflect on links and differences between the past and present, England and Scotland, the local and the global.

Table of Contents

Frontmatter -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- I Shakespeare and the Early Modern North -- 1 Shakespeare’s Northern Blood: Transfusing Gorboduc into Macbeth and Cymbeline -- 2 ‘Here are strangers near at hand’: Anglo-Scottish Border Crossings Pre- and Post-Union -- 3 Shakespeare, King James and the Northern Yorkists -- 4 North by Northwest: Shakespeare’s Shifting Frontier -- II Performing Shakespeare in the North -- 5 The People’s Shakespeare: Place, Politics and Performance in a Northern Amateur Theatre -- 6 Only Northerners Need Apply? Northern Broadsides and No-nonsense Shakespeare -- 7 Shakespeare and Blackpool: The RSC’s A Midsummer Night’s Dream (2016): A Play for the Nation? -- 8 William the Conqueror: The Only Shakescene in a Country -- III Appropriating Shakespeare in the North -- 9 ‘What is Shakespeare to Manchester’? Shakespearean Engagement in the North at the Turn of the Twentieth Century -- 10 A Road by Any Other Name: Heaton History Group, a North East Suburb and Shakespeare -- 11 Lancastrian Shakespeares: Hamlet and King Lear in North West England (2005–2014) -- 12 Shakespeare’s Cheek: Macbeth, Dunsinane and the Jacobean Condition -- Postscript: News from the North -- Index