Caught In-Between : : Intermediality in Contemporary Eastern European and Russian Cinema / / Ágnes Pethő.
Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and RussiaProvides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinemaCinematic case studies are drawn from...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Studies in Film and Intermediality : ESFI
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Online Access: | |
Physical Description: | 1 online resource (254 p.) :; 45 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Th e Contributors
- Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema
- Part 1 Entangled Sensations, Cinema in-between the Arts
- 1 Intermedially Emotional: Musical Mood Cues, Disembodied Feelings in Contemporary Hungarian Melodramas
- 2 Black-and-White Sensations of History and Female Identity in Contemporary Polish and Czech Cinema
- 3 Sculpture and Affect in Cinema’s Expanded Field: From Aleksey Gherman’s Hard to Be a God to Aleksey Gherman Jr’s Under Electric Clouds
- 4 Intermedial Densities in the Work of Jan Švankmajer: A Media-Anthropological Case Study
- Part 2 Immersions into Memory, Culture and Intermediality
- 5 Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema
- 6 Photographic Passages to the Past in Eastern European Non-Fiction Films
- 7 Trauma, Memorialisation and Intermediality in Jasmila Žbanić’s For Those Who Can Tell No Tales
- 8 An Immersive Theatrical Journey through Media and Time in Alexander Sokurov’s Russian Ark
- Part 3 Reflections upon Reality, Representation and Power
- 9 The Real and the Intermedial in Alexander Sokurov’s Family Trilogy
- 10 This is Not Magritte: Corneliu Porumboiu’s Theory of Representation
- 11 Intermedial Détrompe l’Oeil and Contemporary Polish Narrative Cinema
- 12 Superhero Genre and Graphic Storytelling in Contemporary Hungarian and Russian Cinema
- Index