Lesbian Cinema after Queer Theory / / Clara Bradbury-Rance.
A sustained analysis of twenty-first century lesbian cinema through a queer theoretical lensThe unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory’s radical transformation of the study of sexuality. In Lesbian Cinema after Queer...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (208 p.) :; 36 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Preface
- Introduction: Looking after Lesbian Cinema
- 1. The Woman (Doubled): Mulholland Drive and the Figure of the Lesbian
- 2. Merely Queer: Translating Desire in Nathalie . . . and Chloe
- 3. Anywhere in the World: Circumstance, Space and the Desire for Outness
- 4. In-between Touch: Queer Potential in Water Lilies and She Monkeys
- 5. The Politics of the Image: Sex as Sexuality in Blue Is the Warmest Colour
- 6. Looking at Carol: The Drift of New Queer Pleasures
- Conclusion: The Queerness of Lesbian Cinema
- Notes
- Filmography
- Bibliography
- Index