The Fin-de-Siècle Scottish Revival : : Romance, Decadence and Celtic Identity / / Michael Shaw.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
• VerfasserIn: Shaw, Michael,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2019
• Year of Publication: 2022
• Language: English
• Series: Edinburgh Critical Studies in Victorian Culture : ECSVC
• Physical Description: 1 online resource (320 p.) :; 33 B/W illustrations 13 colour illustrations
• Other title: Frontmatter --; Contents --; Illustrations --; Series Editor’s Preface --; Acknowledgements --; Introduction --; 1 The Scottish Romance Revival --; 2 The Belgian Revival and Japonisme in Scotland --; 3 Neo-Pagan Scotland: Fashioning Origins --; 4 The Occult Revival --; 5 The Pageant Revival: Popularising Renascence --; Envoy --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474433983; 9783110780420
• DOI: 10.1515/9781474433983?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Michael Shaw.

Explores cultural defence and revivalism in Scottish literature and artThe first book-length, interdisciplinary study on fin-de-siècle ScotlandUnlocks Scottish writers’ and artists’ participation in neo-paganism, the occult revival, neo-Catholicism and japonismeInformed by extensive analysis of under-explored archival materials, such as the Papers of Patrick GeddesRichly illustrated with artworks, photographs and ephemeraAs the Irish Revival took shape and the Home Rule debate dominated UK politics, what was happening in Scotland? This book reveals distinct but comparable concerns with cultural defence and revivalism in fin-de-siècle Scotland, evident in the work of a number of writers and artists including Robert Louis Stevenson, Patrick Geddes, Fiona Macleod, Charles Rennie Mackintosh, Mona Caird, Arthur Conan Doyle, John Duncan and various contributors to The Evergreen. Situating Scottish literature and art alongside international developments in culture, especially the rise of decadence, symbolism and Celticism, Michael Shaw demonstrates the ways in which dissident fin-de-siècle styles and ideas supported and defined the Scottish Revival.