The Edinburgh Companion to Gothic and the Arts / / David Punter.
Provides new definitions of the Gothic in a variety of artistic contextsExplores a range of Gothic from architecture through literature to music and the technological artsProvides an opportunity to hear new thinking from established scholars as well as showcasing work by new scholarsHighlights new d...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Companions to Literature and the Humanities
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Physical Description: | 1 online resource (520 p.) :; 55 B/W illustrations 18 colour illustrations |
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Punter, David, author. aut http://id.loc.gov/vocabulary/relators/aut The Edinburgh Companion to Gothic and the Arts / David Punter. Edinburgh : Edinburgh University Press, [2022] ©2019 1 online resource (520 p.) : 55 B/W illustrations 18 colour illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- List of Illustrations -- Notes on Contributors -- Introduction -- Part I: Architectural Arts -- 1. Gothic and Architecture: Morris, Ruskin, Carlyle and the Gothic Legacies of the Lake Poets -- 2. Gothic and the Built Environment: Literary Representations of the Architectural Uncanny and Urban Sublime -- 3. Gothic and Design: The Geometrical Roots of Gothic Aesthetics in the Cologne Cathedral Choir -- 4. Gothic and Sculpture: From Medieval Piety to Modern Horrors and Terrors -- 5. Gothic and Installation Art: Spectral Materialities, Monstrous Ephemera -- Part II: The Visual Arts -- 6. Gothic and Earlier Painting: Nightmares and Premature Burials in Fuseli and Wiertz -- 7. Gothic, Caricature, Cartoon: Insatiable Nightmares -- 8. Gothic and Portraiture: Resemblance and Rupture -- 9. Gothic and Surrealism: Subculture, Counterculture and Cultural Assimilation -- 10. Gothic and Modern Art: The Experience of Ivan Albright -- 11. Gothic and Photography: The Darkest Art -- Part III: Music and the Performance Arts -- 12. Gothic and Music: Scoring ‘Silent’ Spectres -- 13. Gothic and Opera: Overwhelming Passions and Irrational Dreams -- 14. Gothic, Ballet, Dance: The Aesthetics and Kinaesthetics of Death -- 15. Gothic and Contemporary Music: Dark Sound, Dark Mood, Dark Aesthetics -- Part IV: The Literary Arts -- 16. Gothic and Graveyard Poetry: Imagining the Dead (of Night) -- 17. Gothic Chapbooks and Ballads: Making a Long Story Short -- 18. Gothic and Nineteenth-Century Poetry: Thresholds of Influence, Possibilities and Desire -- 19. Gothic and Modern Poetry: The Poetics of Transgression -- 20. Gothic and the Eighteenth-Century Novel: At Home in the English Style -- 21. Gothic and the Nineteenth-Century Novel: The Art of Abjection -- 22. Gothic and Recent Fiction: Fears of the Past and of the Future -- 23. Gothic and the Short Story: Revolutions in Form and Genre -- 24. Gothic, Melodrama, Victorian Theatre: Gothic Drama to 1890 -- 25. Gothic and Modern Theatre: Staging Modern Cultural Trauma -- 26. Gothic and Children’s Literature: Wolves in Walls and Clocks in Crocodiles -- 27. Gothic and Young Adult Literature: Werewolves, Vampires, Monsters, Rebellion, Broken Hearts and True Romance -- Part V: Media and Cultural Arts -- 28. Gothic and Cinema: The Development of an Aesthetic Filmic Mode -- 29. Gothic and Television: The Monster in the Living Room -- 30. Gothic and Comics: From The Haunt of Fear to a Haunted Medium -- 31. Gothic and the Graphic Novel: From the Future Shocks of Judge Dredd to the Aftershocks of DC Vertigo -- 32. Gothic and Video Games: Playing with Fear in the Darkness -- 33. Gothic and Internet Fiction: Digital Affordances and New Media Fears -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Provides new definitions of the Gothic in a variety of artistic contextsExplores a range of Gothic from architecture through literature to music and the technological artsProvides an opportunity to hear new thinking from established scholars as well as showcasing work by new scholarsHighlights new definitions of the Gothic from a wide variety of perspectivesThe Gothic in all its artistic forms and ramifications is traced from the medieval to the twenty-first century. From architecture, painting and sculpture through music, ballet, opera and dance to installation art and the graphic novel, each of the 33 chapters reflects on and weighs in on the ways in which the Gothic is taken up in the art forms and modes under examination. An Introduction discusses Gothic as a changing cultural form across the centuries with deep psychological roots. This is followed by sections on: architectural arts; the visual arts; music and the performance arts; the literary arts; and media and cultural arts. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Literary Studies. LITERARY CRITICISM / General. bisacsh Ancuta, Katarzyna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beville, Maria, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Blake, Linnie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bloom, Clive, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bork, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bruhm, Steven, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Duggett, Tom, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Elferen, Isabella Van, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Elliott, Kamilla, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Fall, Wendy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb González, Antonio Alcalá, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Haefele-Thomas, Ardel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hogle, Jerrold E., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Horner, Avril, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ilott, Sarah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jackson, Anna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jones, David Annwn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kirk, Neal, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Leonard, Kendra Preston, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lindfield, Peter N., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lindsay, Stuart, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Miles, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Parisot, Eric, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Parrino, Maria, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Potter, Franz, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Punter, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reyes, Xavier Aldana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Round, Julia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stobbart, Dawn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Thomson, Doug, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Townshend, Dale, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wasson, Sara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, Anne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wisker, Gina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wright, Angela, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420 https://doi.org/10.1515/9781474432375 https://www.degruyter.com/isbn/9781474432375 Cover https://www.degruyter.com/document/cover/isbn/9781474432375/original |
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English |
format |
eBook |
author |
Punter, David, Punter, David, |
spellingShingle |
Punter, David, Punter, David, The Edinburgh Companion to Gothic and the Arts / Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- List of Illustrations -- Notes on Contributors -- Introduction -- Part I: Architectural Arts -- 1. Gothic and Architecture: Morris, Ruskin, Carlyle and the Gothic Legacies of the Lake Poets -- 2. Gothic and the Built Environment: Literary Representations of the Architectural Uncanny and Urban Sublime -- 3. Gothic and Design: The Geometrical Roots of Gothic Aesthetics in the Cologne Cathedral Choir -- 4. Gothic and Sculpture: From Medieval Piety to Modern Horrors and Terrors -- 5. Gothic and Installation Art: Spectral Materialities, Monstrous Ephemera -- Part II: The Visual Arts -- 6. Gothic and Earlier Painting: Nightmares and Premature Burials in Fuseli and Wiertz -- 7. Gothic, Caricature, Cartoon: Insatiable Nightmares -- 8. Gothic and Portraiture: Resemblance and Rupture -- 9. Gothic and Surrealism: Subculture, Counterculture and Cultural Assimilation -- 10. Gothic and Modern Art: The Experience of Ivan Albright -- 11. Gothic and Photography: The Darkest Art -- Part III: Music and the Performance Arts -- 12. Gothic and Music: Scoring ‘Silent’ Spectres -- 13. Gothic and Opera: Overwhelming Passions and Irrational Dreams -- 14. Gothic, Ballet, Dance: The Aesthetics and Kinaesthetics of Death -- 15. Gothic and Contemporary Music: Dark Sound, Dark Mood, Dark Aesthetics -- Part IV: The Literary Arts -- 16. Gothic and Graveyard Poetry: Imagining the Dead (of Night) -- 17. Gothic Chapbooks and Ballads: Making a Long Story Short -- 18. Gothic and Nineteenth-Century Poetry: Thresholds of Influence, Possibilities and Desire -- 19. Gothic and Modern Poetry: The Poetics of Transgression -- 20. Gothic and the Eighteenth-Century Novel: At Home in the English Style -- 21. Gothic and the Nineteenth-Century Novel: The Art of Abjection -- 22. Gothic and Recent Fiction: Fears of the Past and of the Future -- 23. Gothic and the Short Story: Revolutions in Form and Genre -- 24. Gothic, Melodrama, Victorian Theatre: Gothic Drama to 1890 -- 25. Gothic and Modern Theatre: Staging Modern Cultural Trauma -- 26. Gothic and Children’s Literature: Wolves in Walls and Clocks in Crocodiles -- 27. Gothic and Young Adult Literature: Werewolves, Vampires, Monsters, Rebellion, Broken Hearts and True Romance -- Part V: Media and Cultural Arts -- 28. Gothic and Cinema: The Development of an Aesthetic Filmic Mode -- 29. Gothic and Television: The Monster in the Living Room -- 30. Gothic and Comics: From The Haunt of Fear to a Haunted Medium -- 31. Gothic and the Graphic Novel: From the Future Shocks of Judge Dredd to the Aftershocks of DC Vertigo -- 32. Gothic and Video Games: Playing with Fear in the Darkness -- 33. Gothic and Internet Fiction: Digital Affordances and New Media Fears -- Index |
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Punter, David, Punter, David, Ancuta, Katarzyna, Ancuta, Katarzyna, Beville, Maria, Beville, Maria, Blake, Linnie, Blake, Linnie, Bloom, Clive, Bloom, Clive, Bork, Robert, Bork, Robert, Bruhm, Steven, Bruhm, Steven, Duggett, Tom, Duggett, Tom, Elferen, Isabella Van, Elferen, Isabella Van, Elliott, Kamilla, Elliott, Kamilla, Fall, Wendy, Fall, Wendy, González, Antonio Alcalá, González, Antonio Alcalá, Haefele-Thomas, Ardel, Haefele-Thomas, Ardel, Hogle, Jerrold E., Hogle, Jerrold E., Horner, Avril, Horner, Avril, Ilott, Sarah, Ilott, Sarah, Jackson, Anna, Jackson, Anna, Jones, David Annwn, Jones, David Annwn, Kirk, Neal, Kirk, Neal, Leonard, Kendra Preston, Leonard, Kendra Preston, Lindfield, Peter N., Lindfield, Peter N., Lindsay, Stuart, Lindsay, Stuart, Miles, Robert, Miles, Robert, Parisot, Eric, Parisot, Eric, Parrino, Maria, Parrino, Maria, Potter, Franz, Potter, Franz, Punter, David, Punter, David, Reyes, Xavier Aldana, Reyes, Xavier Aldana, Round, Julia, Round, Julia, Stobbart, Dawn, Stobbart, Dawn, Thomson, Doug, Thomson, Doug, Townshend, Dale, Townshend, Dale, Wasson, Sara, Wasson, Sara, Williams, Anne, Williams, Anne, Wisker, Gina, Wisker, Gina, Wright, Angela, Wright, Angela, |
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Ancuta, Katarzyna, Ancuta, Katarzyna, Beville, Maria, Beville, Maria, Blake, Linnie, Blake, Linnie, Bloom, Clive, Bloom, Clive, Bork, Robert, Bork, Robert, Bruhm, Steven, Bruhm, Steven, Duggett, Tom, Duggett, Tom, Elferen, Isabella Van, Elferen, Isabella Van, Elliott, Kamilla, Elliott, Kamilla, Fall, Wendy, Fall, Wendy, González, Antonio Alcalá, González, Antonio Alcalá, Haefele-Thomas, Ardel, Haefele-Thomas, Ardel, Hogle, Jerrold E., Hogle, Jerrold E., Horner, Avril, Horner, Avril, Ilott, Sarah, Ilott, Sarah, Jackson, Anna, Jackson, Anna, Jones, David Annwn, Jones, David Annwn, Kirk, Neal, Kirk, Neal, Leonard, Kendra Preston, Leonard, Kendra Preston, Lindfield, Peter N., Lindfield, Peter N., Lindsay, Stuart, Lindsay, Stuart, Miles, Robert, Miles, Robert, Parisot, Eric, Parisot, Eric, Parrino, Maria, Parrino, Maria, Potter, Franz, Potter, Franz, Punter, David, Punter, David, Reyes, Xavier Aldana, Reyes, Xavier Aldana, Round, Julia, Round, Julia, Stobbart, Dawn, Stobbart, Dawn, Thomson, Doug, Thomson, Doug, Townshend, Dale, Townshend, Dale, Wasson, Sara, Wasson, Sara, Williams, Anne, Williams, Anne, Wisker, Gina, Wisker, Gina, Wright, Angela, Wright, Angela, |
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author_sort |
Punter, David, |
title |
The Edinburgh Companion to Gothic and the Arts / |
title_full |
The Edinburgh Companion to Gothic and the Arts / David Punter. |
title_fullStr |
The Edinburgh Companion to Gothic and the Arts / David Punter. |
title_full_unstemmed |
The Edinburgh Companion to Gothic and the Arts / David Punter. |
title_auth |
The Edinburgh Companion to Gothic and the Arts / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Notes on Contributors -- Introduction -- Part I: Architectural Arts -- 1. Gothic and Architecture: Morris, Ruskin, Carlyle and the Gothic Legacies of the Lake Poets -- 2. Gothic and the Built Environment: Literary Representations of the Architectural Uncanny and Urban Sublime -- 3. Gothic and Design: The Geometrical Roots of Gothic Aesthetics in the Cologne Cathedral Choir -- 4. Gothic and Sculpture: From Medieval Piety to Modern Horrors and Terrors -- 5. Gothic and Installation Art: Spectral Materialities, Monstrous Ephemera -- Part II: The Visual Arts -- 6. Gothic and Earlier Painting: Nightmares and Premature Burials in Fuseli and Wiertz -- 7. Gothic, Caricature, Cartoon: Insatiable Nightmares -- 8. Gothic and Portraiture: Resemblance and Rupture -- 9. Gothic and Surrealism: Subculture, Counterculture and Cultural Assimilation -- 10. Gothic and Modern Art: The Experience of Ivan Albright -- 11. Gothic and Photography: The Darkest Art -- Part III: Music and the Performance Arts -- 12. Gothic and Music: Scoring ‘Silent’ Spectres -- 13. Gothic and Opera: Overwhelming Passions and Irrational Dreams -- 14. Gothic, Ballet, Dance: The Aesthetics and Kinaesthetics of Death -- 15. Gothic and Contemporary Music: Dark Sound, Dark Mood, Dark Aesthetics -- Part IV: The Literary Arts -- 16. Gothic and Graveyard Poetry: Imagining the Dead (of Night) -- 17. Gothic Chapbooks and Ballads: Making a Long Story Short -- 18. Gothic and Nineteenth-Century Poetry: Thresholds of Influence, Possibilities and Desire -- 19. Gothic and Modern Poetry: The Poetics of Transgression -- 20. Gothic and the Eighteenth-Century Novel: At Home in the English Style -- 21. Gothic and the Nineteenth-Century Novel: The Art of Abjection -- 22. Gothic and Recent Fiction: Fears of the Past and of the Future -- 23. Gothic and the Short Story: Revolutions in Form and Genre -- 24. Gothic, Melodrama, Victorian Theatre: Gothic Drama to 1890 -- 25. Gothic and Modern Theatre: Staging Modern Cultural Trauma -- 26. Gothic and Children’s Literature: Wolves in Walls and Clocks in Crocodiles -- 27. Gothic and Young Adult Literature: Werewolves, Vampires, Monsters, Rebellion, Broken Hearts and True Romance -- Part V: Media and Cultural Arts -- 28. Gothic and Cinema: The Development of an Aesthetic Filmic Mode -- 29. Gothic and Television: The Monster in the Living Room -- 30. Gothic and Comics: From The Haunt of Fear to a Haunted Medium -- 31. Gothic and the Graphic Novel: From the Future Shocks of Judge Dredd to the Aftershocks of DC Vertigo -- 32. Gothic and Video Games: Playing with Fear in the Darkness -- 33. Gothic and Internet Fiction: Digital Affordances and New Media Fears -- Index |
title_new |
The Edinburgh Companion to Gothic and the Arts / |
title_sort |
the edinburgh companion to gothic and the arts / |
series |
Edinburgh Companions to Literature and the Humanities |
series2 |
Edinburgh Companions to Literature and the Humanities |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (520 p.) : 55 B/W illustrations 18 colour illustrations |
contents |
Frontmatter -- Contents -- List of Illustrations -- Notes on Contributors -- Introduction -- Part I: Architectural Arts -- 1. Gothic and Architecture: Morris, Ruskin, Carlyle and the Gothic Legacies of the Lake Poets -- 2. Gothic and the Built Environment: Literary Representations of the Architectural Uncanny and Urban Sublime -- 3. Gothic and Design: The Geometrical Roots of Gothic Aesthetics in the Cologne Cathedral Choir -- 4. Gothic and Sculpture: From Medieval Piety to Modern Horrors and Terrors -- 5. Gothic and Installation Art: Spectral Materialities, Monstrous Ephemera -- Part II: The Visual Arts -- 6. Gothic and Earlier Painting: Nightmares and Premature Burials in Fuseli and Wiertz -- 7. Gothic, Caricature, Cartoon: Insatiable Nightmares -- 8. Gothic and Portraiture: Resemblance and Rupture -- 9. Gothic and Surrealism: Subculture, Counterculture and Cultural Assimilation -- 10. Gothic and Modern Art: The Experience of Ivan Albright -- 11. Gothic and Photography: The Darkest Art -- Part III: Music and the Performance Arts -- 12. Gothic and Music: Scoring ‘Silent’ Spectres -- 13. Gothic and Opera: Overwhelming Passions and Irrational Dreams -- 14. Gothic, Ballet, Dance: The Aesthetics and Kinaesthetics of Death -- 15. Gothic and Contemporary Music: Dark Sound, Dark Mood, Dark Aesthetics -- Part IV: The Literary Arts -- 16. Gothic and Graveyard Poetry: Imagining the Dead (of Night) -- 17. Gothic Chapbooks and Ballads: Making a Long Story Short -- 18. Gothic and Nineteenth-Century Poetry: Thresholds of Influence, Possibilities and Desire -- 19. Gothic and Modern Poetry: The Poetics of Transgression -- 20. Gothic and the Eighteenth-Century Novel: At Home in the English Style -- 21. Gothic and the Nineteenth-Century Novel: The Art of Abjection -- 22. Gothic and Recent Fiction: Fears of the Past and of the Future -- 23. Gothic and the Short Story: Revolutions in Form and Genre -- 24. Gothic, Melodrama, Victorian Theatre: Gothic Drama to 1890 -- 25. Gothic and Modern Theatre: Staging Modern Cultural Trauma -- 26. Gothic and Children’s Literature: Wolves in Walls and Clocks in Crocodiles -- 27. Gothic and Young Adult Literature: Werewolves, Vampires, Monsters, Rebellion, Broken Hearts and True Romance -- Part V: Media and Cultural Arts -- 28. Gothic and Cinema: The Development of an Aesthetic Filmic Mode -- 29. Gothic and Television: The Monster in the Living Room -- 30. Gothic and Comics: From The Haunt of Fear to a Haunted Medium -- 31. Gothic and the Graphic Novel: From the Future Shocks of Judge Dredd to the Aftershocks of DC Vertigo -- 32. Gothic and Video Games: Playing with Fear in the Darkness -- 33. Gothic and Internet Fiction: Digital Affordances and New Media Fears -- Index |
isbn |
9781474432375 9783110780420 |
url |
https://doi.org/10.1515/9781474432375 https://www.degruyter.com/isbn/9781474432375 https://www.degruyter.com/document/cover/isbn/9781474432375/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700 |
dewey-sort |
3700 |
dewey-raw |
700 |
dewey-search |
700 |
doi_str_mv |
10.1515/9781474432375 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>09566nam a22010695i 4500</leader><controlfield tag="001">9781474432375</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20222019stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474432375</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474432375</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)619419</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312726286</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">700</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Punter, David, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Edinburgh Companion to Gothic and the Arts /</subfield><subfield code="c">David Punter.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (520 p.) :</subfield><subfield code="b">55 B/W illustrations 18 colour illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh Companions to Literature and the Humanities</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Part I: Architectural Arts -- </subfield><subfield code="t">1. Gothic and Architecture: Morris, Ruskin, Carlyle and the Gothic Legacies of the Lake Poets -- </subfield><subfield code="t">2. Gothic and the Built Environment: Literary Representations of the Architectural Uncanny and Urban Sublime -- </subfield><subfield code="t">3. Gothic and Design: The Geometrical Roots of Gothic Aesthetics in the Cologne Cathedral Choir -- </subfield><subfield code="t">4. Gothic and Sculpture: From Medieval Piety to Modern Horrors and Terrors -- </subfield><subfield code="t">5. Gothic and Installation Art: Spectral Materialities, Monstrous Ephemera -- </subfield><subfield code="t">Part II: The Visual Arts -- </subfield><subfield code="t">6. Gothic and Earlier Painting: Nightmares and Premature Burials in Fuseli and Wiertz -- </subfield><subfield code="t">7. Gothic, Caricature, Cartoon: Insatiable Nightmares -- </subfield><subfield code="t">8. Gothic and Portraiture: Resemblance and Rupture -- </subfield><subfield code="t">9. Gothic and Surrealism: Subculture, Counterculture and Cultural Assimilation -- </subfield><subfield code="t">10. Gothic and Modern Art: The Experience of Ivan Albright -- </subfield><subfield code="t">11. Gothic and Photography: The Darkest Art -- </subfield><subfield code="t">Part III: Music and the Performance Arts -- </subfield><subfield code="t">12. Gothic and Music: Scoring ‘Silent’ Spectres -- </subfield><subfield code="t">13. Gothic and Opera: Overwhelming Passions and Irrational Dreams -- </subfield><subfield code="t">14. Gothic, Ballet, Dance: The Aesthetics and Kinaesthetics of Death -- </subfield><subfield code="t">15. Gothic and Contemporary Music: Dark Sound, Dark Mood, Dark Aesthetics -- </subfield><subfield code="t">Part IV: The Literary Arts -- </subfield><subfield code="t">16. Gothic and Graveyard Poetry: Imagining the Dead (of Night) -- </subfield><subfield code="t">17. Gothic Chapbooks and Ballads: Making a Long Story Short -- </subfield><subfield code="t">18. Gothic and Nineteenth-Century Poetry: Thresholds of Influence, Possibilities and Desire -- </subfield><subfield code="t">19. Gothic and Modern Poetry: The Poetics of Transgression -- </subfield><subfield code="t">20. Gothic and the Eighteenth-Century Novel: At Home in the English Style -- </subfield><subfield code="t">21. Gothic and the Nineteenth-Century Novel: The Art of Abjection -- </subfield><subfield code="t">22. Gothic and Recent Fiction: Fears of the Past and of the Future -- </subfield><subfield code="t">23. Gothic and the Short Story: Revolutions in Form and Genre -- </subfield><subfield code="t">24. Gothic, Melodrama, Victorian Theatre: Gothic Drama to 1890 -- </subfield><subfield code="t">25. Gothic and Modern Theatre: Staging Modern Cultural Trauma -- </subfield><subfield code="t">26. Gothic and Children’s Literature: Wolves in Walls and Clocks in Crocodiles -- </subfield><subfield code="t">27. Gothic and Young Adult Literature: Werewolves, Vampires, Monsters, Rebellion, Broken Hearts and True Romance -- </subfield><subfield code="t">Part V: Media and Cultural Arts -- </subfield><subfield code="t">28. Gothic and Cinema: The Development of an Aesthetic Filmic Mode -- </subfield><subfield code="t">29. Gothic and Television: The Monster in the Living Room -- </subfield><subfield code="t">30. Gothic and Comics: From The Haunt of Fear to a Haunted Medium -- </subfield><subfield code="t">31. Gothic and the Graphic Novel: From the Future Shocks of Judge Dredd to the Aftershocks of DC Vertigo -- </subfield><subfield code="t">32. Gothic and Video Games: Playing with Fear in the Darkness -- </subfield><subfield code="t">33. Gothic and Internet Fiction: Digital Affordances and New Media Fears -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Provides new definitions of the Gothic in a variety of artistic contextsExplores a range of Gothic from architecture through literature to music and the technological artsProvides an opportunity to hear new thinking from established scholars as well as showcasing work by new scholarsHighlights new definitions of the Gothic from a wide variety of perspectivesThe Gothic in all its artistic forms and ramifications is traced from the medieval to the twenty-first century. From architecture, painting and sculpture through music, ballet, opera and dance to installation art and the graphic novel, each of the 33 chapters reflects on and weighs in on the ways in which the Gothic is taken up in the art forms and modes under examination. An Introduction discusses Gothic as a changing cultural form across the centuries with deep psychological roots. This is followed by sections on: architectural arts; the visual arts; music and the performance arts; the literary arts; and media and cultural arts.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ancuta, Katarzyna, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Beville, Maria, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Blake, Linnie, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield 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