Seeing Degree Zero : : Barthes/Burgin and Political Aesthetics / / Ryan Bishop, Sunil Manghani.
Examines the critical concept ‘zero degree’ through the work of Roland Barthes and Victor BurginIn the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes’ 1953 bo...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Year of Publication: | 2022 |
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Bishop, Ryan, author. aut http://id.loc.gov/vocabulary/relators/aut Seeing Degree Zero : Barthes/Burgin and Political Aesthetics / Ryan Bishop, Sunil Manghani. Edinburgh : Edinburgh University Press, [2022] ©2019 1 online resource (456 p.) : 140 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Response/Abilities of Seeing -- Reading Barthes, Again -- Belledonne -- Part I: Degrees and Variations -- Neutral Seeing: Saenredam, Barthes, Burgin -- I was Sitting in a Room: Cybernetic Aesthetics and Victor Burgin’s Projection Loops -- The Situation of Practice -- Part II: Image Degree Zero -- Painting, Photography, Projection -- The End of the Frame -- Camera as Object and Process -- Prairie -- Part III: Writerly Readings -- Pre-occupations: Calling Up Ghosts in A Place to Read and Belledonne -- Prairie (Argo) -- Photography as Rhythm: On Prairie -- The Work of Death in Burgin’s Belledonne -- Notes on Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Examines the critical concept ‘zero degree’ through the work of Roland Barthes and Victor BurginIn the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes’ 1953 book Writing Degree Zero as just one starting point, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors’ ongoing collaboration with artist and writer Victor Burgin.The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin’s long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, Belledonne and Prairie, which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.Key FeaturesExplores topics including drawing, painting, image, projection, space, architecture, temporalities, gallery spectatorship, the neutral and cinematic heterotopiaIncludes the first print translations of two major projection works by Victor Burgin, Belledonne and Prairie, and two in-depth interviews with Victor BurginRichly illustrated in colourContributors include Christine Bertin, Domietta Torlasco, James O’Leary and Kristen KreiderContributorsChristine Berthin, University of Paris Nanterre, France.Ryan Bishop, Winchester School of Art, the University of Southampton, UK.Victor Burgin, artist and theorist based in the UK. Sean Cubitt, Goldsmiths, University of London, UK.Gordon Hon, writer, artist and filmmaker, and Winchester School of Art, University of Southampton, UK. Kristin Kreider, Royal Holloway, University of London, UK. Sunil Manghani, Winchester School of Art, University of Southampton, UK.James O’Leary, Bartlett School of Architecture, University College London,UK.Domietta Torlasco, is a critical theorist and filmmaker, and Associate Professor of Italian and Comparative Literature at Northwestern University, Illinois, USA." Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Aesthetics. Art appreciation. Semiotics and art. Philosophy. ART / Criticism. bisacsh Berthin, Christine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bishop, Ryan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Burgin, Victor, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cubitt, Sean, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hon, Gordon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kreider, Kristen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Manghani, Sunil, author. aut http://id.loc.gov/vocabulary/relators/aut Manghani, Sunil, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb O’Leary, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Torlasco, Domietta, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420 print 9781474431415 https://doi.org/10.1515/9781474431439 https://www.degruyter.com/isbn/9781474431439 Cover https://www.degruyter.com/document/cover/isbn/9781474431439/original |
language |
English |
format |
eBook |
author |
Bishop, Ryan, Bishop, Ryan, Manghani, Sunil, |
spellingShingle |
Bishop, Ryan, Bishop, Ryan, Manghani, Sunil, Seeing Degree Zero : Barthes/Burgin and Political Aesthetics / Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Response/Abilities of Seeing -- Reading Barthes, Again -- Belledonne -- Part I: Degrees and Variations -- Neutral Seeing: Saenredam, Barthes, Burgin -- I was Sitting in a Room: Cybernetic Aesthetics and Victor Burgin’s Projection Loops -- The Situation of Practice -- Part II: Image Degree Zero -- Painting, Photography, Projection -- The End of the Frame -- Camera as Object and Process -- Prairie -- Part III: Writerly Readings -- Pre-occupations: Calling Up Ghosts in A Place to Read and Belledonne -- Prairie (Argo) -- Photography as Rhythm: On Prairie -- The Work of Death in Burgin’s Belledonne -- Notes on Contributors -- Index |
author_facet |
Bishop, Ryan, Bishop, Ryan, Manghani, Sunil, Berthin, Christine, Berthin, Christine, Bishop, Ryan, Bishop, Ryan, Burgin, Victor, Burgin, Victor, Cubitt, Sean, Cubitt, Sean, Hon, Gordon, Hon, Gordon, Kreider, Kristen, Kreider, Kristen, Manghani, Sunil, Manghani, Sunil, Manghani, Sunil, Manghani, Sunil, O’Leary, James, O’Leary, James, Torlasco, Domietta, Torlasco, Domietta, |
author_variant |
r b rb r b rb s m sm |
author_role |
VerfasserIn VerfasserIn VerfasserIn |
author2 |
Berthin, Christine, Berthin, Christine, Bishop, Ryan, Bishop, Ryan, Burgin, Victor, Burgin, Victor, Cubitt, Sean, Cubitt, Sean, Hon, Gordon, Hon, Gordon, Kreider, Kristen, Kreider, Kristen, Manghani, Sunil, Manghani, Sunil, Manghani, Sunil, Manghani, Sunil, O’Leary, James, O’Leary, James, Torlasco, Domietta, Torlasco, Domietta, |
author2_variant |
c b cb c b cb r b rb r b rb v b vb v b vb s c sc s c sc g h gh g h gh k k kk k k kk s m sm s m sm s m sm j o jo j o jo d t dt d t dt |
author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR VerfasserIn VerfasserIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Bishop, Ryan, |
title |
Seeing Degree Zero : Barthes/Burgin and Political Aesthetics / |
title_sub |
Barthes/Burgin and Political Aesthetics / |
title_full |
Seeing Degree Zero : Barthes/Burgin and Political Aesthetics / Ryan Bishop, Sunil Manghani. |
title_fullStr |
Seeing Degree Zero : Barthes/Burgin and Political Aesthetics / Ryan Bishop, Sunil Manghani. |
title_full_unstemmed |
Seeing Degree Zero : Barthes/Burgin and Political Aesthetics / Ryan Bishop, Sunil Manghani. |
title_auth |
Seeing Degree Zero : Barthes/Burgin and Political Aesthetics / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Response/Abilities of Seeing -- Reading Barthes, Again -- Belledonne -- Part I: Degrees and Variations -- Neutral Seeing: Saenredam, Barthes, Burgin -- I was Sitting in a Room: Cybernetic Aesthetics and Victor Burgin’s Projection Loops -- The Situation of Practice -- Part II: Image Degree Zero -- Painting, Photography, Projection -- The End of the Frame -- Camera as Object and Process -- Prairie -- Part III: Writerly Readings -- Pre-occupations: Calling Up Ghosts in A Place to Read and Belledonne -- Prairie (Argo) -- Photography as Rhythm: On Prairie -- The Work of Death in Burgin’s Belledonne -- Notes on Contributors -- Index |
title_new |
Seeing Degree Zero : |
title_sort |
seeing degree zero : barthes/burgin and political aesthetics / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (456 p.) : 140 B/W illustrations |
contents |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Response/Abilities of Seeing -- Reading Barthes, Again -- Belledonne -- Part I: Degrees and Variations -- Neutral Seeing: Saenredam, Barthes, Burgin -- I was Sitting in a Room: Cybernetic Aesthetics and Victor Burgin’s Projection Loops -- The Situation of Practice -- Part II: Image Degree Zero -- Painting, Photography, Projection -- The End of the Frame -- Camera as Object and Process -- Prairie -- Part III: Writerly Readings -- Pre-occupations: Calling Up Ghosts in A Place to Read and Belledonne -- Prairie (Argo) -- Photography as Rhythm: On Prairie -- The Work of Death in Burgin’s Belledonne -- Notes on Contributors -- Index |
isbn |
9781474431439 9783110780420 9781474431415 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N70 |
callnumber-sort |
N 270 S44 42019EB |
url |
https://doi.org/10.1515/9781474431439 https://www.degruyter.com/isbn/9781474431439 https://www.degruyter.com/document/cover/isbn/9781474431439/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
701 - Philosophy of fine & decorative arts |
dewey-full |
701 |
dewey-sort |
3701 |
dewey-raw |
701 |
dewey-search |
701 |
doi_str_mv |
10.1515/9781474431439 |
oclc_num |
1312726864 |
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ids_txt_mv |
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hierarchy_parent_title |
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is_hierarchy_title |
Seeing Degree Zero : Barthes/Burgin and Political Aesthetics / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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"><subfield code="a">Examines the critical concept ‘zero degree’ through the work of Roland Barthes and Victor BurginIn the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes’ 1953 book Writing Degree Zero as just one starting point, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors’ ongoing collaboration with artist and writer Victor Burgin.The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin’s long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, Belledonne and Prairie, which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.Key FeaturesExplores topics including drawing, painting, image, projection, space, architecture, temporalities, gallery spectatorship, the neutral and cinematic heterotopiaIncludes the first print translations of two major projection works by Victor Burgin, Belledonne and Prairie, and two in-depth interviews with Victor BurginRichly illustrated in colourContributors include Christine Bertin, Domietta Torlasco, James O’Leary and Kristen KreiderContributorsChristine Berthin, University of Paris Nanterre, France.Ryan Bishop, Winchester School of Art, the University of Southampton, UK.Victor Burgin, artist and theorist based in the UK. Sean Cubitt, Goldsmiths, University of London, UK.Gordon Hon, writer, artist and filmmaker, and Winchester School of Art, University of Southampton, UK. Kristin Kreider, Royal Holloway, University of London, UK. Sunil Manghani, Winchester School of Art, University of Southampton, UK.James O’Leary, Bartlett School of Architecture, University College London,UK.Domietta Torlasco, is a critical theorist and filmmaker, and Associate Professor of Italian and Comparative Literature at Northwestern University, Illinois, USA."</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. 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