Ovid and Adaptation in Early Modern English Theatre /

Ovid and Adaptation in Early Modern English Theatre / / Lisa Starks.

Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of OvidApplies contemporary theoretical approaches, such as gender/queer/trans studies, feminist ecostudies, hauntology, rhizomatic adaptation, transmedialityUses adaptation studies in analyzing ea...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
VerfasserIn:
Starks, Lisa,
MitwirkendeR:
Casey, Jim,
Chess, Simone,
Feather, Jennifer,
Garrison, John S.,
Geddes, Louise,
Gieskes, Ed,
Kelley, Shannon,
Lauby, Daniel G.,
Oakley-Brown, Liz,
Staines, John D,
Stanivukovic, Goran,
Starks, Lisa S,
Starks, Lisa S.,
Uman, Deborah,
Winiarski, Catherine,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2019
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (296 p.) :; 2 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • Permissions
  • Acknowledgments
  • Notes on Contributors
  • Introduction: Representing “Ovids” on the Early Modern English Stage
  • Part I. Gender/Queer/Trans Studies and Ovidian Rhizomes
  • 1 Queer Gender Informants in Ovid and Shakespeare
  • 2 Women in Trees: Adapting Ovid for John Lyly’s Love’s Metamorphosis (1589)
  • 3 Queer Fidelity: Marlowe’s Ovid and the Staging of Desire in Dido, Queen of Carthage
  • 4 “Let Rome in Tiber melt”: Hermaphroditic Transformation in Antonius and Antony and Cleopatra
  • Part II Ovidian Specters and Remnants
  • 5 Ovid’s Ghosts: Lovesickness, Theatricality, and Ovidian Spectrality on the Early Modern English Stage
  • 6 Medea’s Afterlife: Encountering Ovid in The Tempest
  • 7 Remnants of Virgil, Ovid, and Paul in Titus Andronicus
  • Part III Affect, Rhetoric, and Ovidian Appropriation
  • 8 Power, Emotion, and Appropriation in Ovid’s Tristia and Shakespeare’s Henry V
  • 9 Appropriating Ovid’s Tyrannical Raptures in Macbeth
  • 10 Ovid and the Styles of Adaptation in The Two Gentlemen of Verona
  • Part IV Ovid Remixed: Transmedial, Rhizomatic, and Hyperreal Adaptations
  • 11 “Truly, and very notably discharg’d”: The Metamorphosis of Pyramus and Thisbe and the Place of Appropriation on the Early Modern Stage
  • 12 The Golden Age Rescored?: Ovid’s Metamorphoses and Thomas Heywood’s The Ages
  • 13 “Materia conveniente modis”: Early Modern Dramatic Adaptations of Ovid
  • 14 Worse than Philomel, Worse than Actaeon: Hyperreal Ovid in Shakespeare’s Titus Andronicus
  • Index

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