Twentieth-Century Crime Fiction : : Gender, Sexuality and the Body / / Gill Plain.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
• VerfasserIn: Plain, Gill,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2001
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (272 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: Criminal desires --; Part I Establishing paradigms --; Introduction --; 1 Sacrificial bodies: the corporeal anxieties of Agatha Christie --; 2 When violet yes are smiling: the love stories of Raymond Chandler --; Part II The 'Normal sicence' of detection --; 3 Dividing the men from the boys: Joseph Hansen's economy of the same --; 4 Wounded masculinity and the Homosocial bond: fathers and lovers in the novels of Dick Francis --; 5 V. I. Warshawski and the little red shoes: Sara Paretsky's feminist fairy tales --; 6 Passing/out: the paradoxical possibilities of detective Delafield --; Part III Shifting paradigms --; 7 Out of order: lesbian detection textual pleasure --; 8 Consuming the boundaries of crime: serial killing and the taste for violence --; 9 Postscript: the death of detective? --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474430005; 9783110780468
• DOI: 10.1515/9781474430005
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Gill Plain.

Twentieth-Century Crime Fiction is an illuminating and challenging critical study of this ever popular genre.In the book Gill Plain uses contemporary theories of gender and sexuality to challenge the dominant perception of crime fiction as a conservative genre. The rise of lesbian detection and the impact of serial killing are considered alongside detailed analyses of works by popular writers such as Agatha Christie, Raymond Chandler, Dick Francis and Sara Paretsky.Beginning with a radical reconceptualisation of genre categories, the book goes on to consider recent revisions and reappropriations of the form. The final section focuses on textual pleasure and the destabilising of genre boundaries, raising the timely question of whether the queering of crime fiction represents a revitalising paradigm shift or the conceptual collapse of the genre.The first substantial critical work on twentieth-century crime from a gender perspectiveProvides in-depth textual analysis often missing from studies of popular fictionReappraises the framework within which crime fiction might be studied and taughtSets key 'canonical' crime writers alongside both radical innovators and best-selling populists of the genre