The Edinburgh Companion to Ezra Pound and the Arts / / Roxana Preda.
Showcases Ezra Pound’s close involvement with the arts throughout his careerThe present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 hi...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Companions to Literature and the Humanities
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Physical Description: | 1 online resource (560 p.) :; 87 images, 23 music scores and 6 line drawings |
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Preda, Roxana, author. aut http://id.loc.gov/vocabulary/relators/aut The Edinburgh Companion to Ezra Pound and the Arts / Roxana Preda. Edinburgh : Edinburgh University Press, [2022] ©2019 1 online resource (560 p.) : 87 images, 23 music scores and 6 line drawings text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- Acknowledgements -- List of Abbreviations -- A Brief Introduction -- PART I FOUNDATIONS -- 1 ‘Mermaids, that Carving’: Ezra Pound and Italian Art -- 2 ‘TEMPLUM AEDIFICAVIT’: Ezra Pound and Architecture -- 3 Ezra Pound and East Asian Art -- 4 Ezra Pound and Old Music -- 5 Ezra Pound: Premier Danseur by Proxy -- 6 Time, Speed, Precision and the Poetry of the Everyday; or, Ezra Pound’s Cinema Aesthetic -- PART II THE LONDON PERIOD 1908–1920 -- 7 Ezra Pound and Nineteenth-Century Aestheticism: Sharing ‘Breath for Beauty and the Arts’ with Rossetti and Pater -- 8 Ezra Pound and James McNeill Whistler: Modernism and Conceptual Art -- 9 Ezra Pound and Walter Rummel -- 10 ‘Museum Pieces’: Laurence Binyon, Ezra Pound and the Visual Arts -- 11 Into the Vortex: Ezra Pound, Anarchism and the Ideological Project of Art Criticism -- 12 ‘Intelligence . . . Shut in by the Entrenched Forces of Stupidity’: Ezra Pound and Wyndham Lewis -- 13 Vorticist Photography, or The Three Angles of Ezra Pound and Alvin Langdon Coburn -- 14 ‘Creation and Action’: Ezra Pound and Italian Futurism -- 15 Ezra Pound and Wassily Kandinsky: Inner Necessity and the PARADISO TERRESTRE -- 16 Agnes Bedford: An Invisible Helpmate -- PART III PARIS 1921–1924 -- 17 Constantin Brâncuşi, Vorticist: Sculpture, Art Criticism, Poetry -- 18 Percussive Music for a Triangle: Ezra Pound’s Relationship with George Antheil and Olga Rudge -- 19 ‘Like Coins out of Circulation’: Reframing Ezra Pound’s LE TESTAMENT -- 20 Ezra Pound as Music Theorist: ANTHEIL AND THE TREATISE ON HARMONY -- 21 The Expansion of a Theory: Great Bass and BALLET MÉCANIQUE -- 22 Renaissance Man: Ezra Pound’s Search for a Contemporary Colour Palette Through His Solo Violin Works -- PART IV THE ITALIAN YEARS 1925–1945 -- 23 Ezra Pound’s Artistic Thinking and Relations in Italy, 1925–1945 -- 24 Music Recollected: Ezra Pound’s CAVALCANTI -- 25 VIDA SIN FIN: Ezra Pound and Gerhart Münch -- PART V WASHINGTON: MENTORING THE YOUNG IN THE 1950s -- 26 Sheri Martinelli: The White Goddess -- 27 Art ‘in the Solid’: Ezra Pound and Michael Lekakis -- 28 A ‘Transference of Power’: Ezra Pound and the Cinema of Hollis Frampton -- Notes on Contributors -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Showcases Ezra Pound’s close involvement with the arts throughout his careerThe present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 historically and thematically arranged sections, the 28 chapters foreground the shifting significance of art forms throughout Pound’s life which he spent in London, Paris, Rapallo and Washington.The Companion maps Pound’s practices of engagement with the arts, deepening areas of study that have recently emerged, such as his musical compositions. At the same time, it opens up new fields, particularly Pound’s interaction with the performing arts: opera, dance, and cinema. The volume demonstrates overall that Ezra Pound was no mere spectator of the modernist revolution in the arts; rather he was an agent of change, a doer and promoter who also had a deep emotional response to the arts.Key Features:The first book to gather together all the different aspects of the subject of Pound and the artsChapters are devoted to topics never covered before: (cinema; political anarchism; early music; Agnes Bedford; the artists Munch, Lekakis, Martinelli, Frampton) Presents the ways Pound’s interests and activities in the arts change over time in a continuous story, from his beginnings to his old ageIncludes portraits of friendships and short biographies of artists connected to Pound, showing his personal impact in the arts world Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Modernism (Art). Literary Studies. LITERARY CRITICISM / American / General. bisacsh Adams, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Antliff, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bacigalupo, Massimo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Baker, Jack, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brantley Berryman, Jo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Byron, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cruz Cornejo, Heriberto, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Demetriou, Galateia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dunton, Sara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Edwards, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Elder, R. Bruce, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ferreccio, Giuliana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Fisher, Margaret, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hackbarth, Daniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Haller, Evelyn, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kishbaugh, Justin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Klein, Scott W., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mark, Sean, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marsh, Alec, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Moss, Gemma, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mundye, Charles, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nadel, Ira, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Piccinini, Mauro, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Preda, Roxana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Romer, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smucker, Leslee, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Timbrell, Charles, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tryphonopoulos, Demetres P., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420 https://doi.org/10.1515/9781474429184 https://www.degruyter.com/isbn/9781474429184 Cover https://www.degruyter.com/document/cover/isbn/9781474429184/original |
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Preda, Roxana, Preda, Roxana, |
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Preda, Roxana, Preda, Roxana, The Edinburgh Companion to Ezra Pound and the Arts / Edinburgh Companions to Literature and the Humanities Frontmatter -- Contents -- Acknowledgements -- List of Abbreviations -- A Brief Introduction -- PART I FOUNDATIONS -- 1 ‘Mermaids, that Carving’: Ezra Pound and Italian Art -- 2 ‘TEMPLUM AEDIFICAVIT’: Ezra Pound and Architecture -- 3 Ezra Pound and East Asian Art -- 4 Ezra Pound and Old Music -- 5 Ezra Pound: Premier Danseur by Proxy -- 6 Time, Speed, Precision and the Poetry of the Everyday; or, Ezra Pound’s Cinema Aesthetic -- PART II THE LONDON PERIOD 1908–1920 -- 7 Ezra Pound and Nineteenth-Century Aestheticism: Sharing ‘Breath for Beauty and the Arts’ with Rossetti and Pater -- 8 Ezra Pound and James McNeill Whistler: Modernism and Conceptual Art -- 9 Ezra Pound and Walter Rummel -- 10 ‘Museum Pieces’: Laurence Binyon, Ezra Pound and the Visual Arts -- 11 Into the Vortex: Ezra Pound, Anarchism and the Ideological Project of Art Criticism -- 12 ‘Intelligence . . . Shut in by the Entrenched Forces of Stupidity’: Ezra Pound and Wyndham Lewis -- 13 Vorticist Photography, or The Three Angles of Ezra Pound and Alvin Langdon Coburn -- 14 ‘Creation and Action’: Ezra Pound and Italian Futurism -- 15 Ezra Pound and Wassily Kandinsky: Inner Necessity and the PARADISO TERRESTRE -- 16 Agnes Bedford: An Invisible Helpmate -- PART III PARIS 1921–1924 -- 17 Constantin Brâncuşi, Vorticist: Sculpture, Art Criticism, Poetry -- 18 Percussive Music for a Triangle: Ezra Pound’s Relationship with George Antheil and Olga Rudge -- 19 ‘Like Coins out of Circulation’: Reframing Ezra Pound’s LE TESTAMENT -- 20 Ezra Pound as Music Theorist: ANTHEIL AND THE TREATISE ON HARMONY -- 21 The Expansion of a Theory: Great Bass and BALLET MÉCANIQUE -- 22 Renaissance Man: Ezra Pound’s Search for a Contemporary Colour Palette Through His Solo Violin Works -- PART IV THE ITALIAN YEARS 1925–1945 -- 23 Ezra Pound’s Artistic Thinking and Relations in Italy, 1925–1945 -- 24 Music Recollected: Ezra Pound’s CAVALCANTI -- 25 VIDA SIN FIN: Ezra Pound and Gerhart Münch -- PART V WASHINGTON: MENTORING THE YOUNG IN THE 1950s -- 26 Sheri Martinelli: The White Goddess -- 27 Art ‘in the Solid’: Ezra Pound and Michael Lekakis -- 28 A ‘Transference of Power’: Ezra Pound and the Cinema of Hollis Frampton -- Notes on Contributors -- Bibliography -- Index |
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Preda, Roxana, Preda, Roxana, Adams, Stephen, Adams, Stephen, Antliff, Mark, Antliff, Mark, Bacigalupo, Massimo, Bacigalupo, Massimo, Baker, Jack, Baker, Jack, Brantley Berryman, Jo, Brantley Berryman, Jo, Byron, Mark, Byron, Mark, Cruz Cornejo, Heriberto, Cruz Cornejo, Heriberto, Demetriou, Galateia, Demetriou, Galateia, Dunton, Sara, Dunton, Sara, Edwards, Paul, Edwards, Paul, Elder, R. Bruce, Elder, R. Bruce, Ferreccio, Giuliana, Ferreccio, Giuliana, Fisher, Margaret, Fisher, Margaret, Hackbarth, Daniel, Hackbarth, Daniel, Haller, Evelyn, Haller, Evelyn, Kishbaugh, Justin, Kishbaugh, Justin, Klein, Scott W., Klein, Scott W., Mark, Sean, Mark, Sean, Marsh, Alec, Marsh, Alec, Moss, Gemma, Moss, Gemma, Mundye, Charles, Mundye, Charles, Nadel, Ira, Nadel, Ira, Piccinini, Mauro, Piccinini, Mauro, Preda, Roxana, Preda, Roxana, Romer, Stephen, Romer, Stephen, Smucker, Leslee, Smucker, Leslee, Timbrell, Charles, Timbrell, Charles, Tryphonopoulos, Demetres P., Tryphonopoulos, Demetres P., |
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Adams, Stephen, Adams, Stephen, Antliff, Mark, Antliff, Mark, Bacigalupo, Massimo, Bacigalupo, Massimo, Baker, Jack, Baker, Jack, Brantley Berryman, Jo, Brantley Berryman, Jo, Byron, Mark, Byron, Mark, Cruz Cornejo, Heriberto, Cruz Cornejo, Heriberto, Demetriou, Galateia, Demetriou, Galateia, Dunton, Sara, Dunton, Sara, Edwards, Paul, Edwards, Paul, Elder, R. Bruce, Elder, R. Bruce, Ferreccio, Giuliana, Ferreccio, Giuliana, Fisher, Margaret, Fisher, Margaret, Hackbarth, Daniel, Hackbarth, Daniel, Haller, Evelyn, Haller, Evelyn, Kishbaugh, Justin, Kishbaugh, Justin, Klein, Scott W., Klein, Scott W., Mark, Sean, Mark, Sean, Marsh, Alec, Marsh, Alec, Moss, Gemma, Moss, Gemma, Mundye, Charles, Mundye, Charles, Nadel, Ira, Nadel, Ira, Piccinini, Mauro, Piccinini, Mauro, Preda, Roxana, Preda, Roxana, Romer, Stephen, Romer, Stephen, Smucker, Leslee, Smucker, Leslee, Timbrell, Charles, Timbrell, Charles, Tryphonopoulos, Demetres P., Tryphonopoulos, Demetres P., |
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Preda, Roxana, |
title |
The Edinburgh Companion to Ezra Pound and the Arts / |
title_full |
The Edinburgh Companion to Ezra Pound and the Arts / Roxana Preda. |
title_fullStr |
The Edinburgh Companion to Ezra Pound and the Arts / Roxana Preda. |
title_full_unstemmed |
The Edinburgh Companion to Ezra Pound and the Arts / Roxana Preda. |
title_auth |
The Edinburgh Companion to Ezra Pound and the Arts / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- List of Abbreviations -- A Brief Introduction -- PART I FOUNDATIONS -- 1 ‘Mermaids, that Carving’: Ezra Pound and Italian Art -- 2 ‘TEMPLUM AEDIFICAVIT’: Ezra Pound and Architecture -- 3 Ezra Pound and East Asian Art -- 4 Ezra Pound and Old Music -- 5 Ezra Pound: Premier Danseur by Proxy -- 6 Time, Speed, Precision and the Poetry of the Everyday; or, Ezra Pound’s Cinema Aesthetic -- PART II THE LONDON PERIOD 1908–1920 -- 7 Ezra Pound and Nineteenth-Century Aestheticism: Sharing ‘Breath for Beauty and the Arts’ with Rossetti and Pater -- 8 Ezra Pound and James McNeill Whistler: Modernism and Conceptual Art -- 9 Ezra Pound and Walter Rummel -- 10 ‘Museum Pieces’: Laurence Binyon, Ezra Pound and the Visual Arts -- 11 Into the Vortex: Ezra Pound, Anarchism and the Ideological Project of Art Criticism -- 12 ‘Intelligence . . . Shut in by the Entrenched Forces of Stupidity’: Ezra Pound and Wyndham Lewis -- 13 Vorticist Photography, or The Three Angles of Ezra Pound and Alvin Langdon Coburn -- 14 ‘Creation and Action’: Ezra Pound and Italian Futurism -- 15 Ezra Pound and Wassily Kandinsky: Inner Necessity and the PARADISO TERRESTRE -- 16 Agnes Bedford: An Invisible Helpmate -- PART III PARIS 1921–1924 -- 17 Constantin Brâncuşi, Vorticist: Sculpture, Art Criticism, Poetry -- 18 Percussive Music for a Triangle: Ezra Pound’s Relationship with George Antheil and Olga Rudge -- 19 ‘Like Coins out of Circulation’: Reframing Ezra Pound’s LE TESTAMENT -- 20 Ezra Pound as Music Theorist: ANTHEIL AND THE TREATISE ON HARMONY -- 21 The Expansion of a Theory: Great Bass and BALLET MÉCANIQUE -- 22 Renaissance Man: Ezra Pound’s Search for a Contemporary Colour Palette Through His Solo Violin Works -- PART IV THE ITALIAN YEARS 1925–1945 -- 23 Ezra Pound’s Artistic Thinking and Relations in Italy, 1925–1945 -- 24 Music Recollected: Ezra Pound’s CAVALCANTI -- 25 VIDA SIN FIN: Ezra Pound and Gerhart Münch -- PART V WASHINGTON: MENTORING THE YOUNG IN THE 1950s -- 26 Sheri Martinelli: The White Goddess -- 27 Art ‘in the Solid’: Ezra Pound and Michael Lekakis -- 28 A ‘Transference of Power’: Ezra Pound and the Cinema of Hollis Frampton -- Notes on Contributors -- Bibliography -- Index |
title_new |
The Edinburgh Companion to Ezra Pound and the Arts / |
title_sort |
the edinburgh companion to ezra pound and the arts / |
series |
Edinburgh Companions to Literature and the Humanities |
series2 |
Edinburgh Companions to Literature and the Humanities |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (560 p.) : 87 images, 23 music scores and 6 line drawings |
contents |
Frontmatter -- Contents -- Acknowledgements -- List of Abbreviations -- A Brief Introduction -- PART I FOUNDATIONS -- 1 ‘Mermaids, that Carving’: Ezra Pound and Italian Art -- 2 ‘TEMPLUM AEDIFICAVIT’: Ezra Pound and Architecture -- 3 Ezra Pound and East Asian Art -- 4 Ezra Pound and Old Music -- 5 Ezra Pound: Premier Danseur by Proxy -- 6 Time, Speed, Precision and the Poetry of the Everyday; or, Ezra Pound’s Cinema Aesthetic -- PART II THE LONDON PERIOD 1908–1920 -- 7 Ezra Pound and Nineteenth-Century Aestheticism: Sharing ‘Breath for Beauty and the Arts’ with Rossetti and Pater -- 8 Ezra Pound and James McNeill Whistler: Modernism and Conceptual Art -- 9 Ezra Pound and Walter Rummel -- 10 ‘Museum Pieces’: Laurence Binyon, Ezra Pound and the Visual Arts -- 11 Into the Vortex: Ezra Pound, Anarchism and the Ideological Project of Art Criticism -- 12 ‘Intelligence . . . Shut in by the Entrenched Forces of Stupidity’: Ezra Pound and Wyndham Lewis -- 13 Vorticist Photography, or The Three Angles of Ezra Pound and Alvin Langdon Coburn -- 14 ‘Creation and Action’: Ezra Pound and Italian Futurism -- 15 Ezra Pound and Wassily Kandinsky: Inner Necessity and the PARADISO TERRESTRE -- 16 Agnes Bedford: An Invisible Helpmate -- PART III PARIS 1921–1924 -- 17 Constantin Brâncuşi, Vorticist: Sculpture, Art Criticism, Poetry -- 18 Percussive Music for a Triangle: Ezra Pound’s Relationship with George Antheil and Olga Rudge -- 19 ‘Like Coins out of Circulation’: Reframing Ezra Pound’s LE TESTAMENT -- 20 Ezra Pound as Music Theorist: ANTHEIL AND THE TREATISE ON HARMONY -- 21 The Expansion of a Theory: Great Bass and BALLET MÉCANIQUE -- 22 Renaissance Man: Ezra Pound’s Search for a Contemporary Colour Palette Through His Solo Violin Works -- PART IV THE ITALIAN YEARS 1925–1945 -- 23 Ezra Pound’s Artistic Thinking and Relations in Italy, 1925–1945 -- 24 Music Recollected: Ezra Pound’s CAVALCANTI -- 25 VIDA SIN FIN: Ezra Pound and Gerhart Münch -- PART V WASHINGTON: MENTORING THE YOUNG IN THE 1950s -- 26 Sheri Martinelli: The White Goddess -- 27 Art ‘in the Solid’: Ezra Pound and Michael Lekakis -- 28 A ‘Transference of Power’: Ezra Pound and the Cinema of Hollis Frampton -- Notes on Contributors -- Bibliography -- Index |
isbn |
9781474429184 9783110780420 |
url |
https://doi.org/10.1515/9781474429184 https://www.degruyter.com/isbn/9781474429184 https://www.degruyter.com/document/cover/isbn/9781474429184/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.92 |
dewey-sort |
3700.92 |
dewey-raw |
700.92 |
dewey-search |
700.92 |
doi_str_mv |
10.1515/9781474429184 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>09051nam a22009975i 4500</leader><controlfield tag="001">9781474429184</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20222019stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474429184</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474429184</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)619393</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312726572</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">700.92</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Preda, Roxana, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Edinburgh Companion to Ezra Pound and the Arts /</subfield><subfield code="c">Roxana Preda.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (560 p.) :</subfield><subfield code="b">87 images, 23 music scores and 6 line drawings</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Edinburgh Companions to Literature and the Humanities</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">List of Abbreviations -- </subfield><subfield code="t">A Brief Introduction -- </subfield><subfield code="t">PART I FOUNDATIONS -- </subfield><subfield code="t">1 ‘Mermaids, that Carving’: Ezra Pound and Italian Art -- </subfield><subfield code="t">2 ‘TEMPLUM AEDIFICAVIT’: Ezra Pound and Architecture -- </subfield><subfield code="t">3 Ezra Pound and East Asian Art -- </subfield><subfield code="t">4 Ezra Pound and Old Music -- </subfield><subfield code="t">5 Ezra Pound: Premier Danseur by Proxy -- </subfield><subfield code="t">6 Time, Speed, Precision and the Poetry of the Everyday; or, Ezra Pound’s Cinema Aesthetic -- </subfield><subfield code="t">PART II THE LONDON PERIOD 1908–1920 -- </subfield><subfield code="t">7 Ezra Pound and Nineteenth-Century Aestheticism: Sharing ‘Breath for Beauty and the Arts’ with Rossetti and Pater -- </subfield><subfield code="t">8 Ezra Pound and James McNeill Whistler: Modernism and Conceptual Art -- </subfield><subfield code="t">9 Ezra Pound and Walter Rummel -- </subfield><subfield code="t">10 ‘Museum Pieces’: Laurence Binyon, Ezra Pound and the Visual Arts -- </subfield><subfield code="t">11 Into the Vortex: Ezra Pound, Anarchism and the Ideological Project of Art Criticism -- </subfield><subfield code="t">12 ‘Intelligence . . . Shut in by the Entrenched Forces of Stupidity’: Ezra Pound and Wyndham Lewis -- </subfield><subfield code="t">13 Vorticist Photography, or The Three Angles of Ezra Pound and Alvin Langdon Coburn -- </subfield><subfield code="t">14 ‘Creation and Action’: Ezra Pound and Italian Futurism -- </subfield><subfield code="t">15 Ezra Pound and Wassily Kandinsky: Inner Necessity and the PARADISO TERRESTRE -- </subfield><subfield code="t">16 Agnes Bedford: An Invisible Helpmate -- </subfield><subfield code="t">PART III PARIS 1921–1924 -- </subfield><subfield code="t">17 Constantin Brâncuşi, Vorticist: Sculpture, Art Criticism, Poetry -- </subfield><subfield code="t">18 Percussive Music for a Triangle: Ezra Pound’s Relationship with George Antheil and Olga Rudge -- </subfield><subfield code="t">19 ‘Like Coins out of Circulation’: Reframing Ezra Pound’s LE TESTAMENT -- </subfield><subfield code="t">20 Ezra Pound as Music Theorist: ANTHEIL AND THE TREATISE ON HARMONY -- </subfield><subfield code="t">21 The Expansion of a Theory: Great Bass and BALLET MÉCANIQUE -- </subfield><subfield code="t">22 Renaissance Man: Ezra Pound’s Search for a Contemporary Colour Palette Through His Solo Violin Works -- </subfield><subfield code="t">PART IV THE ITALIAN YEARS 1925–1945 -- </subfield><subfield code="t">23 Ezra Pound’s Artistic Thinking and Relations in Italy, 1925–1945 -- </subfield><subfield code="t">24 Music Recollected: Ezra Pound’s CAVALCANTI -- </subfield><subfield code="t">25 VIDA SIN FIN: Ezra Pound and Gerhart Münch -- </subfield><subfield code="t">PART V WASHINGTON: MENTORING THE YOUNG IN THE 1950s -- </subfield><subfield code="t">26 Sheri Martinelli: The White Goddess -- </subfield><subfield code="t">27 Art ‘in the Solid’: Ezra Pound and Michael Lekakis -- </subfield><subfield code="t">28 A ‘Transference of Power’: Ezra Pound and the Cinema of Hollis Frampton -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Showcases Ezra Pound’s close involvement with the arts throughout his careerThe present volume of new, interdisciplinary scholarship investigates the arts with which Pound had a lifelong interaction including architecture, ballet, cinema, music, painting, photography and sculpture. Divided into 5 historically and thematically arranged sections, the 28 chapters foreground the shifting significance of art forms throughout Pound’s life which he spent in London, Paris, Rapallo and Washington.The Companion maps Pound’s practices of engagement with the arts, deepening areas of study that have recently emerged, such as his musical compositions. At the same time, it opens up new fields, particularly Pound’s interaction with the performing arts: opera, dance, and cinema. The volume demonstrates overall that Ezra Pound was no mere spectator of the modernist revolution in the arts; rather he was an agent of change, a doer and promoter who also had a deep emotional response to the arts.Key Features:The first book to gather together all the different aspects of the subject of Pound and the artsChapters are devoted to topics never covered before: (cinema; political anarchism; early music; Agnes Bedford; the artists Munch, Lekakis, Martinelli, Frampton) Presents the ways Pound’s interests and activities in the arts change over time in a continuous story, from his beginnings to his old ageIncludes portraits of friendships and short biographies of artists connected to Pound, showing his personal impact in the arts world</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Modernism (Art).</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / American / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Adams, Stephen, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Antliff, Mark, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bacigalupo, Massimo, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baker, Jack, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brantley Berryman, Jo, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Byron, Mark, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cruz Cornejo, Heriberto, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Demetriou, Galateia, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Dunton, Sara, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Edwards, Paul, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Elder, R. 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