Conceiving Desire in Lyly and Shakespeare : : Metaphor, Cognition and Eros / / Gillian Knoll.
Explores the role of the mind in creating erotic experience on the early modern stageAdvances a new critical methodology that credits the role of cognition in the experience of erotic desire, and pleasure itselfExplores the philosophical underpinnings of erotic metaphors, drawing from ancient, early...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Critical Studies in Shakespeare and Philosophy : ECSSP
|
Online Access: | |
Physical Description: | 1 online resource (288 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- CONTENTS
- Acknowledgements
- Series Editor’s Preface
- Introduction
- PART I: MOTION
- Introduction: The Physics and Metaphysics of Metaphor
- 1. The Erotic Potential of Idleness in Lyly’s Drama
- 2. The ‘Raging Motions’ of Eros on Shakespeare’s Stage
- PART II: SPACE
- Introduction: In Love
- 3. ‘A petty world of myself ’: Intimacy and Erotic Distance in Endymion
- 4. Binding the Void: The Erotics of Place in Antony and Cleopatra
- PART III: CREATIVITY
- Introduction: Erotic Subject, Object, Instrument
- 5. ‘Love’s Use’ in Campaspe
- 6. ‘You lie, in faith’: Making Marriage in The Taming of the Shrew
- Conclusion: Metaphorical Constraints: Making ‘frenzy . . . fine’
- Bibliography
- Index