Worldly Desires : : Cosmopolitanism and Cinema in Hong Kong and Taiwan / / Brian Hu.
Examines the role that cinema played in imagining Hong Kong and Taiwan’s place in the worldHow does cinema imagine our place in the world? This book looks at the studios, films and policies that charted the transnational vision of Hong Kong and Taiwan, two places with an uneasy relationship to the i...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Edinburgh Studies in East Asian Film : ESEAF
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| Online Access: | |
| Physical Description: | 1 online resource (264 p.) :; 20 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures and Tables
- Acknowledgments
- Notes on Romanization
- Introduction
- Chapter 1. Melodramas of Arrival and Departure: Jet-set Students in 1970s Taiwanese Romance
- Chapter 2. ABCs, Mixed-race Stars, and Other Monsters of Globalization
- Chapter 3. Setting the Stage: Hong Kong Musical Stars Take on the World
- Chapter 4. All the Right Moves: Mobile Heroes and the Shaolin Temple Film
- Chapter 5. The Cosmopolitan Brand: Film Policy as Cultural Work in the International Film Market
- Conclusion
- Works Cited
- Index