Cultivating Extreme Art Cinema : : Text, Paratext and Home Video Culture / / Simon Hobbs.
Examines the phenomenon of extreme cinema through an in-depth application of paratextual theoryUsing paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema: Text, Paratext, and Home Video Culture focuses upon the DVD and Bl...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (240 p.) :; 15 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- CHAPTER 1 Introduction
- CHAPTER 2 Art and Exploitation: Crossover, Slippage and Fluidity
- CHAPTER 3 Early Extremity on DVD: History, Precursors and Exploitation Auteurs
- CHAPTER 4 Weekend and Cannibal Holocaust: Art, Ballyhoo and Remediation
- CHAPTER 5 Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disgust
- CHAPTER 6 Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility
- CHAPTER 7 Michael Haneke: Glaciation, Legitimacy and Transgression
- CHAPTER 8 Lars von Trier: Provocation, Condemnation and Confrontation
- CHAPTER 9 Conclusion
- Bibliography
- Index